Richard Whitby’s career in music had blossomed, and after years of hard work, he was offered Second Chair Trombone in John Philip Sousa’s band, and First Chair upon the lead trombonist’s imminent retirement. It was a tremendous honor, and highly regarded confirmation of his great talent, but there was a problem: Richard was still under contract to Carl Edouarde, who had no intentions of releasing him from a prominent run at New York’s Palace Theater. Continue reading
Obituaries vary widely in their historical value. Sometimes they’re elaborate; at times they are understated; some leave out important facts; and some, well … some are just hard to explain. Like this one from March 1952: “Richard A. Whitby, a native of Warrensburg, died on Wednesday of last week at his home in Albany. Survivors are his wife, Mrs. Kathryn M. Waring Whitby; two sisters, Mrs. Frank Chapman and Miss Kate Whitby of Yonkers.” Continue reading
Are your kids interested in history? Do they like to learn about people and events of the past? Do they like to pretend to be those people or live in that time period? Then the multi-county 4-H Living History program might be for your kids. This is an excellent program for home school youth or public schooled children, who are ages seven and older, to explore their heritage, community, and expand their knowledge of local history. Continue reading
From Leave It to Beaver to Desperate Housewives, viewers have been presented with visions of suburbia that are simultaneously pastoral and gothic, nostalgic and repressive. Using still photos and video, Professor Keith Wilhite, Assistant Professor of English, Siena College, will show how popular culture constructs specific images of suburbia, as well as how those images change along with postwar suburban development. Continue reading
As part of Queensbury’s 250th anniversary celebration, the Chapman Museum has opened a new exhibit, Queensbury’s Boom: from Country to Suburb. The exhibit explores the post World War Two development of Queensbury from a rural township to a bustling community. Continue reading
One hundred fifty years ago this country was torn apart by a great civil war. The Adirondack Museum will host a weekend dedicated to remembering the Civil War in the Adirondacks, the men who fought it and their loved ones at home, this Saturday, July 21 and Sunday, July 22.
Visitors will be able to meet the members of the 118th Volunteer Infantry (the “Adirondack” Regiment”) and President Lincoln at a Civil War Encampment and learn the fate of Adirondack Civil War soldiers of the 118th themselves at a specially produced presentation by author Glenn Pearsall on Saturday (7:00 p.m.) entitled “The Adirondacks Go To War: 1861 – 1865.”
In the Adirondacks many young men, boys really, left their hard scrabble farms and small towns for the first time in their lives to enlist. Learn what their thoughts were as they marched off to war and how they reacted to the horrors of war. Hear what it was like for the wives, children, mothers and father that they left behind, as well as the lasting impact of the war on the small towns in the Adirondacks following the war.
Pearsall spent two years researching the Civil War veterans from Johnsburg in the southeastern Adirondacks before preparing this special program based on letters and journals (which will be read by a Civil War re-enactors in uniform). The presentation will also include over 100 historic photographs of soldiers and battlefield scenes. “Each member of the audience will be given a name of a soldier from the Adirondacks who fought in the war and will ultimately find out if they survived the war,” he told the New York History.
Pearsall’s presentation will focus on men serving with the 22nd New York (one of the first to respond to President Lincoln’s call to arms and recruited in Warren and Saratoga Counties), the 93rd (recruited from Essex, Fulton, Hamilton and Warren Counties who suffered horrific losses in the contest between U.S. Grant and Robert E. Lee), the 96th or “Plattsburgh Regiment” (recruited primarily from Clinton County), the 115th (recruited from Hamilton and Fulton Counties) and the 118th or “Adirondack Regiment” (recruited from Clinton, Essex and Warren Counties, the first regiment to enter the Confederate capital in Richmond on its fall). Pearsall will also explain a special Adirondack link to the capture of John Wilkes Booth, assassin of President Abraham Lincoln.
The “Adirondack Regiment” will also be the focus of the weekend-long encampment at the Museum. Mustered into service in August 1862, over one thousand North Country men served in the unit. Re-enactors will camp at the museum and share stories of camp life, and what it was like to be a soldier in the Civil War. Visitors will learn about the 118th assignments and movements, the battles they fought in, and the historic moment when General Robert E. Lee surrendered at the Appomattox Court House.
President Lincoln will be portrayed by John R. Baylis, who has appeared as the 16th President of the United States at Gettysburg, Antietam, Cedar Creek, Ottawa, and as far south as Key West.
Pearsall’s presentation will be held in the Auditorium at 7:00 p.m. The program will be offered at no charge to museum members; the fee for non-members is $5.00. For additional information, please visit www.adirondackmuseum.org or call (518) 352-7311.
Photo: A volunteer infantry soldier of the 118th “Adirondack Regiment” (circa 1863, courtesy Adirondack Museum).
The Hyde Collection in Glens Falls (Warren County) is offering visitors an unprecedented opportunity to see the remarkable Portrait of Walt Whitman (1887-1888) by Thomas Eakins (1844-1914).
The Whitman portrait is considered one of Eakins’s finest paintings, and only rarely leaves Philadelphia, where it is a featured work in the collection of the Pennsylvania Academy of Fine Arts (PAFA). The image of one of America’s most influential poets, by one of the nation’s greatest artists, will be in Glens Falls for six months, as a second exchange for the year-long loan of The Hyde Collection’s Portrait of Henry Ossawa Tanner (ca. 1897) by Eakins. Continue reading
A new exhibition has opened at the New York State Museum showcasing the works of Adirondack photographer and conservationist Seneca Ray Stoddard.
Seneca Ray Stoddard: Capturing the Adirondacks is open through February 24, 2013 in Crossroads Gallery and includes over 100 of Stoddard’s photographs, an Adirondack guideboat, freight boat, camera, copies of Stoddard’s books and several of his paintings.
There also are several Stoddard photos of the Statue of Liberty and Liberty Island. These and other items come from the State Museum’s collection of more than 500 Stoddard prints and also from the collections of the New York State Library and the Chapman Historical Museum in Glens Falls.
Born in Wilton, Saratoga County in 1844, Stoddard was no doubt inspired by the Adirondacks at an early age. A self-taught painter, he was first employed as an ornamental painter at a railroad car manufacturer in Green Island, across the Hudson River from Troy in Albany County. He moved to Glens Falls (Warren County) in 1864, where he worked with sketches and paintings until his death there in 1917.
Early on he sought to preserve the beauty of the Adirondacks through his paintings but then became attracted to photography’s unique ability to capture the environment. He was one of the first to capture the Adirondacks through photographs. He used the then recently introduced wet-plate process of photography. Though extremely cumbersome by today’s standards, the technique was the first practical way to record distant scenes. It required Stoddard to bring his entire darkroom with him into the Adirondack wilderness.
His renown as a photographer quickly grew once he settled in Glens Falls, which also became his base camp for his explorations of the Adirondacks. He studied the Adirondacks intensely over a 50-year period.
Stoddard’s photos showed the challenges travelers faced in getting to the still undeveloped wilderness, along with their enjoyment of finally reaching their destination. His writings and photographs indicate that he was especially skilled at working with people from diverse economic backgrounds in a variety of settings. This was especially important as he used his photos to capture the changing Adirondack landscape as railroads were introduced and the area became an increasingly important destination for the burgeoning middle-class tourist, but also for the newly wealthy during the “Gilded Age.”
His work stimulated even further interest as he promoted the Adirondacks through his photographs and writings on the beauty, people and hotels of the region. Stoddard’s photographs showed the constancy of the natural beauty of the Adirondacks along with the changes that resulted from logging and mining, to hotels and railroads. As unregulated mining and logging devastated much of the pristine Adirondack scenery, Stoddard documented the loss and used those images to foster a new ethic of responsibility for the landscape. His work was instrumental in shaping public opinion about tourism, leading in part to the 1892 “Forever Wild” clause in the New York State Constitution.
The State Museum purchased over 500 historic Stoddard prints in 1972 in the process of acquiring historic resources for the Museum’s Adirondack Hall. They included albumen prints from Stoddard’s own working files, many with penciled notes. Nearly all are of the landscapes, buildings and people of the Adirondacks taken primarily in the 1870s and 1880s.
The State Museum will present several programs in conjunction with the Stoddard exhibition. There will be guided tours of the exhibition on September 8 and December 8 from 1-2 p.m. Stoddard will also be the focus of Family Fun Day on September 15 from1-4 p.m.
Established in 1836, the New York State Museum is a program of the State Education Department’s Office of Cultural Education. Located on Madison Avenue in Albany, the Museum is open Monday through Saturday from 9:30 a.m. to 5 p.m. except on Thanksgiving, Christmas and New Year’s Day. Admission is free. Further information can be obtained by calling (518) 474-5877 or visiting the Museum website at www.nysm.nysed.gov.
Photo: Stoddard’s “Indian Encampment, Lake George, 1872”.
When Sally Svenson, an summer resident of Lake Luzerne and occasional contributor to Adirondack Life magazine, was writing Adirondack Churches: A History of Design and Building (2006, North Country Books) , she stumbled upon the life of Eliza Warren Price, known as Lily, Duchess of Marlborough.
Lily, who was born in Troy, NY in 1854, was reported in an old history to have provided the funds for a chapel at st. Mary’s Episcopal Church in Lake Luzerne. That turned out to be a questionable assertion, but Svenson found Lily’s obituary in the New York Times and was hooked on her incredible life story which is told in Lily, Duchess of Marlborough (1854-1909): A Portrait with Husbands (2011, Dog Ear Publishing). Continue reading
The company once sold Skiroule snowmobiles, Hobie Cat sailboats, and even its on pop-up trailers, but most recreationists are familiar with some of the smaller Coleman products: coolers, canoes and other small boats, sleeping bags, tents, backpacks, and the ubiquitous camp stoves and Coleman lanterns.
The company was founded in 1900 by William Coffin Coleman, known as “W. C.”, and a former school school principal working as a typewriter salesman who founded the company while earning money for law school. Coleman’s obsession with a lantern that burned a bright white light is matched by legions of Coleman collectors, who pour over the company’s American made designs (Coleman was born in Columbia County, NY and moved to the mid-west) and trade stories and knowledge.
The International Coleman Collectors Club will hold it’s 20th Anniversary Convention at the Fort William Henry Convention Center in Lake George on June 28th and 30th [link]. The event, the first convention to be held in the Northeast, will feature collectors from throughout the United States and Canada and as far away as Germany, Denmark, and The Philippines. Thirty-eight tables filled with Coleman products from the early 1900s onward, some for sale, and a seminars on lantern restoration, how mantles are made, and the Coleman Model 202 Professional lantern, a nickle-plated beauty made from the mid-1950s to the early 1960s. A highlight of the event will be two outdoor Coleman “light-ups”.
Steve and Robin Miller of Queensbury are serving as hosts of the gathering. “I thought this would be a perfect place to hold a camping equipment show, right here in Lake George,” Steve Miller told me. “We thought that this would be a great place for the collectors from around the world, as it is very beautiful here and there is so much to do,” he said, “Lake George also has the only Coleman outlet store in the northeast, just a few miles up the road from the convention center.”
The Millers have been collecting Coleman gear for about 25 years and have about 200 Coleman lanterns, stoves, gas irons, and more, but they are quick to point out that there will be even more knowledgeable “Coleman people” at the convention, including several who have worked at the Coleman company in Wichita, KS over the years.
The event will be open to the public on Saturday only, from 9 am to 1 pm, but it’s not too late to register for the convention (pdf).
Two “light-ups” will be held. The first in the Fort William Henry parking lot on Thursday at 8:30 pm, and the second on Friday night at the Georgian Resort’s beach, beginning about 7-8:00 pm (bring your lanterns!).
Photos: Above, Steve and Robin Miller, Coleman Collectors; Below, part of the Millers’ large Coleman lantern collection.