The town of Williamstown, Massachusetts is currently restoring some artifacts from a pretty much forgotten celebration of two important events in New York State history.
In the fall of 1909, various activities took place from New York City up to Albany to commemorate Hendrick Hudson’s 1609 trip up the river that would come to bear his name, and also the 1809 steamboat trip on the river by Robert Fulton’s Clermont.
In connection with the Hudson-Fulton Celebration, several sculptures were positioned at the top of State Street hill in Albany, on the eastern side of the Capitol building. A statue of Hendrick Hudson stood at a vantage point above the river, with a lion on either side of him. Made of plaster of paris, they were presumably the molds for bronze statues whose whereabouts have been lost to history.
After the celebrations were over, the Albany statues were moved inside the Capitol, where they were on display with the battle flags and other artifacts from the Civil War. There, they greeted visitors for some 40 years. Then, in 1954, Hudson and his lions, along with statues of Christopher Columbus and Sir Walter Raleigh were unceremoniously removed. Some renovations were being undertaken in the Capitol, and the State Budget Division found it a convenient excuse to dispose of the five statues.
A contract was given to Daniel A. Lanzetta, who owned a marble works in Albany, for some of the renovation work and it included the removal of five statutes. The pieces were hauled to Lanzetta’s business, located on South Pearl Street, where they were to be destroyed. “We aren’t to bring them back,” said Lanzetta, quoted in the Knickerbocker News on March 31, 1954. “They’re to be destroyed. The state doesn’t want them any more.” Lanzetta did offer to give any of the items away, so long as the takers would bear the cost of their transportation.
During the move from the Capitol, Hudson’s head had become separated from his body, adding to the indignity of the occasion. Newspapers reported, however, that re-attaching the head (which was reported to be sitting in a bird bath at Lanzetta’s) could be easily accomplished. A sixth sculpture, of an Albany soldier who had been killed in World War I, was treated with more honor, and was moved to a different spot in the Capitol.
Some complaints were raised, especially by David Lithgow, who had sculpted the statue of the soldier, who claimed that one of the pieces of artwork had been created by noted sculptor Daniel Chester French. (If any of the pieces were the handiwork of French, it must have been either Columbus or Raleigh, since Albany resident, Miriam Clausen, came forward to say that her uncle, Charles Lewis Hinton, had created the Hudson piece — and, one might suspect — also the lions.) Lithgow faulted “ignorant politicians” for the travesty. He asked the Knickerbocker News: “Don’t they know it’s important to keep a link with the past?” The Budget Division said that the State Historian and the State Librarian had indicated they had little knowledge of the statues’ provenances, and had doubted their historical significance. The State Museum claimed they’d not been consulted about the removal of the artwork, but also said they had no use for them.
Though the mayor of the city of Hudson made inquiries about obtaining the decapitated Hudson figure, it is uncertain what became of it, and what happened to the Columbus and Raleigh pieces. As for the lions, despite a plea made by the Albany Lions Club to Governor Thomas E. Dewey, they stayed at Lanzetta’s. There — though spared from immediate destruction — they stood for a decade beneath a canopy, where they were only minimally protected from the ravages of Albany’s winter weather.
Somehow, a man named Albert Bachand became aware of their existence. The lions, he thought, would make impressive decorations for a mobile home park he had built in Williamstown, Massachusetts. Bachand’s park, called The Spruces, was not quite your average trailer park: its features included, for example, an ornamental pool with spouting fountains that made singing noises.
About 1965, Bachand purchased the lions from Lanzetta and had them transported to his park, where, standing atop platforms supported by pillars, they graced the entrance. One lion suffered damage during the move, and Bachand had to use a quarter-ton of cement to effect repairs.
In 2011, Hurricane Irene sent the Hoosic River over its banks, and the flooding wreaked terrific damage to most of the mobile homes, forcing the relocation of many residents. Eventually, the town purchased the property via disaster funding. Though the park belongs to history now, the lions — which through the years have become local landmarks — will remain on guard at their stations, restored to their original leonine stateliness.
Author note: it is an unusual coincidence, but Hendrick Hudson’s lions were not the only pair that were relocated from Albany to Williamstown. A pair of stone lions that had graced the Ezra Parmalee Prentice mansion at the south end of Albany also made the trip. They were taken from Prentice’s Mount Hope estate to his Mount Hope Farm, located on Green River Road in Williamstown, probably sometime in the late 1920s or 1930s. In 1962, the Prentice lions, reportedly made of stone rather than plaster, were boxed up and trucked to another Prentice family farm, operated by American Breeders Service near Madison, Wisconsin.
Photo: Lions at the Spruces, Williamtown, Massachusetts, in 2012, courtesy Wikimedia Commons user Beyond My Ken.
A wonderful although sad story. Thank you for keeping the past alive.
Albany has so much history yet somehow doesn’t know how to preserve it and use it for the education of its citizens. I recall before route 787 was built, the site of the Dutch fort Orange was discovered. Then they put 787 right over the site. Lately the replica of Henry Hudson’s Half Moon was sent off to the Netherlands (where it is currently touring) because no-one wanted to give it a home here. And the historic old city was given its own “Brazillia” by Gov. Rockefeller.
Hi. I’m researching the 1893 Chicago World’s Fair. It’s possible the lion statues came from there. After the Fair closed, the Chicago Tribune ran daily reports about its dismantling. On November 21st, 1893 the newspaper ran the following, “The two large lions, made of staff, that have ornamented the approach to the New York Building, were taken down yesterday and will be sent to Albany, where they will be placed in an exactly similar position at the State building. They were designed by Potter, from an Italian model.”
Possibly they did come from the 1893 Columbian Exposition. This photo of the New York Building shows lions on either side of the staircase leading up to the building’s entrance. https://c8.alamy.com/comp/D55FPW/worlds-columbian-exposition-new-york-state-building-chicago-united-D55FPW.jpg.
A discussion on the design and creation of the lions at the New York State Building begins at the bottom of this page, and continues in more detail on the following page.
https://books.google.com/books?id=GEfoVhhXhgkC&newbks=1&newbks_redir=0&dq=lions%20%22new%20york%20state%20building%22%20%22columbian%20exposition%22&pg=PA93#v=onepage&q&f=false
Nice find! I didn’t know the history about the Barberini Palace in Italy that served as the model for the World’s Fair NY lions.
As soon as the Fair ended, all of the outdoor “staff” sculptures were painted to protect them from the Chicago weather. Fair officials hoped that they would be cast as permanent bronze statues later. A pair of miniatures of two women with bulls are now at Garfield Park in Chicago and another gilded miniature statue in Jackson Park. (Actually, one maiden + bull is a reproduction of the cast. Long story.) I’m not sure how many other bronzes were ever made.
Seems a shame bronze casts weren’t made of the lions. But then again, New York was still pretty sore that Chicago got the Fair.
Hi David. Thanks for getting in touch. I wasn’t able to reply to you (bounced back), so I’m posting here. I look forward to a future article. Thanks for crediting me!