Tag Archives: Photography

Brooklyn Museum to Open Lorna Simpson Photography Exhibition

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Brooklyn-based artist and photographer Lorna Simpson will have a solo exhibition at Brooklyn Museum. Lorna Simpson: Gathered presents photographic and other works that explore the artist’s interest in the interplay between fact and fiction, identity, and history. Through works that incorporate hundreds of original and found vintage photographs of African Americans that she collected from eBay and flea markets, Simpson undermines the assumption that archival materials are objective documents of history. The exhibition will be open to the public January 28 through August 21, 2011.

The exhibition also includes examples of Simpson’s series of installations of black-and-white photo-booth portraits of African Americans from the Jim Crow era and a new film work.

Lorna Simpson: Gathered is organized by Catherine Morris, Curator of the Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum.

Photo: Lorna Simpson (American, b. 1960). 1957-2009 Interiors (detail), 2009. Gelatin silver print. 5 1/2 x 5 1/2 inches each (14 x 14 cm); overall dimensions variable. © Lorna Simpson, 2009; courtesy of the artist and Salon 94, New York

Times Square Photos Wanted by New-York Historical Society

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Photographers are encouraged to share their perspective on historic location in New York City by January 31, 2011 for a chance at a first place prize of $500. The New-York Historical Society is soliciting digital photographs of contemporary Times Square from West 42nd to 47th Streets at Broadway or Seventh Avenue. Photographers should look to capture exterior architecture, outdoor portraits, group snapshots, billboards and advertisements and interior images of notable area buildings. Everyone, from serious amateur photographers to tourists is welcome to participate.

Photograph submissions should be sent to contest@nyhistory.org in either GIF, JPG, or PNG format, and be at least 3000 x 3600 pixels to 6000 x 7200 pixels (or 20” x 24”). Please include a title for the photo, a description of the relevance of the photo to Times Square, where and when the photo was taken and the identity of each person who is depicted in the photo and the photographer’s name so work can be attributed. Complete submission guidelines are online.

Photo: Times Square, 1922.

Buffalo’s Central Park: Photography, Architecture

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Proud Buffalonians and Erie County local history and architecture buffs will find a new book, Central Park, Buffalo, New York: A Neighborhood of History and Tradition, a unique glimpse at one of the first planned neighborhoods in Western New York.

The 214-page, full color, photo-based thoroughly documented coffee-table book takes readers on a tour of the Central Park’s graceful homes, historic churches and tree-lined streets. The book is available at the Buffalo & Erie County Historical Society’s Museum Shop. The price is $39.95, and all proceeds go directly to the Museum.

Central Park was planned and developed by Lewis J. Bennett, a successful entrepreneur who moved to Buffalo from the Hudson Valley. Bennett planned and named the streets, as well as many other amenities which enticed people to build homes in Central Park. As the book reveals the neighborhood’s history and streets, the reader is introduced to past residents, including business pioneers Bob Rich, John J. Boland, Adam E. Cornelius and Edward Barcolo; literary critic Leslie Fiedler; painter Robert Blair, and his brother, Charles Blair, a dashing war hero and aviator who married Hollywood legend Maureen O’Hara.

The book project was originally inspired by Rev. Samuel McCune, an amateur historian, who looked out of his Morris Avenue home and wondered who the street was named after. Rev. McCune embarked on several years of research, compiling information and historic pictures which are used in the volume.

It features photography by the late Dr. Peter Hare and other local photographers. James R. Arnone, a local attorney, wrote the text and took many of the photographs as well. The book also features recollections by the late Bob Venneman (1912-1998) of his experience living his entire life in Central Park, and especially during the relative early days of its development.

Note: Books noticed on this site have been provided by the publishers. Purchases made through this Amazon link help support this site.

NY Historical Society SeeksTimes Square Photos

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The New-York Historical Society is soliciting digital photographs of contemporary Times Square from West 42nd to 47th Streets at Broadway or Seventh Avenue. Photographers are encouraged to share their perspective on historic Times Square in New York City by submitting photos taken between November 21, 2010 to March 31, 2011

Photographers should look to capture exterior architecture, outdoor portraits, group snapshots, billboards and advertisements and interior images of notable area buildings. Everyone, from serious amateur photographers to tourists are invited to submit photographs.

Photograph submissions should be sent to photos@nyhistory.org in either GIF, JPG, or PNG format, and be at least 1,200 x 1,500 pixels *or 8” by 10”. Include the photographer’s name so work can be attributed. Complete submission guidelines are online.

Photo: Times Square, 1922.

Plowline: Images of Rural NY Project Launched

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In 1960, New York State was home to 88,000 active farms; today that number has decreased to roughly 36,000 farms – a decline of nearly 60% in 40 years. In response, The Farmers’ Museum in historic Cooperstown, NY is assembling an exciting collection of original photography to chronicle and preserve the changes in agricultural practice, rural life, and farming families of New York State from the 19th century through the present.

With the generous support of the Gipson Family, Plowline: Images of Rural New York is a resource not only for the scholarly community but also for the public to learn more about the rural heritage of New York State. Cooperstown photographer and museum visitor Andy Baugnet comments, “We cannot turn back the hands of time. However, the Plowline collection will allow us to view the past and experience how agriculture left its mark on New York State’s economic and cultural landscapes.”

Plowline presents beautiful black and white 1950s photographs of New York farm scenes such as harvesting the fall bounty, maple sugaring and horse-pulling. The collection also includes important aerial photographs of regional communities, including the construction of the New York State Thruway. Over 100 lantern slides from Cornell University’s Dairy Department, which instructed dairy farmers in the 1920s about how to operate an efficient farm, are featured in the collection. In addition, Plowline highlights snapshots chronicling an Orange County farm family’s life over a 30 year period. Finally, contemporary works by New York photographer Daniel Handel document the current farming revival in Upstate New York.

In 1942, The Farmers’ Museum’s founders set out to collect objects of American farm and rural communities and to display those in a method accessible to all interested. To enhance their accessibility, the photographs collected through Plowline will all be posted online. In addition, powered by Omeka, a free and open source platform developed by The Center for the Future of History Museums, the Plowline website has integrated Web 2.0 technology. “Thus,” says curator Erin Crissman Richardson, “the website encourages user participation and allows visitors to comment on records if they know something about the history of an object or what is happening in a particular photograph. Visitors can also share items with friends via Facebook, Twitter and other social media.”

Plowline, as a collecting initiative, will be continually adding photographs and will become a significant portion of the annual additions to The Farmers’ Museum collection. “We anticipate that Plowline will be the foremost resource of images of the 19th, 20th and 21st century rural imagery,” explains Vice President for Education Garet Livermore

Washington’s Headquarters Going Digital

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Matthew Colon, the 2010 winner of the Barnabas McHenry Award for Historic Preservation, is in the middle of a project that will digitize and catalog the entire slide collection of the nation’s first publicly-owned historic site, ensuring that the Washington’s Headquarters library and archives will be useful to the staff and public.

The scope of diverse images that make up the collection measures the value of this project. The range of time represented in the collection spans from the late 19th century to the present, documenting the changes undergone by Washington’s Headquarters through images of the historic house and environs, special events, important visitors, and interpretive programs. A favorite are images that document how the house interior looks in candle light. There are also slides documenting important acts of preservation on the historic house and other museum objects this project will make more accessible.

The biggest advantage, most of all to archivists, a digitization project offers are digital surrogates of the original material. Ideally, an infinite amount of copies can be made from the archival image and distributed to the public or for meeting museum interpretive goals. This ensures that the original material will be stored away from the environmental factors disrupting their condition.

Matt Colon has spent the past few months completing the collection index for about 5,000 slides before he can move onto the last phases of the project which include digitization, editing, and delivery. Matt has cemented his appreciation for the role of the librarian and archivist in a museum setting. Colon said, “’the methods of organization are the inner gears to the clock face viewed by the public.’ One issue with that statement is that today that clock face is typically digital.”

Illustration: Tower of Victory in “Harper’s Weekly”, 1887. Courtesy of PIPC Archives.

Seaport Museum NY Hosts ‘Alfred Stieglitz New York’

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For the first time in nearly 80 years, legendary early twentieth century photographer Alfred Stieglitz’s iconic New York City photographs will be displayed together as part of the groundbreaking, new exhibition “Alfred Stieglitz New York,” at Seaport Museum New York in Manhattan. The exhibition opened September 15th and runs through January 10, 2011.

Stieglitz – a central figure in the history of photography and modern art and husband of artist Georgia O’Keefe – lived in New York City for most of his life and chronicled its dramatic transformation into the archetypal metropolis of soaring skyscrapers, subways and electric lights. These works have not been displayed together since 1932, when Stieglitz featured them at his own gallery, An American Place.

“Alfred Stieglitz New York,” featuring 39 vintage Stieglitz photographs, is organized into three galleries. The first evokes the spirit of 291, Stieglitz’s pioneering gallery, which cemented his reputation as an impresario of European modern art. It will include a facsimile of a lantern slide show, the first time Stieglitz’s lantern slides have ever been exhibited – and prints from 1893 to 1916. The second gallery presents portraits taken from the windows of his midtown Manhattan apartment and gallery in the 1930s, when Stieglitz re-engaged New York as a subject for his photography. The third and final gallery examines the explosion of imagery of New York in popular culture and fine arts, including works by renowned photographers Paul Strand, Lewis Hine and Berenice Abbott.

“Stieglitz is one of the most distinguished American photographers, and Seaport Museum New York is thrilled to be the first cultural institution to bring these beautiful and important images together under one roof,” said Mary Ellen Pelzer, president and CEO of Seaport Museum New York. “This exhibition will give everyone, from lifelong New Yorkers to visitors, a unique look at the emergence of the modern city through the eyes of a masterful observer. It exemplifies our commitment to telling the ongoing story of New York in bold and unexpected ways.”

“Alfred Stieglitz New York” is curated by Dr. Bonnie Yochelson, former curator of prints and photographs at the Museum of the City of New York, who also authored the exhibition’s catalogue. The photographs were brought together from several leading national art institutions, including the Metropolitan Museum of Art, the Museum of Modern Art, the Art Institute of Chicago and the Philadelphia Museum of Art as well as from private collectors.

“Georgia O’Keefe famously remarked, ‘Stieglitz was always photographing himself.’ Indeed, he never went far from his home or place of work to photograph,” stated Yochelson. “During Stieglitz’s lifetime, New York became a symbol of the modern city, and this show provides the rare opportunity not only to better understand how Stieglitz saw New York, but to compare his personal vision with the idea of New York in popular culture and among other photographers with different points of view.”

Photo: The Terminal, Alfred Stieglitz Collection, Courtesy of the Board of Trustees, National Gallery of Art, Washington.

New York Photography by James Maher

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I recently learned about a New York City street photographer that’s a big fan of New York history. New York Photography by James Maher focuses on both the architecture and the people on the streets of the city, but Maher also writes historical photo articles on some of the more interesting aspects of the city, such as the construction of the brooklyn bridge, the old Atlantic Avenue Tunnel and the old City Hall subway station.

Photo: Housing for patients, Ellis Island. Courtesy James Maher.

Last Chance to See Inportant Photo Exhibit

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The Fenimore Art Museum’s popular summer exhibition In Our Time: The World as Seen by Magnum Photographers will come to a close on Monday, September 6. In Our Time was organized to celebrate 50 years of photography at Magnum Photos Inc. and the 150th anniversary of the invention of photography.

This exhibition of 150 black-and-white photographs is from a comprehensive survey of Magnum Photos, Inc., which is considered to be one of the world’s most renowned photographic agencies. These images are a result of the extraordinary vision of the many talented photographers who have been associated with Magnum since its founding in 1947.

The broad events captured in these Magnum photographs include the D-Day landing in Normandy, France (1944); James Dean in Times Square (1955); Castro delivering a speech in Havanna (1959); Martin Luther King receiving the Nobel Peace Prize (1963); Jacqueline and Robert Kennedy at Arlington (1963); women supporters of Ayatollah Khomeni in Iran (1979); and a crack den in New York City (1988).

In Our Time: The World as Seen by Magnum Photographers is toured by George Eastman House International Museum of Photography and Film.

Other exhibitions currently on view at Fenimore Art Museum include John Singer Sargent: Portraits in Praise of Women (through December 31, 2010), Empire Waists, Bustles and Lace: A Century of New York Fashion (through December 31, 2010), Watermark: Michele Harvey & Glimmerglass (through December 31, 2010), Virtual Folk: A Blog Readers’ Choice (through December 31, 2010). Ongoing Exhibitions include Eugene and Clare Thaw Collection of American Indian Art, The Coopers of Cooperstown, Genre Paintings from the Permanent Collection, and American Memory: Recalling the Past in Folk Art.

Museum hours: through October 11 (10 am – 5 pm), October 12 – December 31 (10 am – 4 pm) Adult admission (13-64) is $12.00 and senior admission (65 and up) is $10.50. Children 12 and under are free as well as NYSHA members, active military, and retired career military. Visit our website for more information at www.fenimoreartmuseum.org.

NY Landscape Exhibit Opens at NYS Museum

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“Not Just Another Pretty Place: The Landscape of New York” opens at the New York State Museum September 3rd showcasing the many different ways views of New York have been captured and used by artists, photographers, scientists and others during the past 200 years.

This is the first exhibition of landscape art to be completely culled from the State Museum’s vast collections. On display in the Museum’s West Gallery, this exhibition takes a unique look at the landscape art form, looking beyond the purely aesthetic. It features more than 100 landscape scenes and includes paintings, photographs, prints, ceramics, furniture and much more.

The rich and varied landscape of New York State has been a subject of interest to artists, photographers, historians, and scientists alike for hundreds of years. Artists have used the landscape in their work to draw tourists to Niagara Falls or the Adirondacks, create allegorical scenes of the Hudson River for advertising, and document the ever-changing streets of New York City.

The exhibition includes works by Currier & Ives, Seneca Ray Stoddard, Jasper Francis Cropsey, Thomas Benjamin Pope, Fairfield Porter, Edward Gay, Asa Twitchell, E.L. Henry and William Henry Jackson.

A complementary photo exhibition will also open on September 3 outside West Gallery in the West Hall Corridor. “Wish You Were Here! New York State Photographed by You” will feature photographs of the scenic New York State landscape submitted by the general public. These can be photographs of a beloved vacation spot or even the backyard, neighborhood street or other favorite place. Images chosen for the exhibition, as well as others that are submitted, will also appear on the Museum’s website and flickr page. Photographs will still be accepted after September 3, since new ones will continually be added to both the gallery and website.

Those wishing to submit photos for “Wish You Were Here” will find further information online.

Cazenovia Fugitive Slave Law Convention Event

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Final preparations are underway for the celebration of the 160th anniversary of the Cazenovia Fugitive Slave Law Convention. An interpretive plaque, to be installed for year-round public view at 9 Sullivan Street (home of the Cherry Valley Apartments) will be unveiled on the afternoon of Friday, August 20th—and an evening celebration performance will then be held at the Cazenovia College Catherine Cummings Theatre on Lincklaen Street.

An extremely rare daguerreotype (shown here) in the collection of the Madison County Historical Society, Oneida, provides the central backdrop for the 160th anniversary events.

Taken by Cazenovia photographer Ezra Greenleaf Weld on the second day of the Convention, which was held at the Sullivan Street location on August 22, 1850, several prominent local and national figures appear in the photograph, including: Peterboro abolitionist and Convention organizer Gerrit Smith; famed escaped slave and orator Frederick Douglass; and Mary and Emily Edmonson, escaped slaves who had been recaptured aboard the ill-fated flight of the “Pearl.” More than 2000 people, including as many as 50 fugitive slaves, attended what many historians believe was the nation’s largest anti-slavery protest.

In tribute to the many individuals who risked much to support the cause of abolitionism at the 1850 Cazenovia Convention, a magical evening, in word and song, will take place at the Catherine Cummings Theatre at 7:30 pm and will be hosted by master of ceremonies Honorable Hugh Humphreys. Frederick Douglass (portrayed by the nationally-acclaimed actor Fred Morsell) will be the guest orator for the evening, and music of the period will be provided by featured vocalist Max Smith and the vocal sounds of Elizabeth Bouk, Moana Fogg and Lowell Lingo, Jr. The evening program will be followed by a reception at the Theatre. The plaque unveiling will take place earlier that day at 4 pm on Sullivan Street.

With generous support from Patti and Sparky Christakos; Cazenovia College; the Upstate Institute of Colgate University; the Gorman Foundation; the Madison County Historical Society; the National Abolition Hall of Fame; and many other charitable donors, both the unveiling and evening presentation are free, and the public is encouraged to attend.

For more information on the commemorative events to be held on Friday, August 20th, please contact Commemorative Committee member Sarah Webster at 655-8632.

NYS Musuem Invites Exhibition Photo Submissions

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The New York State Museum is inviting the public to submit their digital photographs of scenic New York State landscapes, the best of which will be showcased in an upcoming Museum exhibition and displayed on the Museum website and Flickr page.

Scenic landscapes exist in every corner of New York State and are often found on picture perfect postcards that read “wish you were here.” The State Museum’s exhibition, Wish You Were Here! New York State Photographed by You will open in the State Museum’s West Hall Corridor on September 3, featuring a selection of the best landscape photographs submitted by the public. These can be photographs of a beloved vacation spot or even the backyard, neighborhood street or other favorite place. Images chosen for the exhibition, as well as others that are submitted, will also appear on the Museum’s website. Photographs will still be accepted after September 3, since new ones will continually be added to both the gallery and website.

Wish You Were Here will complement another exhibition in the Museum’s adjacent West Gallery — Not Just Another Pretty Place: The Landscape of New York. Also opening on September 3, this will be the first exhibition of landscape art to be culled from the Museum’s vast collections.

Those wishing to submit photos for Wish You Were Here will find further information at www.nysm.nysed.gov/wishyouwerehere.

Ransoming Mathew Brady:Re-Imagining the Civil War

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This Saturday June 19th the Albany Institute of History & Art welcomes a new exhibit entitled, Ransoming Mathew Brady: Re-Imagining the Civil War, Recent Paintings by John Ransom Phillips. The exhibit will be on display through Sunday, October 3, 2010.

In a series of 25 vibrant oils and watercolors, Phillips portrays the paradoxes and complexity of the famed 19th-century photographer. Born around 1823 in Warren County, New York, Mathew Brady visited Albany as a young man to seek medical attention for an inflammation of his eyes. While in Albany, he met the portrait painter William Page, who befriended him and encouraged him to become a painter. However, Brady demonstrated great talent in the new medium of photography, and quickly became a sought-after auteur. His iconic portraits of illustrious giants like Abraham Lincoln and Walt Whitman replaced paintings as the standard means of documenting the image of notable public figures. Lincoln and Whitman figure prominently into Phillips’s paintings.

“Whitman, who served in a hospital as a nurse for the war wounded, said the Civil War could never be portrayed because it was just too horrible; it was beyond human capacity to understand,” Phillips says. “Yet Whitman, like Brady, attempted to do so.”

At the peak of his success, Brady chose to move his profession to the field of war, a decision that would ultimately cost him, psychologically and financially. At the Battle of Bull Run in July 1861, Brady was lost in the woods for three days and was nearly captured by Confederate troops. Although his images of the battle would become legendary as the first photographic depictions of war, Brady was badly shaken by the death, destruction, and violence he encountered in the field. Thereafter, he hired teams of photographers to work under his direction, unable to stomach the carnage that would be wrought in the years of fighting to come. As a result, many of the famous Civil War images attributed to Brady were actually taken by his employees.

“Brady in many ways reminds me of Andy Warhol,” Phillips said. “There are a lot of interesting parallels between the two artists. Both had huge studios in New York, on Union Square, not too far from each other. They occupied a similar geography. They also each hired about 50 to 60 people who would prepare the sitter or scene for a depiction. Both were uncomfortable with human feelings and poured their passion into celebrities,” Phillips said.

Plagued by vision problems throughout his life, Brady wore dark blue glasses to protect his eyes, and also employed blue-tinted skylights in his studios, for effect in his portraits but possibly to provide additional protection for his eyes. Many of the paintings in the Ransoming Mathew Brady series reflect this condition through the prominent use of the color blue. Heavily in debt when the post-war government declined to purchase his Civil War images, Brady died broke and virtually blind in the charity ward of a New York City hospital in 1896.

Phillips says he was inspired by Brady’s ability to reinvent himself, at a time when doing so was unorthodox. “Today, a lot of artists, and in fact people in all aspects of life, are very interested in reinventing themselves,” he says. “Mathew Brady was very much ahead of his time in this regard. He was an accomplished celebrity photographer in the studio, who then became known for battlefield photography.”

In his book-length essay in the illustrated 244-page catalog that accompanies the exhibit—Ransoming Mathew Brady (Hudson Hills Press, 2010)—photography expert and Yale professor Alan Trachtenberg writes, “Ransoming Mathew Brady tells a story at once sensuous and cerebral, esoteric yet enticing. An intellectual discourse in paint and words, this extraordinary cumulative work by John Ransom Phillips fits no existing genre (history painting may come closest). It’s an essay on history, on vision and blindness, on violence, on color and space, on death and rebirth. It asks from its viewers/readers not only eyes wide open but a heart willing to take on such immensity.” The catalog will be on sale in the Albany Institute’s Museum Shop.

John Ransom Phillips’s work has been exhibited internationally at the David and Alfred Smart Museum of Art in Chicago, the Museo de Arte Moderno in Buenos Aires, and the Heidi Cho Gallery in New York. He has been a faculty member of the University of California at Berkeley, the University of Chicago, and Reed College in Portland, Oregon. He has a Ph.D. in the history of culture from the University of Chicago.

The Albany Institute exhibition will be complemented by a concurrent exhibition of Phillips’s work, entitled, Ransoming Mathew Brady: Searching for Celebrity, at the Opalka Gallery of the Sage Colleges in Albany. For more information about the Opalka exhibit, visit www.sage.edu/opalka or call (518) 292-7742.

Illustration: Photographing You, John Ransom Phillips, 2006, oil on canvas, 28 in. x 26 in.

Court of Appeals Hosts ‘The Hudson: Yesterday and Today’

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The New York Court of Appeals has announced “The Hudson: Yesterday and Today” featuring Frances F. Dunwell, Hudson River Estuary Coordinator at the New York State Department of Environmental Conservation and William T. (Chip) Reynolds, Captain, Replica Ship Half Moon, along with an exhibit of Hudson River photographs by the Half Moon crew on Thursday, May 6, 2010 at 6:00 p.m. A reception sponsored by The Historical Society of the Courts of the State of New York will follow.

“The Hudson: Yesterday and Today” will take place at Court of Appeals Hall, 20 Eagle Street, in Albany. Court of Appeals Hall is the former State Hall, completed in 1842. It was renamed Court of Appeals Hall on January 14, 1917. The lecture will be held in the courtroom designed by H.H. Richardson and originally built as part of the Capitol. In 1916, the courtroom was moved, piece by piece, to a specially designed extension to State Hall. The entire building was beautifully restored in 2004.

This event is open to the public and is free of charge. As space is limited, RSVP is requested by Monday, May 3 at events@courts.state.ny.us or 518-455-7817.

Exhibition Celebrates Important Literary Couple

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A new exhibit which will run for the next year at the The New York Society Library. “Literary Lives: The World of Shirley Hazzard and Francis Steegmuller” will feature Shirley Hazzard, award-winning author, and Francis Steegmuller, award-winning author, Flaubert expert and translator along with unique images from Hazzard’s private collection.

Shirley Hazzard, author of The Transit of Venus and The Great Fire, unlocks her private collection of personal photographs and books that gives a first-ever look at the life she shared with her husband, Francis Steegmuller, whose pioneering work on Flaubert, Cocteau, and de Maupassant brought him worldwide acclaim.

On view at The New York Society Library, this FREE exhibition will also display photographs of European landmarks taken by Steegmuller, a gifted photographer whose work behind the lens has not been seen before. A 44-page catalogue accompanies the exhibit which will run from March 24, 2010 to January 31, 2011 at the New York Society Library’s, Peluso Family Exhibition Gallery, 53 East 79th Street, between Madison and Park Avenues, New York, NY. Admission is free.

SepiaTown: A New Historical Image Mapping Site

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There is a new historical image website (mobile version coming soon) that lets people experience the past through a large and growing collection of user-submitted, mapped historical images. SepiaTown is just getting started with a collection of over 400 mapped New York City images, plus a growing collection from a host of cities around the world.

In the coming months they’ll be adding a number of new features to the site: a mobile version, filtering by date and media type, film and audio upload, plus individualized pages for registered users. Users can upload, map and share their own images; if you like, each image can feature a link to your own site.

Books: Historic Photos of New York State

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Richard Reisem’s new book, Historic Photos of New York State showcases striking black-and-white images that take you on a journey through New York State during the unforgettable landmark epochs of the Civil War, Prohibition, and the Great Depression. Other historic subjects depicted include the 1939 World’s Fair, the age of the industrialists, the Pan-American Exposition at Buffalo, European immigrants who disembarked at Ellis Island, the Grand Union Hotel at Saratoga Springs, the State Capital at Albany, Niagara Falls, and more.

Among the photographers represented in the Historic Photos of New York State are Matthew Brady, John Collier, Carl Dietz, Arnold Genthe, Lewis Wickes Hine, Listte Model, Arthur Rothstein, Alfred Stiglitz and others. The range of New York experience from 1850 to 1967 is covered in nearly 200 images drawn from around the state.

The author is a former trustee of the Landmark Society of Western New York, and has served on the board of trustees of the Rochester Historical Society. For sixteen years he served on the Rochester Preservation Board and was chair for four years; he spent 31 years at Eastman Kodak.

The book is published by Turner Publishing.

Queen City Review Seeks Black and White Photography

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The Queen City Review, the yearly journal of art and literature published at Burlington College, has sent out a call for photographers working in black and white for submissions for their Fall 2010 issue. According to a recent announcement, the journal “accepts the work of new and established writers and artists in the areas of poetry, fiction, creative non-fiction, memoir, photography, and fine art, as well as essays and criticism on all aspects of the aforementioned. We seek to publish high quality work that ranges broadly in topic and genre.”

The guidelines for submissions are on the web at www.burlington.edu. Submissions may be emailed to: queencityreview@burlington.edu.

NYS Museum Exhibit: George Eastman House Photos

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“Seeing Ourselves: Masterpieces of American Photography from George Eastman House Collection” opens February 12 at the New York State Museum and will be on view through May 9 in the Museum’s West Gallery. The exhibit will introduce visitors to historical and contemporary photographic masterpieces. Proving the power of photography, more than 155 images and artifacts tell the story of America over the last 150 years.

The photographers range from professionals such as Lewis W. Hine, Dorothea Lange, Matthew Brady and many others, including several who are unidentified. The images capture America and Americans in various ages and stages. They depict grandeur and simplicity, joy and anger, beauty and grit. A limited number of brochures on the exhibition will be available at the gallery entrance.

The exhibition is drawn entirely from the collection of George Eastman House. It is arranged into five sections: “American Masterpieces,” “American Faces,” “America at War,” “America the Beautiful” and “American Families.” Each section addresses key photographic works documenting the American cultural experience.

The “American Masterpieces” section displays photographs that show outstanding artistry, skill or workmanship. They show that American masterpieces cover a broad spectrum of subject, format, and history. Some photographs began as intentional works of art while others began as something else – propaganda, information, aide memoire, or novelty — and only later achieved iconic status. This section will include “The Steerage” by Alfred Stieglitz, “Nautilus” by Edward Weston, and “Yosemite Valley, Summer” by Ansel Adams.

In the “American Faces” section visitors will see photographs of people that have been used to create celebrity, establish identity, and influence our perceptions. Photographers who have captured these American faces include Mathew Brady, Richard Avedon, Alfred Stieglitz, Dorothea Lange, Edward Steichen, Mary Ellen Mark, and Gordon Parks.

The “America at War” section reminds visitors that of all the information that photography brings us, little is more pressing than news about war. Since the beginning of photography, images have defined our understanding of conflict. Images will include “A Harvest of Death, Gettysburg” by Timothy O’Sullivan; David Douglas Duncan’s “Combat, Korea”; “Reaching Out, The DMZ” by Larry Burrows; and “Vietnam Memorial, Washington, DC” by Hiroshi Watanabe.

Timeless photographs that exemplify the beauty and power of nature and an expanding America are included in the “America the Beautiful” section. On display will be William Henry Jackson’s “Mt Sopris, from Junction of Rock Creek,” “Refugio Beach” by Ansel Adams, “Dunes” by Edward Weston and “Desertscape, Death Valley” by Marilyn Bridges.

The “American Families” section explores the role photography can play in helping to put our own family experience into context and define “family” for ourselves. Included are “Tenement Penthouse” by Weegee, “Italian Family, Ellis Island” by Lewis Hine, “East Harlem” by Helen Levitt and “The Damm Family in Their Car” by Mary Ellen Mark.

Forty-minute Interpretive Tours of Seeing Ourselves, and an open discussion focusing on several photographs, will be held at 1 and 2 p.m. on February 13-14, 27-28, March 20-21, April 24-25 and May. 8-9.

A podcast is available at http://podcast.eastmanhouse.org/discussing-seeing-ourselves/.

Photo: Powerhouse Mechanic, 1920, by Lewis W. Hine. Courtesy George Eastman House.

Do You Recognize These Adirondack Faces?

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All bundled up and ready for fun and perhaps just a little mischief! Saranac Lake, New York photographer William F. Kollecker snapped a shot of these adorable children in 1935. The image is now in the collection of the Adirondack Museum at Blue Mountain Lake, N.Y. Sadly, the names of the kids were not recorded on the photo.

The museum will use the photograph in advertising for the 2010 Cabin Fever Sunday Series. The happy little faces will smile out from posters and newspaper ads throughout the North Country. Do you know who they are?

The Adirondack Museum would like to complete the historical record connected with this photo, and learn the names of the children if possible.

If you recognize your mother, grandfather, or even yourself in the photograph, please contact Susan Dineen, Director of Marketing at (518) 352-7311, ext. 121 or email info@adkmuseum.org.

William F. Kollecker produced a rich collection of photographs of the Saranac Lake area. The photos are largely preserved in the Adirondack Collection of the Saranac Lake Free Library. He is recognized today as the most successful and prolific photographer in the village’s history.

According to Historic Saranac Lake, “No other photographer captured the face and feeling of Saranac Lake or portrayed the lives and lifestyles of its citizens with greater accuracy or artistry for a comparable time period.” Among the many faces he captured were those of these children.

Photo: Photograph by William F. Kollecker, ca. 1935 from the collections of the Adirondack Museum.