The Brooklyn Museum is the final venue for the critically acclaimed exhibition WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath, which will be on view November 8, 2013 through February 2, 2014. The exhibit explores the experience of war and strikes a universal human chord with an unprecedented collection of photographs from around the world. Continue reading
From unearthing black-and-white photos of New York Harbor to planting an authentic Victory Garden, New-York Historical Society high school Student Historians paint a vivid picture of World War II-era New York in WWII & NYC: Photography and Propaganda, a new exhibition on Governors Island.
Installed within a 19th-century home previously used by military officers during World War II and other conflicts, the exhibition prompts visitors to consider a time when virtually every aspect of New York life was transformed to support Allied victory. WWII & NYC: Photography and Propaganda will be on view with hands-on activities for families on Saturdays and Sundays from July 13 through September 2. Continue reading
The Jay Heritage Center kicks off NY Heritage Weekend and the Path Through History Weekend with the opening of their first major photography exhibit, The Landmarks of New York, on Sunday June 2nd at 3pm.
The show fills their newly configured gallery space at the 1907 Carriage House and includes a collection of 90 black and white photos documenting a select cross-section of New York City’s best loved architectural treasures. Continue reading
An exhibition featuring the work and philosophy of renowned industrial designer Russel Wright will open May 4, 2013 at the New York State Museum. Russel Wright: The Nature of Design explores Wright’s career from the 1920s through the 1970s and features approximately 40 objects along with photographs and design sketches.
On display through December 31 in the Crossroads Gallery, the exhibit was first organized by and presented at the Samuel Dorsky Museum of Art at the State University of New York at New Paltz from August 2012 to March 2013. The exhibit includes objects such as wood serving bowls and spun aluminum trays designed Pre-World War II as well as Wright’s more experimental and innovative Post-World War II designs, including earthenware plates, bowls, pitchers, and vases. Continue reading
The Met is offering a wide range events in conjunction with their recently opened exhibition, Photography and the American Civil War.
A Civil War Dialogue will take place this evening, Wednesday, April 10, at 6:00 PM ($25). Novelist Geraldine Brooks and historian Tony Horwitz have both written about the Civil War-and are married to one another. They will discuss their work as well as their different approaches to the Civil War and the writing of history. The discussion will be moderated by Bill Goldstein, book critic for NBC’s Weekend Today in New York. Continue reading
Here’s a quick look at some of the latest New York History resources to hit the web:
The Museum of the City of New York and the South Street Seaport Museum have launched a joint “catablog” which provides online access to finding aids for their archival collections. The archivists at both museums will continue to make more finding aids accessible via the Catablog as the collections are processed. Continue reading
Gordon Parks bought his first camera in a pawn shop and got his first real photography job at the New Deal’s Farm Security Administration (FSA).”American Gothic,” his bold arrangement of a White House cleaning lady with a mop in front of a flag, got him in trouble on his first assignment.
As a multifaceted creative artist, Parks stacked up firsts again and again in a long career that has been seeing numerous tributes over the past year. 2012 was the 100th anniversary of his birth, and exhibits are still underway. Continue reading
It was long past the eleventh hour of my publication timetable and I still needed to get one last image to illustrate the article “‘No Mortal Eye Can Penetrate’: Louis Ransom’s Commemoration of John Brown” which would be appearing in our Autumn issue. I turned to the Library of Congress’s website, found and saved the file along with the metadata in order to be able to cite it correctly, and sent the last of the material to our designer.
Six short weeks later, the Autumn 2012 issue of The Hudson River Valley Review was out to great acclaim, and just a few even shorter days after that I received my first correction. It was about that image, and it was from Jean Libby, who had been cited in the article as the curator and author of the John Brown Photo Chronology. It was clear that I had gotten something wrong. Continue reading
Midget, feeble-minded, crippled, lame, and insane: these terms and the historical photographs that accompany them may seem shocking to present-day audiences. A young woman with no arms wears a sequined tutu and smiles for the camera as she smokes a cigarette with her toes; a man holds up two prosthetic legs while his own legs are bared to the knees to show his missing feet.
The photos were used as promotional material for circus sideshows, charity drives, and art galleries. They were found on begging cards and in family albums. In Picturing Disability: Beggar, Freak, Citizen, and Other Photographic Rhetoric, Bogdan and his collaborators gather over 200 historical photographs showing how people with disabilities have been presented and exploring the contexts in which they were photographed. Continue reading
Long Island’s story of work and play comes to life when a farmer, dust flying, rushes to market, a boy swings a baseball bat, a peddler sells fish door to door and a family, wearing their Sunday best, poses for a portrait in their new car.
The remarkable images, many of which have never been exhibited, are just some of the gems in the Society for the Preservation of Long Island Antiquities (SPLIA) collections and feature the work of such turn of the 20th century photographers as Clarence A. Purchase, Arthur S. Greene and Harry R. Gelwicks. Continue reading