Tag Archives: Photography

Landmarks of New York Photography Exhibit Opening


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Landmarks Photography.jpgThe Jay Heritage Center kicks off NY Heritage Weekend and the Path Through History Weekend with the opening of their first major photography exhibit, The Landmarks of New York, on Sunday June 2nd at 3pm.

The show fills their newly configured gallery space at the 1907 Carriage House and includes a collection of 90 black and white photos documenting a select cross-section of New York City’s best loved architectural treasures. Continue reading

State Museum to Host Russel Wright Exhibition


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manitoga2An exhibition featuring the work and philosophy of renowned industrial designer Russel Wright will open May 4, 2013 at the New York State Museum. Russel Wright: The Nature of Design explores Wright’s career from the 1920s through the 1970s and features approximately 40 objects along with photographs and design sketches.

On display through December 31 in the Crossroads Gallery, the exhibit was first organized by and presented at the Samuel Dorsky Museum of Art at the State University of New York at New Paltz from August 2012 to March 2013. The exhibit includes objects such as wood serving bowls and spun aluminum trays designed Pre-World War II as well as Wright’s more experimental and innovative Post-World War II designs, including earthenware plates, bowls, pitchers, and vases. Continue reading

Met Museum Civil War Events Begin Tonight


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Met Civil War EventsThe Met is offering a wide range events in conjunction with their recently opened exhibition, Photography and the American Civil War.

A Civil War Dialogue will take place this evening, Wednesday, April 10, at 6:00 PM ($25). Novelist Geraldine Brooks and historian Tony Horwitz have both written about the Civil War-and are married to one another. They will discuss their work as well as their different approaches to the Civil War and the writing of history. The discussion will be moderated by Bill Goldstein, book critic for NBC’s Weekend Today in New York. Continue reading

Four New Online Resources For New York History


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l-retro-computer-ads-80s-eg_largeHere’s a quick look at some of the latest New York History resources to hit the web:

The Museum of the City of New York and the South Street Seaport Museum have launched a joint “catablog” which provides online access to finding aids for their archival collections.  The archivists at both museums will continue to make more finding aids accessible via the Catablog as the collections are processed. Continue reading

Remembering Gordon Parks In ‘100 Moments’


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Gordon Parks bought his first camera in a pawn shop and got his first real photography job at the New Deal’s Farm Security Administration (FSA).”American Gothic,” his bold arrangement of a White House cleaning lady with a mop in front of a flag, got him in trouble on his first assignment.

As a multifaceted creative artist, Parks stacked up firsts again and again in a long career that has been seeing numerous tributes over the past year.  2012 was the 100th anniversary of his birth, and exhibits are still underway. Continue reading

Photo Research and Editing: The John Brown Photos


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It was long past the eleventh hour of my publication timetable and I still needed to get one last image to illustrate the article “‘No Mortal Eye Can Penetrate': Louis Ransom’s Commemoration of John Brown” which would be appearing in our Autumn issue. I turned to the Library of Congress’s website, found and saved the file along with the metadata in order to be able to cite it correctly, and sent the last of the material to our designer.

Six short weeks later, the Autumn 2012 issue of The Hudson River Valley Review was out to great acclaim, and just a few even shorter days after that I received my first correction. It was about that image, and it was from Jean Libby, who had been cited in the article as the curator and author of the John Brown Photo Chronology. It was clear that I had gotten something wrong. Continue reading

Picturing Diasbility: Beggar, Freak, Citizen Photo Rhetoric


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Midget, feeble-minded, crippled, lame, and insane: these terms and the historical photographs that accompany them may seem shocking to present-day audiences. A young woman with no arms wears a sequined tutu and smiles for the camera as she smokes a cigarette with her toes; a man holds up two prosthetic legs while his own legs are bared to the knees to show his missing feet.

The photos were used as promotional material for circus sideshows, charity drives, and art galleries. They were found on begging cards and in family albums. In Picturing Disability: Beggar, Freak, Citizen, and Other Photographic Rhetoric, Bogdan and his collaborators gather over 200 historical photographs showing how people with disabilities have been presented and exploring the contexts in which they were photographed. Continue reading

New Exhibit: Long Island at Work and Play


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Long Island’s story of work and play comes to life when a farmer, dust flying, rushes to market, a boy swings a baseball bat, a peddler sells fish door to door and a family, wearing their Sunday best, poses for a portrait in their new car.

The remarkable images, many of which have never been exhibited, are just some of the gems in the Society for the Preservation of Long Island Antiquities (SPLIA) collections and feature the work of such turn of the 20th century photographers as Clarence A. Purchase, Arthur S. Greene and Harry R. Gelwicks. Continue reading

Preserving Your Saratoga Battlefield Memories


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Saratoga National Historical Park (the Saratoga Battlefield), located on Routes 4 and 32 in Stillwater, will celebrate its 75th anniversary in 2013 and is looking for photographs showing people enjoying or working in the park from the 1900s to today.

This is a special one-time opportunity to share your nostalgic memories of the park for its 75th anniversary exhibit and to preserve your battlefield photos for current and future generations. In appreciation for sharing your images (up to 20 per family or individual), trained park volunteers will scan your hard copy photos and put them onto a compact disc for you to keep. Continue reading

Request for Pictures of Ulster County Veterans


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Friends of Senate House are seeking pictures of Ulster County’s veterans and active duty military to use in their holiday decorations at the Loughran House located on the grounds of the Senate House Historic Site.

The front room of the Victorian Italianate-style home will be decorated in a military theme, and the volunteers will decorate the tree (the largest one in the house), with the pictures they receive. Volunteers will copy and mount the pictures as ornaments which will list the name of the service member, their military branch and dates of service. Continue reading

New Exhibit: Photography of the Landmarks of New York City


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On December 14, the New-York Historical Society will present The Landmarks of New York, an exhibition exploring the history of New York as revealed by its historical structures.

The exhibition’s 90 photographs of landmarks are critical documents that chronicle the city’s journey from a small colonized village to a city at the center of the world from the 17th through the 20th centuries and includes the newly acquired set of 30 photographs by Christine Osinski, Steven Tucker, Reuben Cox, Julio Bofill, Michael Stewart, Michael Stewart, Andrew Garn, Richard Cappelluti, Adam S. Wahler, Eric C. Chung and others. Continue reading

Saratoga Battlefield Announces Photo Contest


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The Saratoga National Historical Park’s photo contest will held from now through October 31, 2012. The winning photo will be featured on the park’s 2013 Annual Pass and the photographer will receive a free 2013 Annual Pass. Once all photos have been submitted, the winning photo will be decided by a panel of Saratoga NHP employees by November 9.  Next year marks the 75th anniversary of Saratoga National Historical Park (Saratoga Battlefield).

Contest Rules:

Contest is open to all ages
Picture must be taken within park boundaries: Saratoga Monument,
Schuyler House, Victory Woods, Saratoga Battlefield Scenic, wildlife, park events, park structures (monuments,historic houses, etc.) photos will all be accepted

Entries must be submitted by 4 pm October 31, 2012

Limit to one (1) photo per contestant

Photo(s) must be submitted by e-mail to megan_stevens@nps.gov

Photo Specifications: File in JPEG format with 300 DPI resolution. Each photo must be no larger than 3 MB in file size Contestant must provide: Full name, phone number, brief description (no more than 100 words) of where and when photo was taken

All photos submitted for this contest automatically become property of the National Park Service; photographers will be credited. Anyone who derives 5% or more of their income from taking photos are ineligible Saratoga NHP employees and their immediate family members are ineligible

For more information about this contest or other park events, please call Megan Stevens at 518.670.2982 or visit: http://www.nps.gov/sara/parknews/newsreleases.htm.

Call for Entries: 2012 Erie Canalway Photo Contest


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Entries are being accepted through Friday, September 7, 2012 for the 7th annual Erie Canalway Photo Contest. Winning photos will be displayed in the 2013 Erie Canalway calendar, which will be available free of charge in December.

Amateur and professional photographers are invited to submit prints and digital images in four contest categories: Bridges, Buildings and Locks; For the Fun of It; On the Water; and the Nature of the Canal.

The contest captures and shares the beauty, history, people, and distinctive character of the Erie Canalway National Heritage Corridor, which is comprised of the Erie, Oswego, Cayuga/Seneca, and Champlain Canals, and their historic alignments, and surrounding communities.

You can download official contest rules and an entry form online.

The Erie Canalway National Heritage Corridor spans 524 miles across the full expanse of upstate New York, encompassing the Erie, Cayuga-Seneca, Oswego, and Champlain canals and their historic alignments, as well as more than 230 canal communities. Erie Canalway National Heritage Corridor Commission, in partnership with the National Park Service, collaborates with government agencies, communities and organizations to protect and promote the canal corridor for all to use and enjoy.

Photo: 2011 First Place Photo Winner “The Locks at Lockport” by Stephen Bye.

Seneca Ray Stoddard Exhibit Opens at NYS Museum


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A new exhibition has opened at the New York State Museum showcasing the works of Adirondack photographer and conservationist Seneca Ray Stoddard.

Seneca Ray Stoddard: Capturing the Adirondacks is open through February 24, 2013 in Crossroads Gallery and includes over 100 of Stoddard’s photographs, an Adirondack guideboat, freight boat, camera, copies of Stoddard’s books and several of his paintings.

There also are several Stoddard photos of the Statue of Liberty and Liberty Island. These and other items come from the State Museum’s collection of more than 500 Stoddard prints and also from the collections of the New York State Library and the Chapman Historical Museum in Glens Falls.

Born in Wilton, Saratoga County in 1844, Stoddard was no doubt inspired by the Adirondacks at an early age. A self-taught painter, he was first employed as an ornamental painter at a railroad car manufacturer in Green Island, across the Hudson River from Troy in Albany County. He moved to Glens Falls (Warren County) in 1864, where he worked with sketches and paintings until his death there in 1917.

Early on he sought to preserve the beauty of the Adirondacks through his paintings but then became attracted to photography’s unique ability to capture the environment. He was one of the first to capture the Adirondacks through photographs. He used the then recently introduced wet-plate process of photography. Though extremely cumbersome by today’s standards, the technique was the first practical way to record distant scenes. It required Stoddard to bring his entire darkroom with him into the Adirondack wilderness.

His renown as a photographer quickly grew once he settled in Glens Falls, which also became his base camp for his explorations of the Adirondacks. He studied the Adirondacks intensely over a 50-year period.

Stoddard’s photos showed the challenges travelers faced in getting to the still undeveloped wilderness, along with their enjoyment of finally reaching their destination. His writings and photographs indicate that he was especially skilled at working with people from diverse economic backgrounds in a variety of settings. This was especially important as he used his photos to capture the changing Adirondack landscape as railroads were introduced and the area became an increasingly important destination for the burgeoning middle-class tourist, but also for the newly wealthy during the “Gilded Age.”

His work stimulated even further interest as he promoted the Adirondacks through his photographs and writings on the beauty, people and hotels of the region. Stoddard’s photographs showed the constancy of the natural beauty of the Adirondacks along with the changes that resulted from logging and mining, to hotels and railroads. As unregulated mining and logging devastated much of the pristine Adirondack scenery, Stoddard documented the loss and used those images to foster a new ethic of responsibility for the landscape. His work was instrumental in shaping public opinion about tourism, leading in part to the 1892 “Forever Wild” clause in the New York State Constitution.

The State Museum purchased over 500 historic Stoddard prints in 1972 in the process of acquiring historic resources for the Museum’s Adirondack Hall. They included albumen prints from Stoddard’s own working files, many with penciled notes. Nearly all are of the landscapes, buildings and people of the Adirondacks taken primarily in the 1870s and 1880s.

An online version of the exhibition is also available on the State Museum website at http://www.nysm.nysed.gov/virtual/exhibits/SRS/ .

The State Museum will present several programs in conjunction with the Stoddard exhibition. There will be guided tours of the exhibition on September 8 and December 8 from 1-2 p.m. Stoddard will also be the focus of Family Fun Day on September 15 from1-4 p.m.

Established in 1836, the New York State Museum is a program of the State Education Department’s Office of Cultural Education. Located on Madison Avenue in Albany, the Museum is open Monday through Saturday from 9:30 a.m. to 5 p.m. except on Thanksgiving, Christmas and New Year’s Day. Admission is free. Further information can be obtained by calling (518) 474-5877 or visiting the Museum website at www.nysm.nysed.gov.

Photo: Stoddard’s “Indian Encampment, Lake George, 1872″.

Kodak Elegy: A Cold War Childhood


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What was it like to grow up as the son of a Kodak engineer during the company’s glory days? William Merrill Decker presents a vivid portrait of life in the Rochester suburbs where residents eagerly conformed to period expectations: two kids, two cars, a move from a snug middle-class neighborhood to a spacious upper-middle-class subdivision.

In Kodak Elegy: A Cold War Childhood (2012, Syracuse University Press), Decker recollects the blithe and troubled scenes of America’s postwar prosperity and evokes a bygone era. Continue reading

Call for Entries: 2012 Erie Canalway Photo Contest


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Entries are being accepted now through September 7, 2012 for the 7th annual Erie Canalway Photo Contest. Winning photos will be displayed in the 2013 Erie Canalway calendar.

Amateur and professional photographers are invited to submit prints and digital images in four contest categories: Bridges, Buildings and Locks; For the Fun of It; On the Water; and the Nature of the Canal.

The contest captures and shares the beauty, history, people, and  distinctive character of the Erie Canalway National Heritage Corridor, which is comprised of the Erie, Oswego, Cayuga/Seneca, and Champlain Canals, and their historic alignments, and surrounding communities.

Official contest rules and an entry form are available online.

The Erie Canalway National Heritage Corridor spans 524 miles across the full expanse of upstate New York, encompassing the Erie, Cayuga-Seneca,  Oswego, and Champlain canals and their historic alignments, as well as more  than 230 canal communities. Erie Canalway National Heritage Corridor Commission, in partnership with the National Park Service, collaborates with government agencies, communities and organizations to protect and  promote the canal corridor for all to use and enjoy.

Photo: 2011 Photo Contest Winner, “Lockport Locks” by Stephen Bye.

Cooperstown: Milo Stewart Photo Exhibit Opens


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The New York State Historical Association Research Library and The Cooperstown Graduate Program has announced the opening of a new exhibition celebrating the late Milo Stewart’s work, entitled Reflections of Home: Photography by Milo Stewart. The exhibition highlights Cooperstown landscapes and portraits taken by Mr. Stewart between 1965-1992. Split into three sections emphasizing Stewart’s eye for finding beauty in the ordinary, the exhibition includes quotations from his family and friends reflecting on his work as a teacher, friend, and artist. Reflections of Home opens May 16 and is free to the public.

Developed by second-year Cooperstown Graduate Program students Tramia Jackson, AshleyJahrling, Amanda Manahan, and Jenna Peterson, the exhibit is the culminating project of their Master of History Museum Studies coursework. Guided by Dr. Gretchen Sorin, the students produced the exhibition from concept to installation. “It has definitely been a learning experience,” says Jahrling. “But having the support of the program and the Stewart family has helped make this exhibit a wonderfully collaborative effort. We’re happy to share it with the greater Cooperstown community.”

Milo Stewart discovered his love for photography while growing up in Buffalo, New York. After graduating from Buffalo State University and marrying his high school sweetheart, Ruth, he taught high school English and Social Studies and helped his students incorporate photography in their reports. In 1961, he joined the staff at NYSHA and The Farmers’ Museum as an education associate. He went on to become the Director of Education and later the Vice President of NYSHA and The Farmers’ Museum. Over the course of twenty years he taught generations of teachers, local historians, and Cooperstown Graduate Program students. At the request of the Director of the New York Council on the Arts, he took on an important project documenting architecture and historic Main Streets throughout New York. He published several exhibition catalogues including Temples of Justice: Historic Churches of New York and At Home and On the Road, a collection of photographs from his travels through New York and abroad.

The exhibition opens May 16, 2012. The public is invited to see the exhibit at the library free of charge. The library’s hours are 10 a.m. to 5 p.m., Monday through Friday. Saturday hours are currently 1 to 4 p.m.

Photo: Augur’s CornerCooperstown, New York, 1988 by Milo Stewart. 

Wanda Burch on Civil War Letters "The Home Voices Speak Louder than the Drums"


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On August 7, 1862, Henry Graves, physically exhausted from walking, fighting, and from four days detail digging trenches under a Petersburg, Virginia, sun and not “a breath of air stirring,” sat down and wrote to his wife, describing the importance of the imagination to survival.

He saw himself standing – not with spade in hand – but eating from a bowl of peaches in the midst of “homefolk” with his coat off, moving across the piazza, enjoying the cool breeze “that almost always is blowing fresh through there.” He told her that he often went into this place in his imagination to pass time swiftly and shared that “soldier mortals” would not survive if they were not “blessed with the gift of imagination and the pictures of hope.” The second “angel of mercy,” he said, was the night dream, which presented him even more vivid pictures of hope than any daydream. Continue reading