Spring is finally here and the National Park Service is offering an opportunity to photograph it at the Eleanor Roosevelt National Historic Site (Val-Kill), approximately two miles east of Springwood, the Hyde Park Roosevelt family home.
On May 18th from 8:00 am until 10:00 am, Park Ranger Andrew Swan will share information about the many signs of spring on a stroll through the grounds of Val-Kill. Visitors who enjoy photography are encouraged to bring cameras and capture images of the natural beauty of the season. The program is part of the continuing Community Photography Workshops offered by the park service. Continue reading
Discussing the importance of the history of Bridgeport, NY, is the newest addition to Arcadia Publishing’s popular Images of America series. The book titled Bridgeport from local author Judy Barrett boasts a collection of more than 200 archival images.
“Bridgeport is still a hamlet, which is another factor in the continuance of the uniqueness of our community,” writes author Judy Barrett. In her new book, Barrett celebrates the history of this unique hamlet, which lies in both the towns of Cicero, in Onondaga County, and Sullivan, in Madison County. It is divided only by Chittenango Creek, which was the main attraction for settlement in the early years. Continue reading
The Hyde Collection, in Glens Falls, NY, has announced it has been gifted an extensive photography collection by significant American and international photographers. Donated by George Stephanopoulos in perpetuity, this gift enhances the Museum’s photography collection and adds a significant component to its world-class holdings of fine art.
“We have been hopeful of making additions to our photography holdings, but did not imagine that such a significant group of work might come into the collection at one time,” said Hyde director Charles A. Guerin. “The great breadth of photography history as well as the variety of national origins represented by this generous gift by Mr. Stephanopoulos makes this a truly exciting and important moment for the growth of our permanent collection.” Continue reading
The Chapman Historical Museum has opened a new exhibit of fourteen S.R. Stoddard original albumen photos featuring local winter scenes.
Included are views of snow-covered streets in Glens Falls as well as two stereo views of Lake George. Titled “Frost Work,” a term used by Stoddard, the small exhibit features images of the 1870s — a time when winter transportation consisted of sleds and sleighs. Even the horse drawn trolley ran on runners. Continue reading
The ease and affordability of digital photography has won over almost everyone on the planet. Kodak went bankrupt in 2012, darkrooms have disappeared, and film is an extirpated species. Reacting to the ethereal impermanence and pervasive newness of digital photography, some photographers have gone back in time to reawaken antique photography processes.
Whether it’s love for a printed-on-real-paper tangible object, a longing for the time when saying you were a photographer meant you had arcane training and chemistry skills, or a lust to accumulate gear, the movement to recreate daguerreotypes, tintypes, ambrotypes and other obscure 19th century processes is well underway. The popularity of the contemporary photographic antiquarians who embrace the old methods is documented in a 2011 film aptly called, “Artists and Alchemists.” Continue reading
In Spring 2014, the New-York Historical Society will present a range of exhibitions that will examine New York City architecture, fashion and photography through the lens of the legendary Bill Cunningham; the early history of African American basketball before the dawn of the National Basketball Association; the second installment of Audubon’s Aviary, showcasing New-York Historical’s collection of Audubon watercolors; and an exhibition of quilts and textiles created during the Civil War. Continue reading
Here’s a quick look at some of the latest New York history resources to hit the web:
The Bronx Zoo is digitizing three dozen scrapbooks of its first director, William Temple Hornaday (from 1896 to 1926). The work is being done with a grant from the Leon Levy Foundation. The zoo director promoted habitat preservation worldwide, and the scrapbooks include letters, postcards, legal briefs, newspaper clippings and pamphlets. His involvement in the infamous Ota Benga scandal in 1906 is not recorded. Hornaday died in 1937. The collection can be found at the Wildlife Conservation Society Library and Archives website. Continue reading
An early 20th century Lake George photographer is about to receive the attention that many local collectors, historians and photographers believe he richly deserves.
The photographer is Jesse Sumner Wooley (1867-1943), and the J.S. Wooley Project, a collaborative effort of photographer Richard Timberlake, Bolton Landing collector and resident Matt Finley and the Brookside Museum in Ballston Spa, has already produced standing-room only slide shows and lectures at the Brookside Museum and Silver Bay, where Wooley was the official photographer from 1908 to 1923. Another presentation will be presented at the Crandall Library in Glens Falls on October 15. Continue reading
The eccentric preacher and writer who became known as Adirondack Murray may have been the first to trumpet the region to tourists, but Seneca Ray Stoddard was not far behind.
In fact, Stoddard’s photographs, maps and guidebooks had a more lasting and more salutary influence than anything penned by Murray. Without his photographs and maps, for instance, it is unlikely that the Adirondack Park would have ever been created.
For Reuben Smith, the owner of Tumblehome Boatshop in Warrensburg (Warren County), Stoddard’s photographs are not merely of antiquarian or aesthetic interest. Continue reading
The Civil War comes alive as never before in an extraordinary collection of colorized photographs from the era in The Civil War in Color (Sterling Books, November 2012) by John C. Guntzelman.
Not only does it feature portraits of famous leaders and ordinary soldiers but also vignettes of American life during the conflict: scenes from urban and plantation life; destroyed cities; contested battlefields. The 200+ photographs, from the Library of Congress’s archives, include both well-known and rarely seen images. Also inside–a fine art ready-to-frame photographic print of a stunning colorized Civil War photograph. Continue reading
The Brooklyn Museum is the final venue for the critically acclaimed exhibition WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath, which will be on view November 8, 2013 through February 2, 2014. The exhibit explores the experience of war and strikes a universal human chord with an unprecedented collection of photographs from around the world. Continue reading
From unearthing black-and-white photos of New York Harbor to planting an authentic Victory Garden, New-York Historical Society high school Student Historians paint a vivid picture of World War II-era New York in WWII & NYC: Photography and Propaganda, a new exhibition on Governors Island.
Installed within a 19th-century home previously used by military officers during World War II and other conflicts, the exhibition prompts visitors to consider a time when virtually every aspect of New York life was transformed to support Allied victory. WWII & NYC: Photography and Propaganda will be on view with hands-on activities for families on Saturdays and Sundays from July 13 through September 2. Continue reading
The Jay Heritage Center kicks off NY Heritage Weekend and the Path Through History Weekend with the opening of their first major photography exhibit, The Landmarks of New York, on Sunday June 2nd at 3pm.
The show fills their newly configured gallery space at the 1907 Carriage House and includes a collection of 90 black and white photos documenting a select cross-section of New York City’s best loved architectural treasures. Continue reading
An exhibition featuring the work and philosophy of renowned industrial designer Russel Wright will open May 4, 2013 at the New York State Museum. Russel Wright: The Nature of Design explores Wright’s career from the 1920s through the 1970s and features approximately 40 objects along with photographs and design sketches.
On display through December 31 in the Crossroads Gallery, the exhibit was first organized by and presented at the Samuel Dorsky Museum of Art at the State University of New York at New Paltz from August 2012 to March 2013. The exhibit includes objects such as wood serving bowls and spun aluminum trays designed Pre-World War II as well as Wright’s more experimental and innovative Post-World War II designs, including earthenware plates, bowls, pitchers, and vases. Continue reading
The Met is offering a wide range events in conjunction with their recently opened exhibition, Photography and the American Civil War.
A Civil War Dialogue will take place this evening, Wednesday, April 10, at 6:00 PM ($25). Novelist Geraldine Brooks and historian Tony Horwitz have both written about the Civil War-and are married to one another. They will discuss their work as well as their different approaches to the Civil War and the writing of history. The discussion will be moderated by Bill Goldstein, book critic for NBC’s Weekend Today in New York. Continue reading
Here’s a quick look at some of the latest New York History resources to hit the web:
The Museum of the City of New York and the South Street Seaport Museum have launched a joint “catablog” which provides online access to finding aids for their archival collections. The archivists at both museums will continue to make more finding aids accessible via the Catablog as the collections are processed. Continue reading
Gordon Parks bought his first camera in a pawn shop and got his first real photography job at the New Deal’s Farm Security Administration (FSA).”American Gothic,” his bold arrangement of a White House cleaning lady with a mop in front of a flag, got him in trouble on his first assignment.
As a multifaceted creative artist, Parks stacked up firsts again and again in a long career that has been seeing numerous tributes over the past year. 2012 was the 100th anniversary of his birth, and exhibits are still underway. Continue reading
It was long past the eleventh hour of my publication timetable and I still needed to get one last image to illustrate the article “‘No Mortal Eye Can Penetrate’: Louis Ransom’s Commemoration of John Brown” which would be appearing in our Autumn issue. I turned to the Library of Congress’s website, found and saved the file along with the metadata in order to be able to cite it correctly, and sent the last of the material to our designer.
Six short weeks later, the Autumn 2012 issue of The Hudson River Valley Review was out to great acclaim, and just a few even shorter days after that I received my first correction. It was about that image, and it was from Jean Libby, who had been cited in the article as the curator and author of the John Brown Photo Chronology. It was clear that I had gotten something wrong. Continue reading
Midget, feeble-minded, crippled, lame, and insane: these terms and the historical photographs that accompany them may seem shocking to present-day audiences. A young woman with no arms wears a sequined tutu and smiles for the camera as she smokes a cigarette with her toes; a man holds up two prosthetic legs while his own legs are bared to the knees to show his missing feet.
The photos were used as promotional material for circus sideshows, charity drives, and art galleries. They were found on begging cards and in family albums. In Picturing Disability: Beggar, Freak, Citizen, and Other Photographic Rhetoric, Bogdan and his collaborators gather over 200 historical photographs showing how people with disabilities have been presented and exploring the contexts in which they were photographed. Continue reading
Long Island’s story of work and play comes to life when a farmer, dust flying, rushes to market, a boy swings a baseball bat, a peddler sells fish door to door and a family, wearing their Sunday best, poses for a portrait in their new car.
The remarkable images, many of which have never been exhibited, are just some of the gems in the Society for the Preservation of Long Island Antiquities (SPLIA) collections and feature the work of such turn of the 20th century photographers as Clarence A. Purchase, Arthur S. Greene and Harry R. Gelwicks. Continue reading