The Oyster Bay Historical Society’s 2015 season opens with the exhibition The Other Side – Charles, Caesar, Harry, Sam, Pompey, Lon and Isaac, a photographic collection by New York artist Xiomáro (SEE-oh-MAH-ro). The collection of twenty-nine photographs will be on view from January 11 to March 29, 2015. Continue reading
Aerial photos can be helpful research tools for historians. Google Earth, which provides access to a vast collection of aerial photography stretching back 20 years, is just a sampling of the many aerial photos that have been made since French balloonist Gaspard-Félix Tournachon, known as “Nadar”, took a photo over Paris, France in 1858.
Much of New York Sate was photographed with the camera pointing straight down, an oblique presentation that is less useful to some historians. An effort to capture all of New York in an orthophotographic perspective (corrected to a uniform scale) started in 1936 with a contract to C.S. Robinson of Ithaca, NY. These images are particularly valuable resources for historians of all stripes. Continue reading
Friends of Taconic State Park, the organization working to preserve and stabilize the 19th century Copake Iron Works, are seeking historic photos for its interpretative signage project.
Anyone with access to, or possession of, images of the site (especially the centerpiece blast furnace and any houses or other buildings located nearby) is encouraged to contact them at info@FriendsofTSP.org. Continue reading
In modern times, photographs accompanying newspaper stories are sent around the world in digital format, utilizing the latest technology. But for half a century, from 1935 to 1989, the Wirephoto Service of the Associated Press was the industry standard. Prior to that time, the text of stories was sent by wire, but photographs for newsprint were shipped the same way mail and other urgent items were—by train or by plane.
Even by the speediest of methods, it could take more than three days for photographs to arrive. When a dramatic advancement—sending photographs instantly—arrived in 1935, the Adirondacks were linked forever with communications’ history. Continue reading
This week on “The Historians” podcast, Jeff Wilkin from the Daily Gazette in Schenectady discusses his long-running Monday morning history picture feature, “Capital Region Scrapbook”. Dan Weaver of Historic Amsterdam League promotes the League’s contest to find the oldest house in Amsterdam that has not been converted to another use. And hear highlights from my final radio show on WVTL in Amsterdam after a ten-year run.
Listen to the program at “The Historians” online archive at http://www.bobcudmore.com/thehistorians/
Who was Bridget? The idea behind Portrait Stories started when staff at Chapman Museum in Glens Falls, NY were doing research for the summer 2014 exhibit, At the Lake. Their curiosity was piqued by a photo of the Ranger family, in which every individual pictured was identified by name. Interestingly, for one woman, only her first name, Bridget, was provided.
Additional research turned up nothing about Bridget. One can assume from her name that she was Irish, and from her clothing that she was a maid. As a servant for the Ranger family, that summer she would have prepared and served meals, cleaned the cottage and cared for the young children. But then her story ends. Perhaps she married or moved on to another location; we simply do not know. Continue reading
In a new biography being released in October by SUNY Press, The Last Amateur: The Life of William J. Stillman, author Stephen L. Dyson tells the story of William J. Stillman (1828–1901), a nineteenth-century polymath. Born and raised in Schenectady, NY, Stillman attended Union College and began his career as a Hudson River School painter after an apprenticeship with Frederic Edwin Church.
In the 1850s, he was editor of The Crayon, the most important journal of art criticism in antebellum America. Later, after a stint as an explorer-promoter of the Adirondacks, he became the American consul in Rome during the Civil War. When his diplomatic career brought him to Crete, he developed an interest in archaeology and later produced photographs of the Acropolis, for which he is best known today. Continue reading
Entries are being accepted through August 30, 2014 for the 9th annual Erie Canalway Photo Contest. Winning photos will be featured in the 2015 Erie Canalway calendar, which will be available free of charge in December.
Amateur and professional photographers are invited to submit prints and digital images in four contest categories: Bridges, Buildings and Locks; Fun and Festivities; On the Water; and the Nature of the Canal. Images must be taken within the National Heritage Corridor, which is comprised of the Erie, Oswego, Cayuga/Seneca, and Champlain Canals, their historic alignments, and surrounding communities. Continue reading
The Fort Plain Museum has announced that researchers have located several early photographs (called a carte de visite or CDV) of two Revolutionary War soldiers who served at Fort Plain.
Private Samuel Downing of Captain John Dennett’s Company, Colonel George Reid Commanding, 2nd New Hampshire Regiment, was stationed at Fort Rensselaer/Fort Plain from February 20, 1782 until September 20th that same year when the regiment was transferred to Johnstown. Downing had his picture taken in 1863 as one of the last surviving veterans of the war for American Independence, a time when the American Civil War was at its height. Downing, who had made Edinburgh, NY his home after the Revolution, passed away there three years later in 1866 at the age of 105. Continue reading
The museum ship Lilac has opened for the summer at Hudson River Park’s Pier 25. The exhibition Hero Project will be on view there through June 30.
With photographs by Jonathan Atkin, Hero Project is a selection from his on-going work-in-progress collaboration with dance artists aboard historic ships. His mission is to increase visibility of our maritime heritage by reaching new non-maritime audiences. In the exhibition, dancers athletically grace the gritty vessels in oversize photographs mounted throughout Lilac, from the bridge to the engine room. For more on the project, see http://www.heroproject.us Continue reading