The Chapman Historical Museum in Glens Falls has just published Water & Light: S.R. Stoddard’s Lake George, a new work on the photography of Seneca Ray Stoddard.
The 160-page book features 150 of Stoddard’s photos, as well as some samples of his painting, sketches and cartography.
As a 19th century American photographer, S. R. Stoddard is often ranked with William Henry Jackson and Carlton Watkins, and the quality of his photographic compositions is compared with many of the Hudson River School painters. It is estimated Stoddard took some ten thousand images in the Adirondack Mountains alone. Continue reading
Twelve images that capture the beauty and character of the Erie Canalway National Heritage Corridor have been selected as winners of the 12th Annual Erie Canalway Photo Contest.
Winning images will be featured in the 2018 Erie Canalway National Heritage Corridor Calendar, which will be available for free in December.
Judges selected twelve winners from nearly 300 entries. First, second and third place photographs were chosen in each of four contest categories: Classic Canal, Along the Trail, On the Water, and Canal Communities. In addition, twelve photographs received an honorable mention. Continue reading
The Museum at Eldridge Street will open a new exhibition, “Rediscovery, Restoration & Renewal: The Eldridge Street Synagogue in Photographs,” on Thursday, September 14 from 6 to 8 pm with an opening reception.
Ten years ago, the restoration of the Eldridge Street Synagogue was completed. After a 20-year, $20 million effort, the building was brought back from the verge of collapse to stand once again as glorious as it had been when it opened in 1887. Continue reading
As New York celebrates the 200th anniversary of the building of the Erie Canal in 2017, amateur and professional photographers are invited to capture the canal corridor’s distinctive sense of place for the 12th annual Erie Canalway Photo Contest. Winning photos will be featured in the 2018 Erie Canalway calendar. Continue reading
One of the greatest landscape photographers during the latter half of the Nineteenth Century was William Henry Jackson (April 4, 1843 – June 30, 1942). A native son of the Adirondacks Jackson was born in Keeseville, New York to George Jackson and Harriet Allen. Harriet was a talented water-colorist and William inherited her artistic flair. His first job as an artist in 1858 was a re-toucher for a photography studio in Troy New York.
In 1866 after serving in the Civil War, Jackson boarded a Union Pacific train to the end of the line in Omaha, Nebraska. There he entered the photography business. The Union Pacific gave him a commission in 1869 to document the scenery along their routes for promotional purposes. It was this work that was discovered by Ferdinand Hayden who invited Jackson on the 1870 U.S. government survey (predecessor of the U.S. Geologic Survey) of the Yellowstone River and Rocky Mountains. He was also on the 1871 Hayden Geologic Survey which led to the creation of Yellowstone as America’s first National Park. It was Jackson’s images that played an important role in convincing Congress to establish the Park in 1872. Continue reading
As the New York celebrates the 200th anniversary of the building of the Erie Canal in 2017, amateur and professional photographers are invited capture the canal corridor’s distinctive sense of place for the 12th annual Erie Canalway Photo Contest. Winning photos will be featured in the 2018 Erie Canalway calendar. Continue reading
A three-day conference, “PhotoHistory/PhotoFuture,” will explore the scholarship, practice, profession, preservation, and access to photography’s – including motion pictures’ – history, present day expression, and projected opportunities and challenges. The conference takes place April 20 to 22, 2018 in Rochester.
PhotoHistory/PhotoFuture is sponsored and organized by RIT Press, the scholarly book publishing enterprise at Rochester Institute of Technology. The call for scholarly papers to be presented at the conference invites proposals on the widest and deepest range of topics on photography’s history and future from an equally broad range of scholars, professionals, and practitioners. Continue reading
The Borscht Belt: Revisiting the Remains of America’s Jewish Vacationland (Cornell University Press, 2016) by Marisa Schenfeld, which features essays by Stefan Kanfer and Jenna Weissman Joselit, presents Scheinfeld’s photographs of abandoned sites where resorts, hotels, and bungalow colonies once boomed in the Catskill Mountain region of upstate New York. Today the Borscht Belt is recalled through the nostalgic lens of summer swims, Saturday night dances, and comedy performances. But its current state, like that of many other formerly glorious regions, is nothing like its earlier status. Forgotten about and exhausted, much of its structural environment has been left to decay. Continue reading
The George Eastman Museum has launched a new platform that allows public online access to more than 250,000 objects from its collections.
Objects from the museum’s photography, technology, and George Eastman Legacy collections are now searchable, and more objects from the museum’s holdings are being added on an ongoing basis. Objects from the moving image collection are expected to become accessible in the coming months. Continue reading
The New York State Museum has opened “Hudson Valley Ruins,” a photography and architecture exhibition.
On display through December 31, 2017, the exhibition features over 80 photographs by Robert Yasinsac and Thomas Rinaldi documenting forgotten historic sites and cultural treasures in the Hudson River Valley.
The exhibition is based on Yasinsac and Rinaldi’s 2006 book, Hudson Valley Ruins: Forgotten Landmarks of an American Landscape. In addition to great river estates, the book and exhibition profiles sites meaningful to everyday life in the Hudson Valley: churches, hotels, commercial and civic buildings, mills, and train stations. The exhibition explores many of these abandoned places and also revisits several sites that have changed in the past ten years since the book’s publication. Continue reading