This spring Simon & Schuster will publish Supreme City: How Jazz Age Manhattan Gave Birth to Modern America by Donald L. Miller, the John Henry MacCracken Professor of History at Lafayette College and author of several books about World War II. Miller also wrote the bestseller City of Century about Chicago, and his book Masters of the Air is currently in production with Spielberg and Hanks at HBO.
As its subtitle proclaims, the book examines how midtown Manhattan rose to become the nation and world’s capital of commerce and culture via mass communication – radio, film, music, printing – as well as architecture, spectator sports, and organized crime during the roaring 1920s. Continue reading
The New York Lottery announced a new campaign Monday reminding the public that Lottery provides aid for education across New York State. As part of this program, a new television commercial was created featuring students singing “Thank You For Being A Friend,” written by Andrew Gold and made popular as the theme to the television show “The Golden Girls,” to unsuspecting people who buy Lottery tickets in a convenience store.
The Lottery has also launched a statewide contest to provide students with an opportunity to win $10,000, $5,000 or $2,500 to benefit their school’s music education program. Named “New York Sings” the contest offers students the opportunity to film themselves singing their own interpretation of “Thank You For Being A Friend.” Continue reading
Performer and Teaching Artist Dave Ruch will be doing a special live webcast concert of New York State traditional music at 8pm EST on Wednesday, January 22. Wherever you are in the world, you can tune in.
Ruch specializes in uncovering and performing the music of everyday people from earlier days in New York State – singing woodsmen, African-American fiddlers, War of 1812 soldiers and sailors, square dance musicians, back-porch ballad singers, farmers, canallers, domestics, Iroquois peoples, and more. Continue reading
Following the run of Buffalo Bill’s Wild West Show at Brooklyn’s Ambrose Park, showman Nate Salsbury, in the 1890s, sought another production to fill the vacant venue. His first thought–for an exhibition on Italian industry–did not get very far because his poor health prevented him from planning it.
Searching for something “purely national and a novelty,” he decided on a show that would provide a “picture of the South,” to be called “Black America.” Salsbury hired Billy McClain, a black entertainer who had already been doing a show called “The South before the War,” to manage the production. Continue reading
Bells ringing from a forest of steeples, horseshoes striking cobblestones, boat whistles in the harbor, Yiddische mamas scolding children from tenement windows. These are instantly recognizable noises that evoke a historical time and place, adding up to what today’s historians sometimes call a “soundscape.”
In today’s cities when the most characteristic sound may be the giant crash of falling brick walls as old buildings are demolished, soundscapes are a precious way of experiencing history outdoors. This heritage is particularly relevant in urban settings where so many layers of the city have gone missing. Continue reading
The film 12 Years a Slave tells the story of Solomon Northup, a free black man who was lured away from Saratoga Springs, New York in 1841, and sold into slavery. Though he played the fiddle (and the men who tricked him into leaving Saratoga told him they wanted him to fiddle for a circus), the film overstates Northup’s status as a musician. Primarily, he earned his money from other work.
In his 1853 autobiography however, Northup wrote that prior to moving to Saratoga he had performed: “Wherever the young people assembled to dance, I was almost invariably there.” He attained some renown in Washington County, since: “Throughout the surrounding villages my fiddle was notorious.” Continue reading
Quietly, a line of singers circled a lone tree on the edge of the Harlem River, in the shadow of the 145th Street Bridge, late Sunday afternoon on September 29. The group swelled in numbers as the shadows lengthened. Hums, moans, soft cries and low tones began to form a chorus of spirit noises as the performance “Saved” got underway. Continue reading
On September 30, the recently reopened historic Capitol Theatre in the village of Port Chester in the Town of Rye, in the county of Westchester, founded in the days of vaudeville, beloved by the Grateful Dead, rechristened by Bob Dylan, and just host to Willie Nelson, hosted Flashbacks.
A musical to the history of the town written by local sisters and educators Camille Linen and Donna Cribari, Flashbacks tells the story of high school students who complete a historical multimedia project and are drawn to the local river that mysteriously produces figures from the town’s past as primary source documents. Continue reading
It’s not often that a person is the focus of a sculptor’s attention. In the mid-1920s, a North Country woman found herself in just that position. The sculptor’s name was Pompeo Coppini, a noted artist who won several awards and whose works were featured from coast to coast. Many of his 128 principal creations are prominent in the state of Texas, including The Spirit of Sacrifice, the large monument at the Alamo honoring those who died within the fort’s walls. It has been viewed by millions.
Coppini sculpted many historical figures of great accomplishment, including Robert E. Lee, Woodrow Wilson, Stonewall Jackson, Sam Houston, and George Washington. Add to that list Mrs. Ethel Dale, chosen as a sculpture subject for her great achievement in the field of … well, doing nothing. Continue reading
What you see here is one of the most recognizable trademarks ever, a logo that has been used by many companies around the world. The dog in the image is not fictional. His name was Nipper, and a few years after his death, Nipper’s owner sold a modified painting of his dog to a recording company. The rest is history, and part of that history includes a heretofore unknown North Country native.
From humble beginnings, he became famous for his wide-ranging knowledge of recording and his ability to invent. Perhaps most important of all, he traveled the world and was the first person to record the music of a number of countries, saving it for posterity. Continue reading
Nationally acclaimed folk musicians Jay Ungar and Molly Mason along with Kim and Reggie Harris will present a free concert at the Clark Auditorium of the New York State Museum in Albany at 7:00 p.m. this Saturday, September 21st. The concert features Civil War music and highlights a weekend celebration of the Museum’s award-winning exhibition “An Irrepressible Conflict: The Empire State in the Civil War.” Continue reading
They’ll be spinning Adirondack legends in songs and stories, but they’re practically legends themselves. Chris Shaw, Dan Berggren, Bill Smith, and newcomer Alex Smith, will be in Bolton Landing for a free concert in Rogers Park on September 15. Adirondack Legends: a festival of new and traditional Adirondack music and stories, will be presented by the Lake George Mirror.
Adirondack Legends was organized by Chris Shaw, the Lake George native who has made a career of singing Adirondack folk songs and telling Adirondack tales. His repertoire includes some of the region’s earliest songs, and the revived interest in the Adirondack Songbook of Marjorie Lansing Porter is one inspiration for the show, he said. Continue reading
Minerva in Essex County, primitive and remote in the early 1800s, hardly would have seemed a likely birthplace for a man who would write a book which would attract national attention, make the author a household name, and, to some degree, help start a civil war. But indeed, it was there that Solomon Northup, author of Twelve Years A Slave, was born.
Technically the town of Minerva did not exist at the time of Solomon’s birth on July 10, 1807 (though his book gives 1808 as his year of birth, more official documents have it as 1807); the town of Minerva was not formed until 1817. In 1807 the area, not yet known as Minerva, would have been part of the Town of Schroon. Continue reading
The Frick Collection presents its seventy-fifth anniversary season of classical music concerts in the elegant setting of the museum’s Music Room.
Debuting in 1938, just three years after The Frick Collection opened to the public; the concert series is one of the most celebrated in New York City and has delighted thousands of visitors over the years with world-class performances ranging from solo recitals to chamber music groups to early music ensembles. Continue reading
The recent exploits of Nik Wallenda at the Grand Canyon (the video might make you weak in the knees) call to mind a North Country man who once performed daredevil stunts and amazing feats more than a century ago. The most famous effort by Robert Emmet Odlum, a St. Lawrence County native, earned him footnote status in the lore of a famous American landmark.
While Odlum’s origins (he was born August 31, 1851) have been reported as Washington, DC, and Memphis, Tennessee, he was born in St. Lawrence County, New York. That information is in stone, literally―Ogdensburg as his birthplace is carved into the obelisk atop Odlum’s grave. (He was buried in Washington, which may account for some of the confusion.)
Robert’s entire life was linked to water, beginning with the St. Lawrence River, where it is said he learned to swim as a very young child. That information comes from his mother, who wrote Robert’s life story after he died. Continue reading
In June 1874, music lovers in Northern New York were excited. For the second time in three years, Blind Tom, the world-renowned black pianist and entertainer and arguably the first black superstar to perform in the U.S., was coming to Malone. For years after the Civil War, he had been wowing audiences throughout the U.S., Great Britain, Canada, continental Europe, and South America with his one-man show which was part vaudeville and part classical piano music.
Tom had many talents including the ability to: play the piano, coronet, French horn and flute; sing and recite speeches of well-known politicians in Greek, Latin, German and French; mimic any music a member of the audience might offer for him to hear; and use his voice to make the sounds of locomotives, bagpipes, banjos and music boxes. While singing one song, he could play a second with his right hand, and a third with the left. Continue reading
This is a story about a fat guy. In this politically correct and hyper-sensitive world, some of you might already be reaching for your keyboards to send me a nasty message for being so thoughtless. But without referring to him as fat, I couldn’t have written this piece. I’m pretty sure he knew he was obese, as did anyone who met him. But if there was ever any doubt, one could always refer to his professional name: Phat Boy. (Imagine … a name like that, 150 years before the birth of Rap music.)
His given name was Edward Frederick Babbage, the son of John and Frances Babbage, who emigrated from England in the early 1800s and settled in Rochester, New York. Among their five children was a pair of twins, Edward Frederick and Edwin Francis, born about 20 miles west of the city in 1841. Early on, Edward exhibited a propensity for gaining weight. He was considered large at age six, and weighed 200 pounds when he was fourteen. Continue reading
What follows is a guest essay by J.R. Teeter, the founding artistic director of Bread & Water Theatre. Since 2000 Bread & Water Theatre has had as its purpose the development of new dramatic works and affordable arts programming for the public. This essay first appeared on the site Preservation News.
Rochester, New York has fallen on hard times, not unlike many of the cities across the nation. The Erie Canal, once a major shipping route, is now considered obsolete. The city’s biggest employer, Kodak, is now bankrupt. Major businesses have either downsized, moved out of town, or both. When a new company takes an interest in the city, the red carpet is rolled out and tax breaks are doled out, sometimes at the cost of the city’s legacy. Continue reading
Three organizations – Colton Historical Society, Grasse River Players and Colton-Pierrepont Central School – have announced new collaborative work for 2013 following the successful production of Sunday Rock—The Folk Musical in 2012. Last year, when they first combined their historical, theatrical and educational interests to produce the show along with author and Colton resident Evelyn Riehl and her family, they received lots of support and encouragement to continue.
The partnership has now committed to presenting a theatrical performance addressing a dimension of history each July around the time Colton celebrates its history. Over the winter plans were made to produce The 1940’s Radio Hour and to also pursue an oral history project in conjunction with it focusing on World War II. Continue reading
A four-gallon stoneware jug manufactured by Fulper Bros. in Flemington, New Jersey during the 1880s is now part of the New York State Museum’s Weitsman Collection of American Stoneware. Now on display at the State Museum, the historically significant piece of stoneware was recently acquired for the Museum by stoneware collector and benefactor, Adam Weitsman.
According to an announcement release to the press today, “The acrobat jug, a sought-after example of decorated American stoneware, has been breaking stoneware record prices at auction for decades and Weitsman had wanted the piece for over thirty years.” Weitsman recently purchased the jug from Allen Katz Americana the statement says. Continue reading