NYPL has put an entire manuscript collection online for the first time in the library’s history. The Library’s Emmet Collection (now completely online at archives.nypl.org/
NYPL has put an entire manuscript collection online for the first time in the library’s history. The Library’s Emmet Collection (now completely online at archives.nypl.org/
The Clinton County Historical Association (CCHA) has been awarded a $5,000 grant from the Champlain Valley National Heritage Partnership. The funds are expected to support the creation of an interactive digital exhibit highlighting the history of the Catholic Summer School in Cliff Haven, NY. Continue reading
The Museum of the City of New York and the South Street Seaport Museum have launched a joint “catablog” which provides online access to finding aids for their archival collections. The archivists at both museums will continue to make more finding aids accessible via the Catablog as the collections are processed. Continue reading
Sharing information and descriptions of good practices is a useful strategy for strengthening our programs. Here are a few examples that may be of interest:
When the New-York Historical Society set out to create its WWII & NYC exhibit, we knew that personal histories would be an important part of our presentation and our approach to soliciting visitor responses. Many visitors would have served on the home front or war fronts, or experienced the “War Emergency” as children. Others would have heard stories from their parents and grandparents. Continue reading
The Frick Collection has announced the launch of its new website. Key features of the redesigned and expanded site include a new interactive virtual tour with access to information and zoomable images for more than 1,000 works of art in the permanent collection and enhanced content in the areas of research, programs, and media.
Additionally, the site has been streamlined to allow greater integration between the institution’s museum and library, and highlights the improved layout and easier navigation of sections relating to exhibitions, membership, special events, and the Museum Shop. Continue reading
Producers of the PBS series American Experience have announced the launch of The Abolitionist Map of America, an interactive website that explores events, characters and locations connected to the anti-slavery movement, one of the most important civil rights crusade in American history.
The map engages communities around their local history, connecting the stories told in The Abolitionists, premiering Tuesdays, January 8-22, 2013 on PBS, to real geographic locations, bringing events from the past to life and integrating them into present-day American cities. Continue reading
In August of 1777, German Lieutenant Colonel Friedrich Baum found himself in a precaurious position as his dismounted cavalry trudged through an unfamiliar wilderness – on a continent seperated by the Altlantic Ocean from their European homes – accompanied by British marksmen, layalists, and Native Americans of uncertain discipline.
Speaking in only his native tongue, unfamiliar with war in the wilderness, wary of the rebels’ determination and having no understanding of the landscape that lay between him and his goal, Baum departed from Fort Miller to capture stores at Bennington. So begins the saga of “The Road to Walloomsac.” Continue reading
New York is not the only state turning to cultural heritage tourism or seeking to develop its historic community. Let’s look at our neighbor to the east and see what lessons we might learn from them.
Note – this post contains five items on what Connecticut is doing and four recommendations on what New York should do so it is too long to read on a computer at work in one sitting. Continue reading
“It is with a heavy heart that we announce our decision to cease publishing American Revolution Magazine, due to a variety of factors,” the publishers of the popularly oriented magazine of the Revolution have announced. The last issue of the magazine published was the September/October 2012 issue and mailed in August.
The magazine’s Editor David Reuwer, President of the American Revolution Association (ARA), helped found the periodical in January 2009 as a bi-monthly. About 5,000 copies were distributed in over 40 states and in England, according to ARA’s website. The magazine also used the name Patriots of the American Revolution.
Back issues can still be purchased for $4 each by calling 800.767.5828.
The Prison Public Memory Project, focused on making prison history relevant as a guide to the future, today launched a website and blog (www.prisonpublicmemory.org) featuring its work in Hudson, NY a small town that is home to an historic prison and the site of the Project’s pilot effort.
Hudson Correctional Facility, a medium-‐secure state prison for men that opened in 1976, was originally built in the 1800’s as the House of Refuge for Women, the first reformatory for women in New York (1887 – 1904), and then transformed into The New York State Training School for Girls (1904-‐1975) where famed jazz singer Ella Fitzgerald and other girls found to be delinquent by the courts were sent to be reformed.
Since 2011, Prison Public Memory Project founders and a growing team of contributors based in the Hudson Valley and around the state have been interviewing Hudson area residents including prison ‘alumni’; conducting research in local and state archives and libraries; and developing educational, interpretive and cultural activities to be offered in Hudson and on the website later this year and
Visitors to the website can view current photos of former prison workers and inmates and listen to audio clips from their oral histories; see old photographs and maps of the prison; and read prison documents and letters from the 19th and 20th centuries. Short articles tell about ordinary as well as extraordinary prison-‐related events and people that influenced local, state, and national history. One section of
the website invites visitors to become history detectives helping the Project team answer questions and find evidence and visitors are encouraged to contribute in other ways.
Even before its public debut, the website-in-progress grabbed the attention of a few people who offered their own stories and questions and photos. One woman wrote in “My mother’s stories of the (NYS Training) school (for Girls) were brutal, I want to find out if I have another brother or sister. maybe someone has information to help me.” Another woman wrote ” i was sent too hudson in 1964. it wasnt a very nice place to be. but i made my bed so i had to lay in it… once you got use to being there it wasnt, a bad place… it made me a better person some of these young girls now should have a place like that it taught you respect for your self and others.”
Project founder/director Alison Cornyn anticipates more public input as the site is officially launched and word-of-mouth spreads. “Prisons, especially old prisons like the one in Hudson, have touched thousands of lives over the course of their history, in both profound and ordinary ways. Using history, art, dialogue and new communications technologies, The Project will craft safe spaces and new opportunities for people from all walks of life – including those who lived and worked inside the walls ‐ to connect with the past and each other and engage in conversation, learning, and visioning regarding the role of prisons in communities and in society today and in the future”, said Cornyn, a Brooklyn based
interdisciplinary artist and new media producer whose previous projects have garnered numerous awards.
Illustration: New York State Training School For Girls.
How do you stay informed about the field of public history? The National Council on Public History (NCPH) is conducting a readers survey to learn how public historians at all stages of their careers use journals, blogs, newsletters, listservs, and other venues to engage in critical reflection and keep up with new developments in the profession.
They are interested in hearing from wide variety of practitioners, educators, and students. With your help we hope to strengthen NCPH’s journal, The Public Historian, and to discover new intersections among and formats for professional and scholarly publications.
The survey takes 10-15 minutes and is available at https://www.surveymonkey.com/
For more than 125 years, the U.S. Geological Survey (USGS), the largest producer of printed topographic maps, has portrayed the complex geography of the nation. Prior to 2009, USGS topographic maps were created using traditional cartographic methods and printed using the lithographic printing process.
Now the USGS National Geospatial Program (NGP) is nearing completion of the conversion of these these historical printed topographic quadrangles to an electronic format (GeoPDF). The scanning and processing effort serves the dual purpose of creating a master catalog and digital archive copies of the irreplaceable collection of topographic maps in the USGS Reston Map Library, as well as making the maps available for viewing and download online.
USGS has digitized nearly 200,000 maps, including its collection for the contiguous United States and Hawaii. Remaining maps for Alaska, Puerto Rico, the Virgin Islands, and Trust Territories are expected to become available in the coming months.
Regular readers know that I am a strong advocate of the role of the county historian as a promoter of historical education, community heritage, and cultural tourism. Although the position is a required by state law, the actual job requirements and benefits are left up to the individual counties. Continue reading
Five of the nation’s top Latino social media influencers are setting off on Saturday on a road trip with the shared mission of visiting historic sites protected by the National Park Service that honor the contributions of Latinos throughout American history.
Organized by the American Latino Heritage Fund in partnership with Hispanicize 2013 and PapiBlogger.com founder Manny Ruiz, and with the support by automotive sponsor Chevrolet and telecommunications partner Verizon, this unique social media project is expected to raise awareness of, and support for, the American Latino Heritage Fund. The Fund strives to tell of a more inclusive story of American History by preserving, celebrating and promoting the cultural, economic and civic contributions of Latinos to the American story.
Several recent posts here at New York History remind us of the incredible richness and diversity of New York’s history and the outstanding programs and organizations that are responsible for it. But others demonstrate the need for more resources, visibility and coordination. Continue reading
The website is expected to include a web-based exhibition and hoped to be a statewide clearinghouse for information about New York’s pivotal role in the War of 1812, as well as for all War of 1812 events across New York State and into Canada. The goal is to provide a site for conversation and coordination among all of those interested in commemorating the memory of the war.
The New York-Canadian border was the central front of the war, which was waged against the British Empire from June 18, 1812 to February 18, 1815. Some of the nation’s most prominent military figures of the early 19th century made their names along New York State’s northern frontier. Several pivotal battles also took place in the state, including the battle of Plattsburgh in September 1814.
“The War of 1812 is a ‘New York story’ and so too is our effort to commemorate this important bicentennial,” said Museum Director Mark Schaming. “We have reached out to historians, historical societies and various other collaborators and partners across the state and into Canada, inviting them to join with us in telling this story and making this the ‘go-to’ place to learn about the war and the many events planned to commemorate it.”
The website will be a growing and evolving statewide resource for the duration of the bicentennial commemorations. Interested historians – from academics to genealogists – will have an opportunity to submit 1812-related stories, whether they are biographies of local citizens or essays on New York-related events. A page devoted to biographies highlights valiant and patriotic men and women who contributed their time, energies, and in some cases, made the ultimate sacrifice to aid the war effort.
The site also provides a platform for historical societies and museums across the state to highlight their War of 1812 collections in a virtual artifact gallery. The site currently displays historic artifacts related to the War that are in the collections of the State Museum, State Library and State Archives.
A resources page lists website links for War of 1812 commemorative events and organizations, as well as for State Library resources and State Archives records.
The Erie Canalway National Heritage Corridor Commission has released its 2012 Erie Canalway Map & Guide to introduce residents and visitors to the Erie Canalway National Heritage Corridor. Copies can be obtained at 150 sites, including visitor centers, libraries, cultural heritage sites, and canal locks all along the New York State Canal System, and online.
The eight page newspaper-style guide includes a map of the National Heritage Corridor, as well as a list of canal-related cultural heritage sites, boat rental and tour companies, places to cycle on the Erie Canalway Trail, and more.
The map and guide, along with the website www.eriecanalway.org, are among the efforts by the heritage corridor commission to increase awareness about the waterway, trail, and national significance of the Erie Canal.
The Brooklyn Museum is launching a borough-wide initiative in which Brooklyn-based artists will be invited to open their studios, allowing community members to visit and nominate artists for inclusion in a group exhibition to be held at the Museum.
Brooklyn Museum curators will visit the studios of top nominated artists to select works for the exhibition. The open studio weekend for GO: a community-curated open studio project will be held September 8 and 9. The exhibition will open during First Saturday on December 1, 2012, and will be on view through February 24, 2013.
Web and mobile technology will be a central component bringing artists and community together to share information and perspectives on art. All participants (artists, voters, and volunteers) will be able to create a personal online profile at the project’s website, www.gobrooklynart.org. Artist profiles will include photos of each artist and their studio, along with images and descriptions of their work. Volunteers will be connected with their respective neighborhoods online, and voters will have profiles that track their activity during the open studio weekend and provide a platform on which to share their perspectives.
“GO is a wide-ranging and unique project that will transform how Brooklyn communities engage in the arts by providing everyone with the chance to discover artistic talent and to be involved in the exhibition process on a grassroots level. Through the use of innovative technology, GO provides every Brooklyn resident with an extraordinary opportunity to participate in the visual arts in an unprecedented way,” says Brooklyn Museum Director Arnold L. Lehman.
The project launched on May 18th with volunteer registration. Volunteers will identify and work with local groups and businesses within specific neighborhoods to engage artists and potential studio visitors. The Brooklyn Museum will also partner with the Brooklyn Arts Council, open studio organizations, the Brooklyn Borough President’s Office, and Heart of Brooklyn to promote participation in GO. The New York City Housing Authority will also play an important role in engaging residents living in public housing developments in Brooklyn.
Artists will have an opportunity to register their studios at www.gobrooklynart.org in June. Artist registration will be followed by voter registration in August and early September. In October, Sharon Matt Atkins and Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, will make studio visits to the top nominated artists to select the work for the exhibition. Curators and community members will engage in a public dialogue about the selection of work.
GO continues the Brooklyn Museum’s long tradition of highlighting the borough’s community of artists. Since its 2004 exhibition, Open House: Working in Brooklyn, the largest survey to date of artists working in Brooklyn, the Museum has continued its commitment to Brooklyn artists with exhibitions by Fred Tomaselli, Lorna Simpson, and an upcoming exhibition by Mickalene Thomas, among others, and the current Raw/Cooked series of five exhibitions by under-the-radar Brooklyn artists.
A pioneer in crowd-sourced exhibitions, the Brooklyn Museum also presented Click! A Crowd-Curated Exhibition (2008), a photography show in which nearly 3,500 community members evaluated the work of 389 local photographers. More recently, Split Second: Indian Paintings (2011) invited the Museum’s online community to participate in the selection of works to be shown in an installation of Indian paintings.
The project organizers are Sharon Matt Atkins, Managing Curator of Exhibitions, and Shelley Bernstein, Chief of Technology. GO: a community-curated open studio project is inspired by two predecessors: ArtPrize, an annual publicly juried art competition in Grand Rapids, Michigan, and the long tradition of open studio events that take place each year throughout Brooklyn.
The project’s website will be updated throughout the process until the exhibition’s opening in December 2012.