The South Street Seaport has been named one of America’s 11 Most Endangered Places according the National Trust for Historic Preservation. Since 1988, the National Trust has used this campaign to raise awareness about the threats facing some of the nation’s greatest treasures.
The South Street Seaport is a designated NYC Historic District and is considered the first World Trade Center, as it was NYC’s birth place of commerce. Continue reading
On May 12, 2015, the Coat of Arms Foundation (COAF) in collaboration with the New York Genealogical and Biographical Society (NYG&B) hosted a presentation by Chris M. Jones on the centennial anniversary of the adoption of the seal of the City of New York on June 24, 1915.
Designed to reflect the full heraldic achievement – arms with charges, crest, supporters, and motto – the seal went into use for “requisite purposes… on documents, publications or stationery issued or used by or in the name or under the authority of the city or of any borough or department thereof.” Continue reading
Last Monday I attended the Broadway opening of Hamilton, the musical. I was really looking forward to the event. The Alexander Hamilton Awareness Society was out in force.
The opening was particularly auspicious coming one day after the anniversary of Hamilton’s death in 1804. Continue reading
Long before digital technology made instant worldwide communication possible, political protests and calls for action reached the public through posters. Posted on walls and bulletin boards, slapped up on store windows and church doors, these works often featured bright colors and modernist art-inspired graphics, and were quickly mass-produced to inform communities, stir up audiences, and call attention to injustice.
This summer, the New-York Historical Society is presenting 72 posters dating from the early 1930s through the 1970s in Art as Activism: Graphic Art from the Merrill C. Berman Collection, on through September 13, 2015. Continue reading
After a month visiting with his mother in Lake George, Mr. and Mrs. Robert Perkins moved to New York City. In 1911, he was among the soloists in the first production of Quo Vadis? at the Metropolitan Opera. While working in the grand opera scene, he also studied with Sergei Klibansky, one of the world’s leading voice coaches. Perkins was among his many students who performed at the Carnegie Chamber Music Hall. Continue reading
Just across Union Square from The Nation’s headquarters on Irving Place there stands a hole-in-the-wall falafel joint that some of the magazine’s employees— including, rumor has it, the author of this blog post — are known to frequent. Habitually. Like, every day. Sometimes twice. Like salmon swimming home.
Until recently, this behavior had long puzzled scholars — defying, it seems, all we think we know about the instinct to self-preservation. But actually it makes eminent good sense: the falafel joint’s address — 26 East 17th Street — once belonged to the first headquarters of the Union League Club, and it was there, one fateful night in the early summer of 1863, just days before the Battle of Gettysburg, at a clap of divine lightning, at the end of an eternal drum-roll, for good or for ill, depending on whom you ask, the magazine now known the world over as America’s oldest weekly was summoned from the ether and was born. Continue reading
The Lower Manhattan Historical Society (LMHS), a group formed just last August, sponsored the first Independence Day parade in almost forty years in Lower Manhattan on July 3rd.
The parade included marchers from patriotic groups such as the New York Veteran Corps of the Artillery, the Sons of the Revolution of the State of New York Color Guard,, the Color guard of various chapters of the Sons of the American Revolution, the Colonial Dames of America, the French Air Force Reserves, the Chinatown partnership, and native New Yorkers. Continue reading
Magic rites in the jungle seal the fate of a love triangle in the long-forgotten opera of H. Lawrence Freeman restaged on Friday and Saturday at Columbia University’s Miller Theatre. Voodoo was composed in 1914 and had its last performance in 1928. The music and libretto come from a composer who was a friend of Scott Joplin. author of more than 20 operas, and founder of the Harlem Renaissance’s Negro Grand Opera Company. The revival features Gregory Hopkins of Harlem Opera Theatre conducting in a production that drew on collaboration with the Harlem Chamber Players and the Morningside Opera. Continue reading
On June 23, the New York City Landmark Preservation Commission (LPC) voted unanimously to designate the Stonewall Inn an Individual Historic Landmark. The site is the location of the Stonewall riots of June 1969, an event that helped spark the current LGBTQ Pride Movement.
The building is already protected as part of the Greenwich Village Historic District and its significance derives entirely from its historical, social and cultural importance, rather than architectural, marking it a unique designation for the LPC. Continue reading
In Bronx Faces and Voices: Sixteen Stories of Courage and Commitment (Texas Tech University Press, 2014) sixteen men and women – religious leaders and activists, elected officials and ordinary citizens tell their personal, uncensored stories of the New York City borough — before, during, and after the troubled years of arson, crime, abandonment, and flight in the 1970s and 1980s.
The interviews are drawn from the Bronx Institute Archives Oral History Project’s interviews with hundreds of Bronx residents in the early 1980s, now held in the Special Collections division of the Leonard Lief Library of Lehman College, CUNY. Continue reading