Long before digital technology made instant worldwide communication possible, political protests and calls for action reached the public through posters. Posted on walls and bulletin boards, slapped up on store windows and church doors, these works often featured bright colors and modernist art-inspired graphics, and were quickly mass-produced to inform communities, stir up audiences, and call attention to injustice.
This summer, the New-York Historical Society is presenting 72 posters dating from the early 1930s through the 1970s in Art as Activism: Graphic Art from the Merrill C. Berman Collection, on through September 13, 2015. Continue reading
After a month visiting with his mother in Lake George, Mr. and Mrs. Robert Perkins moved to New York City. In 1911, he was among the soloists in the first production of Quo Vadis? at the Metropolitan Opera. While working in the grand opera scene, he also studied with Sergei Klibansky, one of the world’s leading voice coaches. Perkins was among his many students who performed at the Carnegie Chamber Music Hall. Continue reading
Just across Union Square from The Nation’s headquarters on Irving Place there stands a hole-in-the-wall falafel joint that some of the magazine’s employees— including, rumor has it, the author of this blog post — are known to frequent. Habitually. Like, every day. Sometimes twice. Like salmon swimming home.
Until recently, this behavior had long puzzled scholars — defying, it seems, all we think we know about the instinct to self-preservation. But actually it makes eminent good sense: the falafel joint’s address — 26 East 17th Street — once belonged to the first headquarters of the Union League Club, and it was there, one fateful night in the early summer of 1863, just days before the Battle of Gettysburg, at a clap of divine lightning, at the end of an eternal drum-roll, for good or for ill, depending on whom you ask, the magazine now known the world over as America’s oldest weekly was summoned from the ether and was born. Continue reading
The Lower Manhattan Historical Society (LMHS), a group formed just last August, sponsored the first Independence Day parade in almost forty years in Lower Manhattan on July 3rd.
The parade included marchers from patriotic groups such as the New York Veteran Corps of the Artillery, the Sons of the Revolution of the State of New York Color Guard,, the Color guard of various chapters of the Sons of the American Revolution, the Colonial Dames of America, the French Air Force Reserves, the Chinatown partnership, and native New Yorkers. Continue reading
Magic rites in the jungle seal the fate of a love triangle in the long-forgotten opera of H. Lawrence Freeman restaged on Friday and Saturday at Columbia University’s Miller Theatre. Voodoo was composed in 1914 and had its last performance in 1928. The music and libretto come from a composer who was a friend of Scott Joplin. author of more than 20 operas, and founder of the Harlem Renaissance’s Negro Grand Opera Company. The revival features Gregory Hopkins of Harlem Opera Theatre conducting in a production that drew on collaboration with the Harlem Chamber Players and the Morningside Opera. Continue reading
On June 23, the New York City Landmark Preservation Commission (LPC) voted unanimously to designate the Stonewall Inn an Individual Historic Landmark. The site is the location of the Stonewall riots of June 1969, an event that helped spark the current LGBTQ Pride Movement.
The building is already protected as part of the Greenwich Village Historic District and its significance derives entirely from its historical, social and cultural importance, rather than architectural, marking it a unique designation for the LPC. Continue reading
In Bronx Faces and Voices: Sixteen Stories of Courage and Commitment (Texas Tech University Press, 2014) sixteen men and women – religious leaders and activists, elected officials and ordinary citizens tell their personal, uncensored stories of the New York City borough — before, during, and after the troubled years of arson, crime, abandonment, and flight in the 1970s and 1980s.
The interviews are drawn from the Bronx Institute Archives Oral History Project’s interviews with hundreds of Bronx residents in the early 1980s, now held in the Special Collections division of the Leonard Lief Library of Lehman College, CUNY. Continue reading
As a scholarly specialist on the American peace movement, I am sometimes telephoned for background information by journalists writing articles about current demonstrations against war or against nuclear weapons. Almost invariably, they have no idea that the American peace movement has a rich history. Or, if they realize that it does have such a history, they have no idea that that history goes back further than the Vietnam War. This is a very big and unfortunate gap in their knowledge. Continue reading
In Pamela Newkirk’s Spectacle: The Astonishing Life of Ota Benga (Amistad / Harper Collins, 2015) the award-winning journalist reveals a little-known and shameful episode in American history, when an African man was used as a zoo exhibit — a shocking story of racial prejudice, science, and tragedy in the early years of the twentieth century.
Ota Benga, a young Congolese man, was featured as an exhibit at the St. Louis World’s Fair. Two years later, in 1906, the Bronx Zoo displayed him in its Monkey House, caging the slight 103-pound, four-foot eleven-inch man with an orangutan. The attraction became an international sensation, drawing thousands of New Yorkers and commanding headlines from across the nation and Europe. Continue reading
A controversial plan to expand the landmark Frick Collection in New York City was withdrawn by its Board of Trustees on Wednesday. Historic preservationists, including New York City’s Historic Districts Council, opposed the plan, in part on the grounds that the new construction would have destroyed a gated pocket park. Continue reading