Shane White’s book Prince of Darkness: The Untold Story of Jeremiah G. Hamilton, Wall Street’s First Black Millionaire (St. Martin’s Press, 2015) is the story of 19th century business man Jeremiah Hamilton, who overcame adversity and discrimination to become one of the wealthiest men of his time, earning a fortune of $2 million, valued at $250,000 million in today’s world.
This is a historical account of an African American man who held his own in the business world, bought a mansion in rural New Jersey, and owned railroad stock on trains he wasn’t legally allowed to ride. Cornelius Vanderbilt, America’s first tycoon, came to respect, grudgingly, his one-time opponent. Continue reading
Robert Furman’s book Brooklyn Heights: the Rise, Fall and Rebirth of America’s First Suburb (The History Press, 2015) is a substantial illustrated history of Brooklyn. The book takes a look at the moving forces of history, and shows that technology is the great creator and destroyer, especially in the rise and fall of cities.
Brooklyn was once a great industrial city, like many others. It was enabled by transportation technology: steam ferries, railroads, canals. It was once the largest freight port in the world, in particular in Red Hook’s Atlantic and Erie Basins. They were the discharging end of the Erie Canal, and later expanded into international shipping. Continue reading
She’s the woman who dueled with Aaron Burr and won. Move over Alexander Hamilton. The life of Eliza Jumel is a tale about a woman who pulled hard on her Yankee bootstraps to make good on the American dream.
Margaret Oppenheimer’s splendid book, The Remarkable Rise of Eliza Jumel: Marriage and Money in the Early Republic (Chicago Review Press, 2015), takes readers along on a tale of intrigue, scandal and innuendo. Far from a steamy beach read featuring men in white wigs, this meticulously-researched tale paints a detailed and scholarly portrait of New York City and the way in which the city’s growth provided fertile ground for the ambitions of its heroine. Continue reading
The Museum of the City of New York will present “From Ship to Shore: Reginald Marsh & The U.S. Custom House Murals,” a glimpse at rarely seen works from the celebrated American painter known for bringing city scenes to life from the beaches of Coney Island to the burlesque stage, and the United States Custom House. Continue reading
In his short novel, Washington Square, Henry James wrote about New York women of the Gilded Age; elegant ladies who strolled the sidewalks of the city’s shopping district, Ladies’ Mile.
These New York women admired window displays of shirtwaists, an elegant button-down blouse with rows of tiny and elaborate tucks. The shirtwaist was favored by New York women as a symbol of chic modernity. But the silhouette of fashionable ladies came at a price paid by their downtrodden sisters, immigrant women living in the city’s tenements. These newest New York women worked long hours for low wages in the city’s notorious sweatshops. Continue reading
Author Valerie H. McKito’s new book, From Loyalists to Loyal Citizens: The DePeyster Family of New York (2015 SUNY Press) takes a look at the DePeyster family, one of the first families of New Amsterdam. The family ranked among the wealthiest of New York during the early days of the American Republic. The DePeysters were also unapologetic Loyalists, serving in the King’s forces during the American Revolution.
After the war, the four sons left the United States for Canada and Great Britain. Ten years later, one son, Frederick DePeyster, returned to New York, embraced his Loyalist past, and utilized his British connections to become a prominent and successful merchant. The DePeysters went on to become true Patriots, zealously supporting US interests in the War of 1812. Continue reading
Marcia M. Gallo takes a look at one of America’s most infamous crime stories, in No One Helped (2015 Cornell University). This new book examines the 1964 rape and murder of Catherine “Kitty” Genovese, in a middle-class neighborhood of Queens.
Front-page reports in the New York Times incorrectly identified thirty-eight indifferent witnesses to the crime, fueling fears of apathy and urban decay. Genovese’s life, including her lesbian relationship, was also obscured in media accounts of the crime.
Fifty years later, the story of Kitty Genovese continues to circulate in popular culture. Although it is now known that there were far fewer witnesses to the crime than was reported in 1964, the moral of the story continues to be urban apathy. No One Helped traces the Genovese story’s development and resilience while challenging the myth it created. Continue reading
Ginger Adams Otis’ new book Firefight: The Century-Long Battle to Integrate New York’s Bravest (2015 Palgrave MacMillan) offers a fresh look at New York City’s firefighters’ critical Civil Rights history.
Firefight is a narrative from veteran reporter Ginger Adams Otis that delves deep into the struggle of black firefighters to truly integrate the FDNY – the largest fire department in the U.S.
It sheds light on the long, painful effort to achieve the still-elusive post-racial America and shares the untold history of the black men and women who battled to join the Bravest. Continue reading
A new book, Liber A of the Collegiate Churches of New York, Part 2, provides new insight on colonial New York as a diverse New World economic hub. This volume includes a more-complete set of records of early life in the church, a cornerstone of colonial life.
Liber A Part 2 contains 17th-century records from the Reformed Dutch Church of the City of the New York, founded in 1628, which later became the Collegiate Churches of New York. The book includes details about daily life, baptism and marriage practices from this period, providing fundamental context. This volume is a companion to Liber A , published in 2009, and includes the church’s earliest moments such as details of its construction and the royal charter that led to its founding.
The Museum of the City of New York is presenting a new exhibit, “Picturing Prestige: New York Portraits, 1700-1860,” an ensemble of iconic New Yorkers presented through portraits, which were commissioned as status symbols and painted by the very best artists a young nation had to offer. Continue reading