Art deco murals, decorative brick work, mosaics – not quite what you expect to encounter at a women’s prison. The Bayview Women’s Correctional Facility at 550 West 20th Street in Manhattan was built in 1931 as a YMCA for merchant sailors. Converted to a prison, it was closed after Superstorm Sandy flooding and is now being converted to a Women’s Building. As an adaptive reuse, the main building will be preserved with some elements that reflect the history, even as the site is re-purposed as a women-focused community facility. Continue reading
Every kind of bad name was pasted on them: delinquents, hussies, misfits, fallen, flirts, incorrigbles.
For much of the 20th century institutions run by various religious orders such as the Congregation of the Sisters of Charity of the Good Shepherd housed and disciplined young women who had – possibly – transgressed society’s rules. Continue reading
On November 25, 1783 George Washington’s Continental army marched into New York City officially ending the Revolutionary War. Like much else about the war, the ceremonies that day were marked by controversy, but also triumph.
More than two and a half years after the joint French/American victory at Yorktown in 1781, after much wrangling over issues such as the status of New York’s numerous Tories and runaway slaves fighting for the British, Washington and British Governor Guy Carleton had agreed on arrangements for the British to turn over New York City, their last enclave in North America to the Continental army. By prearrangement, on the morning of November 25, 1783, Washington was to march down Broadway and take control of the City, just after the British and their supporters completed their withdrawal. Continue reading
Spirits of the Passage: Stories of the Transatlantic Slave Trade opens in August on board the museum ship Lilac at Hudson River Park’s Pier 25.
The exhibit covers aspects of the maritime trade in African slaves combined with profiles of slaves, former slaves, abolitionists and others whose lives were touched by the global slave trafficking industry. Continue reading
The Historic Districts Council, an advocate for New York City’s historic neighborhoods representing a constituency of over 500 local community organizations, has named Daniel J. Allen, Board President.
“Mr. Allen has been a valued member of the HDC board for several years. His knowledge and experience as both a professional and community preservationist make him an ideal candidate and we are very happy to welcome him into this new position,” Simeon Bankoff, HDC’s Executive Director said in a statement to the press. Continue reading
The South Street Seaport has been named one of America’s 11 Most Endangered Places according the National Trust for Historic Preservation. Since 1988, the National Trust has used this campaign to raise awareness about the threats facing some of the nation’s greatest treasures.
The South Street Seaport is a designated NYC Historic District and is considered the first World Trade Center, as it was NYC’s birth place of commerce. Continue reading
On May 12, 2015, the Coat of Arms Foundation (COAF) in collaboration with the New York Genealogical and Biographical Society (NYG&B) hosted a presentation by Chris M. Jones on the centennial anniversary of the adoption of the seal of the City of New York on June 24, 1915.
Designed to reflect the full heraldic achievement – arms with charges, crest, supporters, and motto – the seal went into use for “requisite purposes… on documents, publications or stationery issued or used by or in the name or under the authority of the city or of any borough or department thereof.” Continue reading
Last Monday I attended the Broadway opening of Hamilton, the musical. I was really looking forward to the event. The Alexander Hamilton Awareness Society was out in force.
The opening was particularly auspicious coming one day after the anniversary of Hamilton’s death in 1804. Continue reading
Long before digital technology made instant worldwide communication possible, political protests and calls for action reached the public through posters. Posted on walls and bulletin boards, slapped up on store windows and church doors, these works often featured bright colors and modernist art-inspired graphics, and were quickly mass-produced to inform communities, stir up audiences, and call attention to injustice.
This summer, the New-York Historical Society is presenting 72 posters dating from the early 1930s through the 1970s in Art as Activism: Graphic Art from the Merrill C. Berman Collection, on through September 13, 2015. Continue reading
After a month visiting with his mother in Lake George, Mr. and Mrs. Robert Perkins moved to New York City. In 1911, he was among the soloists in the first production of Quo Vadis? at the Metropolitan Opera. While working in the grand opera scene, he also studied with Sergei Klibansky, one of the world’s leading voice coaches. Perkins was among his many students who performed at the Carnegie Chamber Music Hall. Continue reading