In Crossing Broadway Washington: Heights and the Promise of New York City (Cornell University Press, 2014), Robert W. Snyder explores New York City in the 1970s.
When the South Bronx burned and the promise of New Deal New York and postwar America gave way to despair, the people of Washington Heights at the northern tip of Manhattan were increasingly vulnerable.
The Heights had long been a neighborhood where generations of newcomers — Irish, Jewish, Greek, African American, Cuban, and Puerto Rican — carved out better lives in their adopted city. But as New York City shifted from an industrial base to a service economy, new immigrants from the Dominican Republic struggled to gain a foothold. This was followed by the crack epidemic of the 1980s, and the drug wars. Continue reading
Grand Central Terminal, which turns 103 today, has recently produced a new history video series about the iconic building. The series features Grand Central Terminal historian Dan Brucker.
Among the Grand Central treasures Brucker shines a spotlight on, are the world’s largest example of Tiffany glass; the Main Concourse ceiling; the famous Grand Central Oyster Bar & Restaurant; the whispering gallery; and The Campbell Apartment, Grand Central Terminal’s own speakeasy. Continue reading
Art deco murals, decorative brick work, mosaics – not quite what you expect to encounter at a women’s prison. The Bayview Women’s Correctional Facility at 550 West 20th Street in Manhattan was built in 1931 as a YMCA for merchant sailors. Converted to a prison, it was closed after Superstorm Sandy flooding and is now being converted to a Women’s Building. As an adaptive reuse, the main building will be preserved with some elements that reflect the history, even as the site is re-purposed as a women-focused community facility. Continue reading
Every kind of bad name was pasted on them: delinquents, hussies, misfits, fallen, flirts, incorrigbles.
For much of the 20th century institutions run by various religious orders such as the Congregation of the Sisters of Charity of the Good Shepherd housed and disciplined young women who had – possibly – transgressed society’s rules. Continue reading
On November 25, 1783 George Washington’s Continental army marched into New York City officially ending the Revolutionary War. Like much else about the war, the ceremonies that day were marked by controversy, but also triumph.
More than two and a half years after the joint French/American victory at Yorktown in 1781, after much wrangling over issues such as the status of New York’s numerous Tories and runaway slaves fighting for the British, Washington and British Governor Guy Carleton had agreed on arrangements for the British to turn over New York City, their last enclave in North America to the Continental army. By prearrangement, on the morning of November 25, 1783, Washington was to march down Broadway and take control of the City, just after the British and their supporters completed their withdrawal. Continue reading
Spirits of the Passage: Stories of the Transatlantic Slave Trade opens in August on board the museum ship Lilac at Hudson River Park’s Pier 25.
The exhibit covers aspects of the maritime trade in African slaves combined with profiles of slaves, former slaves, abolitionists and others whose lives were touched by the global slave trafficking industry. Continue reading
The Historic Districts Council, an advocate for New York City’s historic neighborhoods representing a constituency of over 500 local community organizations, has named Daniel J. Allen, Board President.
“Mr. Allen has been a valued member of the HDC board for several years. His knowledge and experience as both a professional and community preservationist make him an ideal candidate and we are very happy to welcome him into this new position,” Simeon Bankoff, HDC’s Executive Director said in a statement to the press. Continue reading
The South Street Seaport has been named one of America’s 11 Most Endangered Places according the National Trust for Historic Preservation. Since 1988, the National Trust has used this campaign to raise awareness about the threats facing some of the nation’s greatest treasures.
The South Street Seaport is a designated NYC Historic District and is considered the first World Trade Center, as it was NYC’s birth place of commerce. Continue reading
On May 12, 2015, the Coat of Arms Foundation (COAF) in collaboration with the New York Genealogical and Biographical Society (NYG&B) hosted a presentation by Chris M. Jones on the centennial anniversary of the adoption of the seal of the City of New York on June 24, 1915.
Designed to reflect the full heraldic achievement – arms with charges, crest, supporters, and motto – the seal went into use for “requisite purposes… on documents, publications or stationery issued or used by or in the name or under the authority of the city or of any borough or department thereof.” Continue reading
Last Monday I attended the Broadway opening of Hamilton, the musical. I was really looking forward to the event. The Alexander Hamilton Awareness Society was out in force.
The opening was particularly auspicious coming one day after the anniversary of Hamilton’s death in 1804. Continue reading
Long before digital technology made instant worldwide communication possible, political protests and calls for action reached the public through posters. Posted on walls and bulletin boards, slapped up on store windows and church doors, these works often featured bright colors and modernist art-inspired graphics, and were quickly mass-produced to inform communities, stir up audiences, and call attention to injustice.
This summer, the New-York Historical Society is presenting 72 posters dating from the early 1930s through the 1970s in Art as Activism: Graphic Art from the Merrill C. Berman Collection, on through September 13, 2015. Continue reading
After a month visiting with his mother in Lake George, Mr. and Mrs. Robert Perkins moved to New York City. In 1911, he was among the soloists in the first production of Quo Vadis? at the Metropolitan Opera. While working in the grand opera scene, he also studied with Sergei Klibansky, one of the world’s leading voice coaches. Perkins was among his many students who performed at the Carnegie Chamber Music Hall. Continue reading
Just across Union Square from The Nation’s headquarters on Irving Place there stands a hole-in-the-wall falafel joint that some of the magazine’s employees— including, rumor has it, the author of this blog post — are known to frequent. Habitually. Like, every day. Sometimes twice. Like salmon swimming home.
Until recently, this behavior had long puzzled scholars — defying, it seems, all we think we know about the instinct to self-preservation. But actually it makes eminent good sense: the falafel joint’s address — 26 East 17th Street — once belonged to the first headquarters of the Union League Club, and it was there, one fateful night in the early summer of 1863, just days before the Battle of Gettysburg, at a clap of divine lightning, at the end of an eternal drum-roll, for good or for ill, depending on whom you ask, the magazine now known the world over as America’s oldest weekly was summoned from the ether and was born. Continue reading
The Lower Manhattan Historical Society (LMHS), a group formed just last August, sponsored the first Independence Day parade in almost forty years in Lower Manhattan on July 3rd.
The parade included marchers from patriotic groups such as the New York Veteran Corps of the Artillery, the Sons of the Revolution of the State of New York Color Guard,, the Color guard of various chapters of the Sons of the American Revolution, the Colonial Dames of America, the French Air Force Reserves, the Chinatown partnership, and native New Yorkers. Continue reading
Magic rites in the jungle seal the fate of a love triangle in the long-forgotten opera of H. Lawrence Freeman restaged on Friday and Saturday at Columbia University’s Miller Theatre. Voodoo was composed in 1914 and had its last performance in 1928. The music and libretto come from a composer who was a friend of Scott Joplin. author of more than 20 operas, and founder of the Harlem Renaissance’s Negro Grand Opera Company. The revival features Gregory Hopkins of Harlem Opera Theatre conducting in a production that drew on collaboration with the Harlem Chamber Players and the Morningside Opera. Continue reading
On June 23, the New York City Landmark Preservation Commission (LPC) voted unanimously to designate the Stonewall Inn an Individual Historic Landmark. The site is the location of the Stonewall riots of June 1969, an event that helped spark the current LGBTQ Pride Movement.
The building is already protected as part of the Greenwich Village Historic District and its significance derives entirely from its historical, social and cultural importance, rather than architectural, marking it a unique designation for the LPC. Continue reading
In Bronx Faces and Voices: Sixteen Stories of Courage and Commitment (Texas Tech University Press, 2014) sixteen men and women – religious leaders and activists, elected officials and ordinary citizens tell their personal, uncensored stories of the New York City borough — before, during, and after the troubled years of arson, crime, abandonment, and flight in the 1970s and 1980s.
The interviews are drawn from the Bronx Institute Archives Oral History Project’s interviews with hundreds of Bronx residents in the early 1980s, now held in the Special Collections division of the Leonard Lief Library of Lehman College, CUNY. Continue reading
As a scholarly specialist on the American peace movement, I am sometimes telephoned for background information by journalists writing articles about current demonstrations against war or against nuclear weapons. Almost invariably, they have no idea that the American peace movement has a rich history. Or, if they realize that it does have such a history, they have no idea that that history goes back further than the Vietnam War. This is a very big and unfortunate gap in their knowledge. Continue reading
In Pamela Newkirk’s Spectacle: The Astonishing Life of Ota Benga (Amistad / Harper Collins, 2015) the award-winning journalist reveals a little-known and shameful episode in American history, when an African man was used as a zoo exhibit — a shocking story of racial prejudice, science, and tragedy in the early years of the twentieth century.
Ota Benga, a young Congolese man, was featured as an exhibit at the St. Louis World’s Fair. Two years later, in 1906, the Bronx Zoo displayed him in its Monkey House, caging the slight 103-pound, four-foot eleven-inch man with an orangutan. The attraction became an international sensation, drawing thousands of New Yorkers and commanding headlines from across the nation and Europe. Continue reading
A controversial plan to expand the landmark Frick Collection in New York City was withdrawn by its Board of Trustees on Wednesday. Historic preservationists, including New York City’s Historic Districts Council, opposed the plan, in part on the grounds that the new construction would have destroyed a gated pocket park. Continue reading