On the eve of the opening of the Erie Canal navigation season, acclaimed performer and teaching artist Dave Ruch will present a treasure trove of music and stories from the workers, captains, crews, immigrants, and professional songwriters who plied their trades on upstate New York’s iconic waterway.
This special concert is being presented live in an online format on April 30, 2014 at 7:30 pm eastern daylight time, available around the world to anyone with an internet-connected computer or device. The Erie Canal navigation season opens on May 1, 2014. Continue reading
About 100 years before some New Yorkers were shocked by the sexually-provocative twerk during the 2013 MTV Music Awards show on television, other New Yorkers were shocked by the tango.
After it first appeared in Paris, London, and Berlin from its starting place in Argentina, the tango soon came to New York where it became wildly popular in 1913. The tango’s rhythm has been described as “exciting and provocative” and the dance steps as “hot, passionate and precise.” Women often wore slit skirts when they danced the tango and there was full body contact with their partners, upwards from their upper thighs and pelvis. Routinely, the dancers’ hips were thrust forward and sometimes their legs were intertwined and hooked together. Continue reading
On April 11 at 7 p.m., Gospel Jubilee is coming to Proctors Theatre in Schenectady, NY. Gospel Jubilee is third annual celebration of soulful music, and features national recording artist and BET Sunday Best winner Crystal Aikin, along with a diverse line-up of gospel luminaries. The event will have a special tribute to Artis Kitchen. Kitchen was a gospel promoter and producer in the Capital District who passed away in 1986 and who played a prominent role in Albany for the gospel community.
Kitchen first brought his gospel ministry to a large regional audience with the airing of his “Spiritual Time” radio show on WABY. He later became famous for his television show “Spiritual Time with Bro. Artis Kitchen” on WTEN. Continue reading
I wrote an article about early black musicians in New York State back in December, but I decided to omit Joe Pell from that piece for two reasons. He seemed never to have been a full-time musician (as were the other performers in the article), and, in December, nearly all the information I had on Pell came from his obituary, and obituaries are not always the best place to locate objective, unbiased information about a person.
I have since been able to confirm much of what was written upon his passing, and I present here an annotated obituary of this talented and beloved black performer. My annotations appear within square brackets. Continue reading
The New York Lottery announced a new campaign Monday reminding the public that Lottery provides aid for education across New York State. As part of this program, a new television commercial was created featuring students singing “Thank You For Being A Friend,” written by Andrew Gold and made popular as the theme to the television show “The Golden Girls,” to unsuspecting people who buy Lottery tickets in a convenience store.
The Lottery has also launched a statewide contest to provide students with an opportunity to win $10,000, $5,000 or $2,500 to benefit their school’s music education program. Named “New York Sings” the contest offers students the opportunity to film themselves singing their own interpretation of “Thank You For Being A Friend.” Continue reading
Performer and Teaching Artist Dave Ruch will be doing a special live webcast concert of New York State traditional music at 8pm EST on Wednesday, January 22. Wherever you are in the world, you can tune in.
Ruch specializes in uncovering and performing the music of everyday people from earlier days in New York State – singing woodsmen, African-American fiddlers, War of 1812 soldiers and sailors, square dance musicians, back-porch ballad singers, farmers, canallers, domestics, Iroquois peoples, and more. Continue reading
Following the run of Buffalo Bill’s Wild West Show at Brooklyn’s Ambrose Park, showman Nate Salsbury, in the 1890s, sought another production to fill the vacant venue. His first thought–for an exhibition on Italian industry–did not get very far because his poor health prevented him from planning it.
Searching for something “purely national and a novelty,” he decided on a show that would provide a “picture of the South,” to be called “Black America.” Salsbury hired Billy McClain, a black entertainer who had already been doing a show called “The South before the War,” to manage the production. Continue reading
Bells ringing from a forest of steeples, horseshoes striking cobblestones, boat whistles in the harbor, Yiddische mamas scolding children from tenement windows. These are instantly recognizable noises that evoke a historical time and place, adding up to what today’s historians sometimes call a “soundscape.”
In today’s cities when the most characteristic sound may be the giant crash of falling brick walls as old buildings are demolished, soundscapes are a precious way of experiencing history outdoors. This heritage is particularly relevant in urban settings where so many layers of the city have gone missing. Continue reading
The film 12 Years a Slave tells the story of Solomon Northup, a free black man who was lured away from Saratoga Springs, New York in 1841, and sold into slavery. Though he played the fiddle (and the men who tricked him into leaving Saratoga told him they wanted him to fiddle for a circus), the film overstates Northup’s status as a musician. Primarily, he earned his money from other work.
In his 1853 autobiography however, Northup wrote that prior to moving to Saratoga he had performed: “Wherever the young people assembled to dance, I was almost invariably there.” He attained some renown in Washington County, since: “Throughout the surrounding villages my fiddle was notorious.” Continue reading
Quietly, a line of singers circled a lone tree on the edge of the Harlem River, in the shadow of the 145th Street Bridge, late Sunday afternoon on September 29. The group swelled in numbers as the shadows lengthened. Hums, moans, soft cries and low tones began to form a chorus of spirit noises as the performance “Saved” got underway. Continue reading