Quietly, a line of singers circled a lone tree on the edge of the Harlem River, in the shadow of the 145th Street Bridge, late Sunday afternoon on September 29. The group swelled in numbers as the shadows lengthened. Hums, moans, soft cries and low tones began to form a chorus of spirit noises as the performance “Saved” got underway. Continue reading
What you see here is one of the most recognizable trademarks ever, a logo that has been used by many companies around the world. The dog in the image is not fictional. His name was Nipper, and a few years after his death, Nipper’s owner sold a modified painting of his dog to a recording company. The rest is history, and part of that history includes a heretofore unknown North Country native.
From humble beginnings, he became famous for his wide-ranging knowledge of recording and his ability to invent. Perhaps most important of all, he traveled the world and was the first person to record the music of a number of countries, saving it for posterity. Continue reading
Nationally acclaimed folk musicians Jay Ungar and Molly Mason along with Kim and Reggie Harris will present a free concert at the Clark Auditorium of the New York State Museum in Albany at 7:00 p.m. this Saturday, September 21st. The concert features Civil War music and highlights a weekend celebration of the Museum’s award-winning exhibition “An Irrepressible Conflict: The Empire State in the Civil War.” Continue reading
They’ll be spinning Adirondack legends in songs and stories, but they’re practically legends themselves. Chris Shaw, Dan Berggren, Bill Smith, and newcomer Alex Smith, will be in Bolton Landing for a free concert in Rogers Park on September 15. Adirondack Legends: a festival of new and traditional Adirondack music and stories, will be presented by the Lake George Mirror.
Adirondack Legends was organized by Chris Shaw, the Lake George native who has made a career of singing Adirondack folk songs and telling Adirondack tales. His repertoire includes some of the region’s earliest songs, and the revived interest in the Adirondack Songbook of Marjorie Lansing Porter is one inspiration for the show, he said. Continue reading
In June 1874, music lovers in Northern New York were excited. For the second time in three years, Blind Tom, the world-renowned black pianist and entertainer and arguably the first black superstar to perform in the U.S., was coming to Malone. For years after the Civil War, he had been wowing audiences throughout the U.S., Great Britain, Canada, continental Europe, and South America with his one-man show which was part vaudeville and part classical piano music.
Tom had many talents including the ability to: play the piano, coronet, French horn and flute; sing and recite speeches of well-known politicians in Greek, Latin, German and French; mimic any music a member of the audience might offer for him to hear; and use his voice to make the sounds of locomotives, bagpipes, banjos and music boxes. While singing one song, he could play a second with his right hand, and a third with the left. Continue reading
On New Year’s Eve the cigar smoke was thick on the sidewalk in front of the famed jazz club, the Lenox Lounge. Men in tuxes and women in clingy gowns stepped out of white stretch limos, three deep on Malcolm X Avenue, a.k.a Lenox Avenue in Harlem, as blue notes popped from the chromed doorway.
A huge bejeweled crowd could be glimpsed dancing and drinking through the wide octogon window. Continue reading
Richard Whitby’s career in music had blossomed, and after years of hard work, he was offered Second Chair Trombone in John Philip Sousa’s band, and First Chair upon the lead trombonist’s imminent retirement. It was a tremendous honor, and highly regarded confirmation of his great talent, but there was a problem: Richard was still under contract to Carl Edouarde, who had no intentions of releasing him from a prominent run at New York’s Palace Theater. Continue reading
Obituaries vary widely in their historical value. Sometimes they’re elaborate; at times they are understated; some leave out important facts; and some, well … some are just hard to explain. Like this one from March 1952: “Richard A. Whitby, a native of Warrensburg, died on Wednesday of last week at his home in Albany. Survivors are his wife, Mrs. Kathryn M. Waring Whitby; two sisters, Mrs. Frank Chapman and Miss Kate Whitby of Yonkers.” Continue reading
The Churubusco Live-In, planned as the 1970 sequel to the historic Woodstock concert of 1969, was in deep trouble. The town of Clinton, which included Churubusco, sought legal help to shut the event down. J. Byron O’Connell, an outstanding trial attorney, was bombastic at times, and his aggressive quotes [if long-haired people came to the village, “they’re just liable to get shot”] appeared in major newspapers in Boston, New York, and elsewhere. As Churubusco’s representative, he sought to derail the concert and preserve the hamlet’s quiet, rural life, while the promoters, Hal Abramson and Raymond Filiberti, fought back. Continue reading
We’ve all heard of Woodstock at one time or another—that famous (or infamous) concert held in August 1969. It was scheduled at different venues, but the final location was actually in Bethel, New York, about 60 miles from Woodstock. For many who lived through three major homeland assassinations, the Vietnam War, and the racial riots of the turbulent 1960s, Woodstock was an event representing peace, love, and freedom. It’s considered a defining moment of that generation, and a great memory for those who attended (estimated at 400,000). Continue reading