John Philip Sousa, “The March King” who composed “The Stars and Stripes Forever”, unsuccessfully courted a woman from the Mohawk Valley and remained a close friend of hers through the years.
Jessie Zoller was born in 1856 in the hamlet of Hallsville in the town of Minden. Minden historian Christine Oarr Eggleston said Jesse was the daughter of egg farmer Abram Zoller and his wife Alma Tuttle Zoller. After the Civil War, Abram Zoller held a high post in the U.S. Treasury and his wife and daughter were living with him in Washington. Continue reading
I’ve learned so much about the history and culture of my state (NY) and local communities in which I reside (Buffalo NY and Piercefield NY in the Adirondack Mountains) through the traditional music of these places.
Similarly, my interest in local and state history has informed my understanding and appreciation of the music of our forebears. Before mass media came into the home, you got your music as you got your food – from someplace local, mostly. The newspaper, perhaps. Travelling shows, yes. But also from people in your community. Family members, neighbors, coworkers. What did they sing about? And what can those long-forgotten songs tell us about a community? Continue reading
The Heritage Museum of Orange County in Santa Ana, CA provided the stage set for a new music video, “Spirit of 1776,” which the production team calls a “suffragette anthem”, scheduled for release in time for Women’s Equality Day celebrations.
Observed on August 26th each year, the occasion commemorates American women’s campaigns to win the vote from 1848 to 1920. The music video is inspired by an actual suffrage campaign wagon called the “Spirit of 1776” used in New York State as a speakers’ platform and in suffrage parades prior to 1920. Continue reading
On the eve of the opening of the Erie Canal navigation season, acclaimed performer and teaching artist Dave Ruch will present a treasure trove of music and stories from the workers, captains, crews, immigrants, and professional songwriters who plied their trades on upstate New York’s iconic waterway.
This special concert is being presented live in an online format on April 30, 2014 at 7:30 pm eastern daylight time, available around the world to anyone with an internet-connected computer or device. The Erie Canal navigation season opens on May 1, 2014. Continue reading
About 100 years before some New Yorkers were shocked by the sexually-provocative twerk during the 2013 MTV Music Awards show on television, other New Yorkers were shocked by the tango.
After it first appeared in Paris, London, and Berlin from its starting place in Argentina, the tango soon came to New York where it became wildly popular in 1913. The tango’s rhythm has been described as “exciting and provocative” and the dance steps as “hot, passionate and precise.” Women often wore slit skirts when they danced the tango and there was full body contact with their partners, upwards from their upper thighs and pelvis. Routinely, the dancers’ hips were thrust forward and sometimes their legs were intertwined and hooked together. Continue reading
On April 11 at 7 p.m., Gospel Jubilee is coming to Proctors Theatre in Schenectady, NY. Gospel Jubilee is third annual celebration of soulful music, and features national recording artist and BET Sunday Best winner Crystal Aikin, along with a diverse line-up of gospel luminaries. The event will have a special tribute to Artis Kitchen. Kitchen was a gospel promoter and producer in the Capital District who passed away in 1986 and who played a prominent role in Albany for the gospel community.
Kitchen first brought his gospel ministry to a large regional audience with the airing of his “Spiritual Time” radio show on WABY. He later became famous for his television show “Spiritual Time with Bro. Artis Kitchen” on WTEN. Continue reading
I wrote an article about early black musicians in New York State back in December, but I decided to omit Joe Pell from that piece for two reasons. He seemed never to have been a full-time musician (as were the other performers in the article), and, in December, nearly all the information I had on Pell came from his obituary, and obituaries are not always the best place to locate objective, unbiased information about a person.
I have since been able to confirm much of what was written upon his passing, and I present here an annotated obituary of this talented and beloved black performer. My annotations appear within square brackets. Continue reading
The New York Lottery announced a new campaign Monday reminding the public that Lottery provides aid for education across New York State. As part of this program, a new television commercial was created featuring students singing “Thank You For Being A Friend,” written by Andrew Gold and made popular as the theme to the television show “The Golden Girls,” to unsuspecting people who buy Lottery tickets in a convenience store.
The Lottery has also launched a statewide contest to provide students with an opportunity to win $10,000, $5,000 or $2,500 to benefit their school’s music education program. Named “New York Sings” the contest offers students the opportunity to film themselves singing their own interpretation of “Thank You For Being A Friend.” Continue reading
Performer and Teaching Artist Dave Ruch will be doing a special live webcast concert of New York State traditional music at 8pm EST on Wednesday, January 22. Wherever you are in the world, you can tune in.
Ruch specializes in uncovering and performing the music of everyday people from earlier days in New York State – singing woodsmen, African-American fiddlers, War of 1812 soldiers and sailors, square dance musicians, back-porch ballad singers, farmers, canallers, domestics, Iroquois peoples, and more. Continue reading
Following the run of Buffalo Bill’s Wild West Show at Brooklyn’s Ambrose Park, showman Nate Salsbury, in the 1890s, sought another production to fill the vacant venue. His first thought–for an exhibition on Italian industry–did not get very far because his poor health prevented him from planning it.
Searching for something “purely national and a novelty,” he decided on a show that would provide a “picture of the South,” to be called “Black America.” Salsbury hired Billy McClain, a black entertainer who had already been doing a show called “The South before the War,” to manage the production. Continue reading