Tag Archives: Museum of the City of New York

NYC Exhibit: Mac Conner, One of New York’s Original ‘Mad Men’


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Detail from How Do You Love Me in Womans Home Companion, 1950The Museum of the City of New York announces Mac Conner: A New York Life – the first exhibition of more than 70 original artworks by illustrator McCauley (“Mac”) Conner, one of New York’s original “Mad Men.” In the 1940s – 60s, Conner’s captivating advertising and editorial illustrations graced the pages of major magazines, including Cosmopolitan, Redbook, and The Saturday Evening Post, helping shape the popular image of postwar America.

The latest in an ongoing series of exhibitions that examines the lives and influence of New Yorkers, Mac Conner: A New York Life explores one man’s prolific career in New York as the world’s media capital and the country’s publishing center in the pivotal years after World War II. The exhibition will remain on view through Sunday, January 19, 2015Continue reading

New Exhibits At Museum of the City of New York


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Jeff_liao_heroThe Museum of the City of New York has announced its Fall 2014 season, including Jeff Chien-Hsing Liao’sportrait of New York as seen through more than 40 large-scale panoramic photographs of the city’s urban landscape; an exhibition of hand-painted 1950s magazine illustrations by Mac Conner, one of New York’s original “Mad Men;” an immersive video art installation by Péter Forgácsthat appropriates home movies and travelogues made by Jewish New Yorkers during visits to Poland before World War II; and an extended viewing of City As Canvas—the first exhibition of New York graffiti art from the Martin Wong Collection. Continue reading

Stokely Carmichael: The Bronx to Freedom Summer


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Stokely CarmichaelFifty years ago, civil rights activists from across the country came together in Mississippi to fight entrenched racism and voter repression. To mark the anniversary of 1964’s Freedom Summer, the Museum of the City of New York will examine one of its key players at a talk titled Stokely Carmichael’s Journey: From the Bronx to Freedom Summer on Thursday, August 12 at 6:30 p at the museum, 1220 Fifth Avenue at 103rd Street, NYC. Continue reading

NYC’s Green-Wood Cemetery To Mark 175th Anniversary


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556174_502184239813956_1305110578_nWhat do artist Jean-Michel Basquiat, toy merchant Frederick A.O. Schwarz and political powerhouse William Magear “Boss” Tweed have in common?

They’re all buried in Brooklyn’s Historic Green-Wood Cemetery along with abolitionist Henry Ward Beecher, musician Leonard Bernstein, industrialist Peter Cooper, composer Fred Ebb, piano manufacturer Henry Steinway, decorative master Louis Comfort Tiffany – and roughly 560,000 others – many equally famous (some infamous) and hailing from the worlds of sports, the arts, entertainment, politics, the military and industry. Continue reading

Four New Online Resources For New York History


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l-retro-computer-ads-80s-eg_largeHere’s a quick look at some of the latest New York History resources to hit the web:

The Museum of the City of New York and the South Street Seaport Museum have launched a joint “catablog” which provides online access to finding aids for their archival collections.  The archivists at both museums will continue to make more finding aids accessible via the Catablog as the collections are processed. Continue reading

New Guide: Exploring Historic Dutch New York


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Exploring Historic Dutch New York has been co-published by the Museum of the City of New York and Dover Publications (2012). The easy-to-read guide is filled with hundreds of historic facts and anecdotes about the greater New York area. Exploring Historic Dutch New York is the only travel guide and reference book currently in print that encompasses the historic Dutch elements of the former New Netherland colony in present-day New York, New Jersey and Delaware.

Edited by Gajus Scheltema and Heleen Westerhuijs with an introduction by Russell Shorto, this guide tours important sites and also serves as a cultural and historical reference. Seventeen international scholars explore topics such as Dutch art and architecture, Dutch cooking, immigration during the nineteenth and twentieth centuries, furniture and antiques, and more. Color photographs and maps are included throughout the guide. Continue reading

Central Park’s Woodlands Stewardship Event Friday


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The Cultural Landscape Foundation (TCLF) and the Central Park Conservancy (CPC) will host Bridging the Nature‐Culture Divide II: Stewardship of Central Park’s Woodlands conference tomorrow, Friday, October 5, 2012, at the Museum of the City of New York (registration now open).

The one-day conference, co-curated by TCLF Founder and President Charles A. Birnbaum and CPC Associate Vice President for Planning Lane Addonizio examines the management of nature and culture in the stewardship of Central Park. The conference will feature speakers from public institutions and landscape architecture firms across the country, and follows up on the sold out, similarly themed conference held last year at the Jay Heritage Center in Rye, New York.

The conference will be followed on October 6-7 by What’s Out There Weekend New York City, featuring free expert led tours of parks and opens spaces in the city’s five boroughs (tours are free, registration is required).American Society of Landscape Architects (ASLA) CEUs will be available for the conference. The 843-acre Central Park, originally designed by Frederick Law Olmsted, Sr., and
Calvert Vaux, with a succession of additions and refinements by Samuel Parsons, Jr.,Michael Rapuano, Gilmore Clarke and others, is also host to 230 bird species, along with turtles, fish, and countless species of butterflies, dragonflies, and other insects. The Central Park woodlands are among the most historically significant designed landscapes in the country, providing valuable refuge for wildlife and New Yorkers alike. In the 1960s and 1970s, Central Park experienced an unprecedented decline, suffering from neglect and a lack of management. Litter filled its waterbodies; its Great Lawn was a great dust bowl; its woodlands were avoided, not celebrated. The Central Park Conservancy, a private, not-for-profit organization created in 1980, has skillfully and successfully reawakened, restored and maintained a world-class icon.

Nevertheless, managing a park that is both a culturally significant landscape and natural habitat is delicate; this conference specifically examines sustainability, the agendas of different constituencies, diversity, the role of people, and public education.

Creating a progression of varied landscape experiences was a primary goal of Central Park’s designers. Within the landscapes themselves, horticultural diversity was also a goal. In the Ramble, both exotic and native plants were to provide a sense of lushness and intricacy, realizing Olmsted’s intended “wild garden”effect. Neglect of the Park’s woodlands over a prolonged period resulted in a lack of horticultural and social (as well as scenic) diversity. What park stewards know is “letting nature take
its course” is not sustainable. While the woodlands serve to provide the experience of escape from urban life, they are in fact designed urban landscapes that require consistent management.

The conference features two panels addressing this stewardship dilemma; the first (the morning session) focuses on “lessons learned” by public sector stewards at Prospect Park (Brooklyn), New York Botanical Garden, and The Presidio (San Francisco); the second (afternoon session) will be comprised of landscape architects in private practice with experience in urban parks (complete list below).
Speakers and Moderators:

• Eric W. Sanderson, Senior Conservation Ecologist, Wildlife Conservation
Society (moderator)
• Christian Zimmerman, Vice President for Design & Construction, The Prospect
Park Alliance, Brooklyn, NY
• Michael Boland, Chief Planning, Projects & Programs Officer, The Presidio
Trust, San Francisco, CA
• Todd Forrest, Arthur Ross Vice President for Horticulture and Living
Collections, The New York Botanical Garden
• Elizabeth K. Meyer, Associate Professor, University of Virginia, School of
Architecture, Landscape Architecture (moderator)
• Dennis McGlade, President/Partner, OLIN, Philadelphia, PA and Los Angeles,
CA
• Margie Ruddick, Margie Ruddick Landscape, Philadelphia, PA
• Keith Bowers, Biohabitats, Baltimore, MD

Registration is $150 and is available at the conference Web site.  The Central Park Conservancy is the presenting sponsor, with additional support provided by Landscape Forms and the Museum of the City of New York.

About the Central Park Conservancy

The mission of the Central Park Conservancy is to restore, manage and enhance
Central Park in partnership with the public, for the enjoyment of present and future
generations. A private, not-for-profit organization founded in 1980, the Conservancy
provides 85 percent of Central Park’s $46million park-wide expense budget and is
responsible for all basic care of the Park. Since 1980, the Conservancy has overseen
the investment of more than $650 million into Central Park. For more information on
the Conservancy, please visit centralparknyc.org.

About The Cultural Landscape Foundation
The Cultural Landscape Foundation provides people with the ability to see, understand and value landscape architecture and its practitioners, in the way many people have learned to do with buildings and their designers. Through its Web site, lectures, outreach and publishing, TCLF broadens the support and understanding for cultural landscapes nationwide to help safeguard our priceless heritage for future
generations.

Unique ‘Activist New York’ Exhibit Opens in NYC


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“Activist New York,” the inaugural exhibition in the Museum of the City of New York’s new Puffin Foundation Gallery, will examine the ways in which ordinary New Yorkers have advocated, agitated, and exercised their power to shape the city’s – and the nation’s – future. Centuries of activist efforts, representing the full spectrum of political ideologies, will be illuminated through a series of installations featuring 14 New York movements ranging from the mid-17th century to today.

The exhibition will feature historic artifacts and images from the museum’s collection as well as pieces on loan from other collections, along with interactive elements that enable visitors to explore and express their own views. For the first three weeks of the exhibition attendees will have a chance to view the original “Flushing Remonstrance,” the 1657 landmark document protesting restrictions against Quakers in New Amsterdam.

“Activist New York” begins and ends with questions of religious freedom, from the struggle for religious tolerance in Dutch New Netherland, to today’s debate over a Muslim Cultural Center near Ground Zero. In between, the exhibition examines a wide range of social movements that transformed laws and assumptions regarding race, gender, class, sexuality, economic justice, and other issues.

The Puffin Foundation Gallery is situated in a newly renovated and climate-controlled 2000 square foot south gallery on the Museum’s second floor, and named for the foundation that has supported the gallery with a gift of $3.25 million.

The exhibition unfolds through a series of 14 examples of New York activism:

1. Let Us Stay: The Struggle for Religious Tolerance in Dutch New Netherland, 1650-1664

The exhibition features the Flushing Remonstrance, one of the earliest arguments for religious liberty and tolerance in American history.

2. Beware of Foreign Influence: Nativists and Immigrants, 1830-1860

This section explores efforts to prohibit or limit immigration and contain its impact on 19 th -century New York. Nativists fought to curtail the largely Catholic immigrant community’s access to citizenship, the vote, and public office. The section also illustrates the ways Catholic New Yorkers combated nativism by establishing their own independent institutions to support their community.

3. What Has New York to Do with Slavery? 1827-1865

While New York City was a center of the abolitionist movement, it was also home to many people who sided with the Southern slave owners. This conflict was dramatically revealed in the Draft Riots of July 1863, where the issues of class and race came to a head in a harrowing, violent confrontation. The exhibition chronicles the efforts of both sides of the debate.

4. New York is the Battleground: Woman Suffrage, 1900-1920

In the early 20 th century,New York became the epicenter for organizational activity of the national woman suffrage movement, with suffragists pioneering new methods of behind-the-scenes organizing and media-savvy publicity. The installation also documents the movement against woman suffrage through anti-suffrage images and messages published by aNew York lithograph firm.

5. Houses of Welcome: The Settlement House Movement, 1890-1925

Immigrants in New York at the turn of the 20th century faced overcrowding, illness, and poverty. This section of the exhibition shows how a new type of agent for change—the settlement house worker—combated those conditions by moving into slum neighborhoods to provide instructions in parenting, health, and citizenship.

6. I Am a Working Girl! Upheaval in the Garment Trades, 1909-1915

This installation examines the events that led to reform and improvement of deplorable workplace conditions, including the 1909 “Uprising of the 20,000,” an industry-wide strike by workers affiliated with the fledgling International Ladies’ Garment Workers Union, and the 1911 Triangle Waist factory fire tragedy.

7. Art for the Masses: An Activist Theater, 1930-1945

This movement looks at the politically engaged New Yorktheater groups that used their art to confront Depression-era poverty, labor exploitation, political corruption, racial tension, and the rise of Fascism and Nazism in Europe.

8. We Shall Not Be Moved:New York and Civil Rights, 1945-1964

This installation revealsNew York City’s role in the early Civil Rights struggle of the post-World War II era, from the “Boycott Jim Crow” and anti-lynching movements through the emergence of CORE and SNCC, to the Black Power era of the mid-1960s.

9. What’s Wrong with New York? Conservative Activism, 1962-1973

This segment of the exhibition looks at groups, such as “Parents and Taxpayers,” that were unhappy with a leftward drift in the city and blamed it for an increase in disorder, crime, and the swelling municipal budget. Many joined a new third party, the Conservative Party of New York, formed in 1962.

10. Stop the Wrecking Ball! Preserving Historic New York, 1955-1970

This case study shows how the loss of some of the city’s greatest cultural and architectural landmarks fed the efforts of the early historic preservation movement and eventually led to the creation of New York’s groundbreaking Landmarks Preservation Law.

11. “Gay Is Good”: Civil Rights for Gays and Lesbians, 1969-2012

This installation shows how the Stonewall Riots galvanized the modern gay rights movement in New York and led to the creation of Gay Men’s Health Crisis, ACT UP, and other organizations. The installation brings the story up to date with the successful campaign to secure the legalization of gay marriages in New York State.

12. “Don’t Move, Improve”: Reviving the South Bronx, 1970-2012

The South Bronx became an international icon of urban blight in the 1970s. This section of the exhibition examines grassroots advocacy groups, community organizations, and church congregations that took ownership of the rebuilding of their neighborhoods into livable, affordable communities.

13. Love Your Lane: Bicycle Advocacy, 1965-2011

Amid concerns about ecology, traffic congestion, and pollution, pioneering activists lobbied for changes in the traffic laws. Today, as part of the Bloomberg administration PlaNYC’s effort to build a greener, more sustainable city, bike lanes proliferate, as does agitation against for and against them, as this installation documents.

14. Park 51: 2010-2012

This section provides a detailed exploration of the controversy over the construction of an Islamic cultural center near Ground Zero in Lower Manhattan, which is reminiscent of the long and turbulent saga of activism surrounding issues of religious expression in New York City.

Interactive elements throughout the exhibition provide opportunities to dig more deeply and bring the historic stories up to date. A series of touch screens present a timeline of the history of activism in the city, with more than two hundred examples ranging from slave revolts of the 18th century to the Newsboys’ Strike of 1899 to the woman behind the movement that led to New York’s 1978 “pooper scooper” law. Additional kiosks with touch screens invite visitors to explore the work of contemporary activist groups and send email messages to these groups expressing the visitors’ views on current activism. In addition, members of the general public may submit photographs of contemporary activist in the city to a photo blog housed on the Museum’s website (www.mcny.org) and carried live in the Puffin Foundation Gallery.

“Activist New York” has been organized by an exhibition team led by Sarah M. Henry, the Museum’s Deputy Director and Chief Curator. Steven H. Jaffe served as guest curator, and Christina Ziegler-McPherson as associate guest curator. The exhibition team was aided by the Puffin Foundation Gallery Advisory Committee, chaired by Peter G. Carroll, Executive Director, Abraham Lincoln Brigade Archives, and comprising scholars and activists Esther Cohen, Joshua Freeman, Victor Navasky, Bruno Quinson, Christopher Rhomberg, Tom Roderick, and Perry, Gladys, and Neal Rosenstein.

Photo: Picketers during a 1910 garment workers strike (Library of Congress)