Michael Leroy Oberg’s new book Professional Indian: The American Odyseey of Eleazer Williams (2015, Univ. of Pennsylvania Press) follows Eleazer Williams on his odyssey across the early American republic and through the shifting spheres of the Iroquois in an era of dispossession.
Oberg describes Williams as a “professional Indian,” who cultivated many political interests and personas in order to survive during a time of shrinking options for native peoples.
He was not alone: as Oberg shows, many Indians became missionaries and settlers and played a vital role in westward expansion. Through the larger-than-life biography of Eleazer Williams, Professional Indian uncovers how Indians fought for place and agency in a world that was rapidly trying to erase them. Continue reading
With hundreds of vivid and detailed color photographs and an easy narrative style enlivened by historical vignettes, Sarah Peabody Turnbaugh and William A. Turnbaugh bring overdue appreciation to a centuries-old Native American basketmaking tradition in the Northeast in Indian Basketry of the Northeastern Woodlands (Schiffer Publishing, 2014).
The authors explore the full range of vintage Indian woodsplint and sweetgrass basketry in the Northeastern U.S. and Canada, from practical “work” baskets made for domestic use to whimsical “fancy” wares that appealed to Victorian tourists. Continue reading
A film called “Mohawk” premiered in Amsterdam in 1956 and used some footage from the 1939 movie “Drums Along the Mohawk.” The 1956 movie was distributed by 20th Century Fox.
The movie tells the story of an artist assigned to the Mohawk Valley to paint frontier scenes. The artist is involved romantically with three women. There is a vengeful settler in the film trying to start a war with local Indian people. The film was directed by Kurt Neumann and starred Scott Brady and Rita Gam. Continue reading
On October 11 at 6:00 pm at the Unadilla Historical Association Robert Spiegelman will present the lecture “The Sullivan-Clinton Campaign, Then and Now”.
During America’s Revolution, George Washington ordered Generals Sullivan and Clinton to launch the biggest operation to date against sovereign peoples in North American history. Most Iroquois are uprooted from their homelands, making way for the Erie Canal and Westward Expansion. Strikingly, though Sullivan/Clinton has the most historical markers in New York, it has been nearly forgotten. Spiegelman’s lecture combines fresh research, visuals, and animated maps to attempt to answer why. Continue reading
The Fort Plain Museum will be hosting interpretive historians over the coming month, including: Glenn A. Bentz, who will present on the Haudenosaune (Iroquois) in the Mohawk Valley in the 18th Century; Jeff Tew who will discuss British Officers serving in the Mohawk Valley during the American Revolution; and John Anson, who specializes in Artillery, will offer an audio-visual presentation on cannon manufacturing in the 18th century.
Presentations begin at 7 pm. Admission is free and open to the public, although donations are appreciated. The Fort Plain Museum is located at 389 Canal Street, Fort Plain. Check their Facebook page or website at http://fortplainmuseum.com/index.html Details can be found below. Continue reading
The Cayuga Museum of History and Art, in Auburn, NY has opened its newest exhibit, A Living Legacy: Arts of the Haudenosaunee, which features original art from more than a dozen artists from the Six Nations of the Iroquois Confederacy.
Among those exhibiting are Tom Huff, Trevor Brant, Eric Gansworth, Richard Glazer-Danay, Alex Hamer, Debra Hoag, G. Peter Jemison, Luis Lee, Penny Minner, Terrill Hooper O’Brien, Erwin Printup, and Marla Skye, and more. Continue reading
Kinzua Dam has cast a long shadow on Seneca life since World War II. The project, formally dedicated in 1966, broke the Treaty of Canandaigua of 1794, flooded approximately 10,000 acres of Seneca lands in New York and Pennsylvania, and forced the relocation of hundreds of tribal members.
In Laurence M. Hauptman’s In The Shadow of Kinzua: The Seneca Nation of Indians Since World War II (Syracuse Univ. Press, 2013), he presents presents both a policy study, namely how and why Washington, Harrisburg, and Albany came up with the idea to build the dam, as well as a community study of the Seneca Nation of Indians in the postwar era. Sold to the Senecas as a flood control project, the author argues that major reasons for the dam were the push for private hydroelectric development in Pennsylvania and state transportation and park development in New York. Continue reading
The Iroquois Indian Museum will have a Social Dance Saturday on July 12 at the Museum featuring Onota’a:ka (Oneida Nation Dancers), based in the central New York Haudenosaunee (Iroquois) community of Oneida.
Founded by Elder and Wolf Clan Mother Maisie Shenandoah for the purpose of cultural education, the troupe’s original purpose continues to be carried forth by daughter Vicki, granddaughter Tawn:tene (Cindy Schenandoah Stanford) and an extended family with common goals. Continue reading
The Kanatsiohareke (Gah-Nah-Joe-Hah- Lay- Gay) Summer Festival is a family-friendly celebration of Mohawk culture that is shared with friends, relatives, volunteers and everybody in the local Mohawk River Valley community.
The event includes Iroquois (Haudenosaunee) storytelling, dancing, music and culture as well as contemporary music. Vendors will be selling Native American art works and crafts. Food will include some traditional Mohawk dishes as well as organic grass-fed beef. Continue reading
The Iroquois Indian Museum in Howes Cave, NY has announced its new exhibition, Standing in Two Worlds: Iroquois in 2014, which will open on April 1st and remain at the Museum through November 30.
The exhibit features over 30 Haudenosaunee (Iroquois) artists and focuses upon contemporary concerns that warrant their attention and creative comment. Exhibition works (artwork and poetry) include those that explore boundaries and borders, environment, hydro-fracking, economy, gaming, the digital/disposable age, sports mascots, the impact of national/international events and decisions, the role of tradition and community, and the state of the arts. Continue reading