The Columbia County Historical Society and Historic Hudson will host The Hudson River School (1825-1875), a Slide Show and Conversation with Peter Jung on Sunday, June 25, 2017. An opening reception will begin at 4:30 pm, the lecture will begin at 5 pm.
The mid-19th century landscape painters of the Hudson River Valley depicted the new American landscape in terms where humans and nature were united in peaceful co-existence. These realist paintings were quite detailed, and often combined many images from diverse natural scenes and vistas observed along the Hudson River as well as the extended geography including the Catskills and Adirondacks. Continue reading
“I went out after a Christmas tree and some laurel, through seas of mud,” wrote Jervis McEntee on Christmas eve, 1881, “to the place where I always go on the cross road between the Flat-bush and Pine bush roads. It rained a part of the time and turned into a snow storm on our return.”
Another year, McEntee’s usual places for a tree were so wet that he settled for a small hemlock on the side of the hill where he lived. It was a hill that offered a panoramic view of the entire village as well as the Rondout Creek and the Hudson River. His father James, an engineer who had helped build the nearby Delaware and Hudson Canal, had built the first house on the hill and the family still lived there. Continue reading
The Thomas Cole National Historic Site will host five Hudson River School Art Trail hikes.
These guided hikes go to the painting sites of the 19th-century artist Thomas Cole and his contemporaries including Frederic Church, Jasper Cropsey, Sanford Gifford, and Asher B. Durand. Participants will be able to see the same views that appear in famous landscape paintings. Continue reading
“What is the Hudson River School?” is the frequently asked question that prompted the Albany Institute of History & Art to present the exhibition The Making of the Hudson River School: More than the Eye Beholds in 2013. The exhibition featured 96 works from the Albany Institute’s collection of Hudson River School paintings, drawings, prints, and historical documents, along with 38 works from several private collections that had not been shown before in a public exhibition.
This exhibition, which highlights such a key component of New York State’s history and the history of American art, has been digitized and is now available as the museum’s first online exhibition, bringing the story of the Hudson River School to greater audiences. Continue reading
The Thomas Cole National Historic Site and The Olana Partnership/Olana State Historic Site will co-host an exhibition of contemporary art to highlight the pivotal role that the two historic properties – and the artists who lived and worked there – played in shaping America’s culture of contemporary art.
The exhibition “River Crossings: Contemporary Art Comes Home” will open on May 3rd and run through November 1, 2015. Continue reading
The Thomas Cole National Historic Site is opening its doors for an Information Open House on Sunday, February 15 at 12:30 pm for a one-hour program for all those interested in volunteering as a tour guide.
The Thomas Cole National Historic Site, located in Catskill, New York, is currently seeking volunteers to conduct tours of the house and studio. The organization is also recruiting Art Trail guides for their popular hiking program on the Hudson River School Art Trail where the views in 19th-century landscape paintings can be seen today in the Catskill Mountains. Volunteers are also needed for gardening and helping out at events. Continue reading
The Albany Institute of History & Art has announced that it will install a special exhibition of Thomas Cole materials to coincide with Dr. Paul Schweizer’s lecture and book signing at the Albany Institute on Sunday, November 2, 2014, at 2 pm.
Dr. Schweizer is Director Emeritus of the Munson-Williams-Proctor Art Institute’s Museum of Art and will speak about his new book Thomas Cole’s Voyage of Life as part of the Institute’s Making it American lecture series. The Albany Institute owns Cole’s original oil studies for the Voyage of Life series as well as the first concept drawing for his painting, “Youth.” This event is open to the public and free with museum admission. Continue reading
Thomas Cole Historic Site will host a Community Day featuring free access to the site, live music, refreshments and family activities on Sunday, September 28th, from 1 to 4 pm, rain or shine.
Open for free visits will be Thomas Cole’s home and studio plus three art exhibitions: Master, Mentor, Master, featuring the 1845 period paintings of Thomas Cole and his young student Frederic Church; Postcards from the Trail 2014; and Thomas Cole’s Honey, Stanley Maltzman’s drawings of our 200-year-old Honey Locust tree. Continue reading
In a new biography being released in October by SUNY Press, The Last Amateur: The Life of William J. Stillman, author Stephen L. Dyson tells the story of William J. Stillman (1828–1901), a nineteenth-century polymath. Born and raised in Schenectady, NY, Stillman attended Union College and began his career as a Hudson River School painter after an apprenticeship with Frederic Edwin Church.
In the 1850s, he was editor of The Crayon, the most important journal of art criticism in antebellum America. Later, after a stint as an explorer-promoter of the Adirondacks, he became the American consul in Rome during the Civil War. When his diplomatic career brought him to Crete, he developed an interest in archaeology and later produced photographs of the Acropolis, for which he is best known today. Continue reading
The new exhibition of landscape masterpieces by Frederic Church and Thomas Cole is now open at the Thomas Cole Historic Site, featuring twenty artworks from 1844-1850, focusing on the early work of Church when he began studying with Cole in Catskill, New York.
The exhibition, on view through November 2, 2014, includes plein air studies by Church when he was an 18-year-old apprentice as well as large, highly finished and stunningly skillful paintings that were completed just a few years later. Compare Church’s work to Cole’s from the same time period as they covered the same territory together. Continue reading