On Saturday, April 29, twelve community-based organizations will host a day-long forum titled “Harlem and the Future: Preserving Culture and Sustaining History in a Changing Environment” (“Harlem and the Future”) that will discuss the changes, the best practices, and the imminent challenges that are affecting Harlem’s social fabric, built environment, and cultural heritage. Harlem’s first historic preservation conference comes at a time of change to this iconic neighborhood.
The conference will begin at 9 am at the City College of New York Spitzer School of Architecture (141 Convent Avenue at 135th Street) and will last until 5 pm with a series of events staged throughout the day. Continue reading
Through the lens of real estate transactions from 1890 to 1920, Kevin McGruder’s book Race and Real Estate: Conflict and Cooperation in Harlem 1890-1920 (Columbia Univ. Press, 2015) offers unique perspectives on Harlem’s history and reveals the complex interactions between whites and African Americans at a critical time of migration and development.
During these decades Harlem saw a dramatic increase in its African American population, and although most histories speak only of the white residents who met these newcomers with hostility, this book uncovers a range of reactions. Continue reading
Since colonial times, the port city of New York has sent ships, goods and ideas to the Caribbean which in turn dispatched its own flow of staples, people, symbols and imaginative language North.
In the new show at Harlem’s Wintner-Tikhonova Fine Art Gallery open till Jan. 17, Caribbean artists show varieties of imagination rooted in that history of exchange. Francks Deceus from Haiti offers an abstracted photographic image of a dapper suited man in derby hat imprinted on an outlined version of a worker’s jumpsuit, evoking the urban and rural amalgam that haunts the identity of so many New Yorkers hailing from the Caribbean. Continue reading
Malcolm X- Rally for Birmingham, 1963. by Larry Fink. Images Courtesy of Ilon Art Gallery
“If new thought can enter the mind, even for a moment, then change has a chance,” writes JT Liss. His photographs search for those figures and visions that allow us to see new ways and think new thoughts.
Ilon Gallery’s show Harlem: Life in Pictures on view in a classic 1890s brownstone, demonstrates how historic images of figures that have become iconic can acquire new resonance when displayed along fresh takes on a neighborhood that has been a cradle of creativity for well over 100 years. Continue reading
Magic rites in the jungle seal the fate of a love triangle in the long-forgotten opera of H. Lawrence Freeman restaged on Friday and Saturday at Columbia University’s Miller Theatre. Voodoo was composed in 1914 and had its last performance in 1928. The music and libretto come from a composer who was a friend of Scott Joplin. author of more than 20 operas, and founder of the Harlem Renaissance’s Negro Grand Opera Company. The revival features Gregory Hopkins of Harlem Opera Theatre conducting in a production that drew on collaboration with the Harlem Chamber Players and the Morningside Opera. Continue reading
I recently returned from the 35th annual conference on New York State History in Poughkeepsie, which I attended for the first time. I understand this was the largest convocation of history professionals in New York State, and that the attendance at this conference was the highest ever. As my perspective and background is perhaps slightly different from most attendees at the conference, I feel it appropriate to provide certain observations.
Unfortunately, while others at the conference were somewhat more upbeat, my perception is that for the reasons set forth below there is at all levels an appalling lack of knowledge about critical elements of the history of New York State, and that we as a society suffer from this lack of knowledge every day. While I believe there are individuals in the history community who are in good faith seeking to address this problem, I am not sure that the efforts are close to adequate.
Lawrence R. Samuel’s New York City 1964: A Cultural History (McFarland, 2014), connects the events of a single year in the city to the cultural threads of American life in the 1960s and beyond.
Five seminal events occurred in New York City in the pivotal year 1964: the “British Invasion” arrival of the Beatles in February; the murder of Kitty Genovese in Queens in March; the World’s Fair in Queens between April and October; the “race riots” in Brooklyn and Harlem in July; and the World Series in the Bronx between the New York Yankees and the St. Louis Cardinals. Continue reading
Bells ringing from a forest of steeples, horseshoes striking cobblestones, boat whistles in the harbor, Yiddische mamas scolding children from tenement windows. These are instantly recognizable noises that evoke a historical time and place, adding up to what today’s historians sometimes call a “soundscape.”
In today’s cities when the most characteristic sound may be the giant crash of falling brick walls as old buildings are demolished, soundscapes are a precious way of experiencing history outdoors. This heritage is particularly relevant in urban settings where so many layers of the city have gone missing. Continue reading
Gordon Parks bought his first camera in a pawn shop and got his first real photography job at the New Deal’s Farm Security Administration (FSA).”American Gothic,” his bold arrangement of a White House cleaning lady with a mop in front of a flag, got him in trouble on his first assignment.
As a multifaceted creative artist, Parks stacked up firsts again and again in a long career that has been seeing numerous tributes over the past year. 2012 was the 100th anniversary of his birth, and exhibits are still underway. Continue reading
On New Year’s Eve the cigar smoke was thick on the sidewalk in front of the famed jazz club, the Lenox Lounge. Men in tuxes and women in clingy gowns stepped out of white stretch limos, three deep on Malcolm X Avenue, a.k.a Lenox Avenue in Harlem, as blue notes popped from the chromed doorway.
A huge bejeweled crowd could be glimpsed dancing and drinking through the wide octogon window. Continue reading