In December, The Finger Lakes Museum was awarded two New York State agency grants through Round IV of the Regional Economic Development Council Initiative. The awards totaled $254,500.
In two separate letters to museum board President John Adamski, Empire State Development President and CEO Kenneth Adams wrote that the Finger Lakes Regional Council had recommended a $200,000 grant award for capital construction work at the museum’s campus in Branchport and an additional $54,500 through its Division of Tourism for marketing and promotion through the state’s I Love New York program. Continue reading
I’ve been to the Rockies, and clearly, a visitor can’t help but be awestruck by their height and views. Yet the Adirondack Park is where I prefer to go.
I’ve had decades of pleasurable visits to the Adirondack Park to hike, climb, ski, canoe, enjoy the scenery and go to the Adirondack Museum in Blue Mountain Lake. Whether my visit is to recreate or debate park management policy, I’m drawn to the region’s history and ongoing politics as well as its lakes, ponds and rivers. Continue reading
Governor Andrew Cuomo’s decision in December to ban the use of hydrofracking in New York State was politically astute. The governor asserted he is merely following the recommendations in a new report from the State Health Department, A Public Review of High Volume Hydraulic Fracturing for Shale Gas Development.
That report, based on four years of research, is also politically judicious. It avoids condemning hydrofracking or sensationalizing its potential health risks. Instead, it concludes that “the overall weight of the evidence from the cumulative body of information” studied for the report demonstrates that there are “significant uncertainties about the kinds of adverse health outcomes that may be associated with HVHF [High Volume Hydraulic Fracking], the likelihood of the occurrence of adverse health outcomes, and the effectiveness of some of the mitigation measures in reducing or preventing environmental impact which could adversely affect public health.” The 184-page report is buttressed by 74 references, mostly well-documented studies and reports from the past few years. Continue reading
Aerial photos can be helpful research tools for historians. Google Earth, which provides access to a vast collection of aerial photography stretching back 20 years, is just a sampling of the many aerial photos that have been made since French balloonist Gaspard-Félix Tournachon, known as “Nadar”, took a photo over Paris, France in 1858.
Much of New York Sate was photographed with the camera pointing straight down, an oblique presentation that is less useful to some historians. An effort to capture all of New York in an orthophotographic perspective (corrected to a uniform scale) started in 1936 with a contract to C.S. Robinson of Ithaca, NY. These images are particularly valuable resources for historians of all stripes. Continue reading
The Museum of the City of New York has put on public display the rarely seen Greensward Plan for Central Park – the original 1858 design by Central Park superintendent and future leading landscape architect Frederick Law Olmsted and English-born architect Calvert Vaux that won a public design competition to improve and expand the park.
This four-by-twelve-foot map depicting Central Park’s framework in pen and ink has permanently left its imprint on the park and the visitor experience. On loan from the New York City Parks Department, the Greensward Plan for Central Park is now on view at the City Museum through January 2015. Continue reading
Taming Manhattan: Environmental Battles in the Antebellum City (Harvard Univ. Press, 2014) details the environmental history of the city of New York in the years before and during the Civil War, when pigs roamed the streets and cows foraged in the Battery.
On Tuesday, November 25th, at an event at NYU, author Catherine McNeur will discuss nineteenth-century New York City’s long forgotten shantytowns, the people living in the communities, and how outsiders viewed the architecture and communities developing on the metropolitan periphery. Continue reading
Hear experiences and memories of Otsego Lake from oral histories of local residents during “Food for Thought” Wednesday, October 22 at the Fenimore Art Museum in Cooperstown.
William Walker, Associate Professor of History at SUNY Oneonta, will play excerpts and lead a discussion on the importance of the lake, how it has changed. Continue reading
Through the efforts of a statewide grassroots committee, public and private colleges and universities throughout upstate New York have been spending this fall commemorating the Empire State’s role in inspiring federal wilderness preservation.
These activities are occurring in celebration of the anniversary of the signing by President Lyndon Johnson of the National Wilderness Preservation System Act of 1964, legislation that created the legal definition of “wilderness” in the United States and now makes provisions for wilderness management on more than 109 million acres of federal land. Continue reading
The Finger Lakes Museum has more than doubled the size of its campus in Branchport.
Thanks to a generous gift of land donated by sisters Anne Salisbury and Molly Sujan and to a cash contribution from their neighbors Rolf Zerges and his wife Lynda Rummel, the museum now owns the 16-acre wetland adjacent to Crescent Beach at the north end of the west branch of Keuka Lake. The parcel comes with more than 1,400 feet of water frontage on Sugar Creek, which is a navigable inlet to the lake. Continue reading
Long Island Traditions will present “Working the Waters: Maritime Culture of Long Island” in collaboration with the NY Marine Trades Association “Tobay Boat Show” in Massapequa, New York on September 26 through September 28, 2014. “Working the Waters: Maritime Culture of Long Island” will present to the public first-hand accounts about the contemporary and historic traditions of commercial and recreational fishermen, the factors affecting these traditions and their future on Long Island in the wake of Superstorm Sandy and the decline of the bays.
The program is the culminating event of ongoing documentation by Long Island Traditions folklorist and executive director Nancy Solomon. Since 1987 Solomon has been documenting the culture and traditions of Long Island maritime tradition bearers, ranging from decoy carvers and driftwood painters to trap builders, boat model makers and net menders. Continue reading