The Civil War comes alive as never before in an extraordinary collection of colorized photographs from the era in The Civil War in Color (Sterling Books, November 2012) by John C. Guntzelman.
Not only does it feature portraits of famous leaders and ordinary soldiers but also vignettes of American life during the conflict: scenes from urban and plantation life; destroyed cities; contested battlefields. The 200+ photographs, from the Library of Congress’s archives, include both well-known and rarely seen images. Also inside–a fine art ready-to-frame photographic print of a stunning colorized Civil War photograph. Continue reading
The American Civil War represents the first time that a staggering number of women, from both the North and the South, disguised themselves as soldiers to fight for their country. Lisa Potocar present a program about these women and their motivations at Schenectady County Historical Society September 12th.
Lisa Potocar was born and raised in Upstate New York. Potocar’s historical novel about female Civil War soldiers, Sweet Glory, won First Place in the Young Adult category of the 2009 Maryland Writers’ Association’s and SouthWest Writers’ Novel Contests. It also advanced as a semi-finalist in the 2010 Amazon Breakthrough (YA) Novel Awards. Continue reading
A new exhibit of Civil War battle flags, “1863: Loyal Till Death,” is on display at the State Capitol, featuring ten flags carried upon the distant battlefields in the third year of the war, including those from the war’s most decisive stage, Gettysburg, Pennsylvania.
This exhibition includes special flags procured and presented to regiments by local patrons and politicians, unique personalized flags, and battle-damaged colors that, like the regiments they represented, were mere fragments of their once pristine and whole existence. Continue reading
Why don’t Americans decorate with battle streamers from the War of 1812 or re-enact battles from the Spanish-American war? Why is the Civil War still so compelling to Americans that many of us care passionately about its symbols, moments and legacies? From veterans’ organizations to battlefield re-enactments, Americans engage with the Civil War in varied ways, assigning multiple meanings to this divisive moment in America’s past.
On Saturday, July 27, a free talk at the New York State Museum explores these diverse meanings, questions why this particular moment in American history continues to fascinate and enrage Americans and uses the Civil War’s Sesquicentennial to examine the complicated relationship between history, memory and culture in America. Continue reading
The Adirondack History Center Museum is offering the third lecture in the Elizabeth HW Lawrence Summer Lecture Series tonight, Tuesday, July 23 at 7pm. The lecture features author and historian, Morris Glenn, presenting On the Trail of the USS Monitor about the Crown Point iron mining industry and its role in the Civil War.
On Tuesday evenings the museum remains open until 7pm and all are invited to view The Human Face of the Adirondacks in the Civil War exhibit, the Worked/Wild exhibit, and the updated Fire Tower exhibit. Admission to the exhibits is free with the purchase of a lecture ticket. Continue reading
Slavery nearly destroyed this country. We now mark the 150th anniversary of the Civil War, which many consider to have been a battle over slavery. But in the big picture, the battle over slavery has been ongoing since this nation was formed. In our infancy, it was outlawed in some states but not in others. With great gall and to our utter embarrassment, we called ourselves the Land of the Free. In fact, when Francis Scott Key wrote those words in 1814, about half of the states allowed slavery.
There were still plenty of lynchings 150 years later when I was growing up in the 1950s and 1960s. That time is now 50 years past, yet there’s still plenty of bigotry and racism to go around. Judging by where we stand today, it’s shameful to suggest that we’ve come far. More than two centuries, and this is the best we can do? Continue reading
The New York State Museum, a program of the New York State Education Department’s Office of Cultural Education, has received an Award of Merit from the American Association of State and Local History (AASLH) for its exhibition commemorating the 150th anniversary of the Civil War, An Irrepressible Conflict: The Empire State in the Civil War.
The 7,000 square-foot exhibit, which opened on September 22, 2012 in Exhibition Hall, is now extended through March 23, 2014. Continue reading
The sights and sounds of the Civil War will fill the air at the 12th annual Civil War Reenactment Weekend Saturday and Sunday July 27-28, at Robert Moses State Park, in Massena.
The event is part of the St. Lawrence County Historical Association’s (SLCHA) commemoration of the 150th anniversary of the Civil War, which began in 1861. Continue reading
When what has been described as “the second most destructive draft riot in the nation” broke out in Troy on July 15, 1863, worried city residents, especially African-Americans, wondered if the Dean of the Roman Catholic churches in Troy, Father Peter Havermans, would, or could, do anything to calm the rioters and curb anticipated violence.
The bulk of the two to three thousand angry protestors in the streets were Catholics who worked in the city’s mills, factories and iron works. Continue reading
While reviewing some Civil War materials, I encountered mention of the New York City Draft Riots, which reminded me of my own experience with the draft back in the late 1960s. Whether there was a war or not, I had no interest in joining the military, but it was out of my hands. Vietnam was getting worse instead of better, and more troops were being sent. When I became eligible to go, America switched to the draft lottery.
While I was still in high school, my number (based on birthdays) came up in the 200s, so I didn’t have to go unless I enlisted. That wasn’t the case for men aged 18–45 during the Civil War. They had options, and not being drafted was one of them.
Few people realize that a draft of sorts was used even in the 1700s, a century before the Civil War, and that it was very similar in nature. The call for troops emanated from a central authority, whether it was the Continental Congress, or later, the President (or the Secretary of War). Continue reading
The New York State Museum has added two important artifacts to its current exhibition commemorating the 150th anniversary of the Civil War, An Irrepressible Conflict: The Empire State in the Civil War.
The artifacts include the notes taken by two physicians who attended President Lincoln on his death bed and the only existing oil painting of Dred Scott, the African American slave whose 1858 Supreme Court trial pushed the nation to the brink of Civil War.
It’s guaranteed that you’re going to enjoy this, another unique North Country link to the Civil War. It sounds like something culled from the pages of Ripley’s Believe It or Not!, and begs the question: what the heck are the odds of that happening?
Though I can’t answer the question, I do recall that in my former employment, it was notable when three men all having the same first name worked in the same department. So what can you say about “The One-Legged Jims,” a group of three Civil War veterans? Continue reading
Volunteers will soon be setting fences, erecting tent covers and signage for seven acres of land and eleven structures , hauling provisions for the one hundred plus Civil War reenactors, sprucing up their period costumes, and turning the clocks back 150 years in final preparations for the 21st Annual Peterboro Civil War Weekend. Continue reading
This summer, the New-York Historical Society will be displaying all fifty objects from Harold Holzer’s new book, The Civil War in 50 Objects. Though the book looks at the Civil War from many angles, quite a few of the objects originate from New York City. We spoke with the historian about the Civil War’s impact on the city, and the city’s attempt to secede from the Union! Continue reading
The same “prove or disprove” mission I undertook to investigate Mary Johnson’s claims (to have passed as a man and fought in the Civil War) was attempted by Eleanor Vashon after interviewing Mary Johnson in 1924. Several parties were involved: a pension attorney; the Massachusetts adjutant general; the Daughters of Veterans; the Convent of St. Rock, Quebec; the Canadian Red Cross; the Tewksbury Hospital; and acquaintances of Mary with whom she had shared the unusual story of her life.
The Red Cross managed to confirm that Thomas Hill indeed served in the Massachusetts 53rd, but found no record of a Saul Hill in the same outfit. They did find a Joseph Saul, and considering Mary’s age and her earlier jumbling of General Nelson Miles as Mills Nelson, the similarity was noted as a possible link. Continue reading
In Lowell, Massachusetts in 1922, while working in a private home, Mrs. Mary Johnson was badly injured in a fall. At the age of 82, with few resources at her disposal, neither Mary nor her husband Peter could care for themselves. During the next two years, the couple resided in three different poorhouses, living at Fitchburg and Tewksbury before moving to the Worcester City Farm. At Fitchburg, Mrs. Johnson had begun telling stories about her secret war past, and at Worcester, folks began to take her seriously.
According to Mary, she had served honorably in two branches of military service, most notably a stint during the Civil War. Combat was reserved for men only, but Mary openly shared the details, insisting her story was true. Continue reading
The New York State Museum will host the upstate premiere of the 30-minute film Thirst: A Civil War Story (2013) on Saturday, May 11 from 1pm to 3pm in the Huxley Theatre.
The film is presented as part of the Museum’s exhibit An Irrepressible Conflict: The Empire State in the Civil War, a 7,000-square foot exhibition commemorating the sesquicentennial of the Civil War (on display through September 22). The free screening will be followed by a panel discussion with cast and crew. Continue reading
The Met is offering a wide range events in conjunction with their recently opened exhibition, Photography and the American Civil War.
A Civil War Dialogue will take place this evening, Wednesday, April 10, at 6:00 PM ($25). Novelist Geraldine Brooks and historian Tony Horwitz have both written about the Civil War-and are married to one another. They will discuss their work as well as their different approaches to the Civil War and the writing of history. The discussion will be moderated by Bill Goldstein, book critic for NBC’s Weekend Today in New York. Continue reading
An exhibition featuring a Civil War love story, I Shall Think of You Often: The Civil War Story of Doctor and Mary Tarbell, opened Saturday, March 30, 2013 at the New York State Museum.
The exhibit focuses on the life and marriage of Doctor and Mary Tarbell of Tompkins County, New York, during the Civil War. The exhibition is presented in conjunction with An Irrepressible Conflict: The Empire State in the Civil War, a 7,000-square foot exhibition commemorating the sesquicentennial of the Civil War. Both exhibitions are open through September 22, 2013. Continue reading
This granite and bronze monument in the Village of Sleepy Hollow, is located near southwestern corner of the Sleepy Hollow Cemetery and was dedicated on May 30, 1890. by the local GAR post. Inscriptions on the front (west) face include a Latin dedication, along with “Our Union Soldiers” and the following poem: “While Freedom’s name is understood, they shall delight the wise and good; They dared to set their country free and gave her laws equality 1861-1865.”
The monument’s south, east and north faces feature bronze plaques honoring some 240 local veterans. The references to Greenburgh and Mount Pleasant reflect the fact that the Village of Sleepy Hollow lies within Mount Pleasant, which is just north of Greenburgh. The monument is surrounded by a plot containing graves of Civil War veterans. The names of soldiers killed in action are engraved into the monument’s base; those who served are listed on tablets mounted to the base. The work was made in the New York foundry of the Henry-Bonnard Bronze Company.