Beginning on September 3, 2014, admission to the Brooklyn Museum will be free for visitors ages nineteen and under, according to an announcement made today.
At the same time, the museum will increase its suggested general admission fees to $16, except for ticketed exhibitions and events, and to $10 for adults sixty-two and over and for students with valid I.D. Current school group pricing will remain the same. Continue reading
One of the most provocative and iconic objects of desire will be explored in the exhibition Killer Heels: The Art of the High-Heeled Shoe, on view at the Brooklyn Museum September 10, 2014, through February 15, 2015.
Through more than 160 artfully-crafted historical and contemporary high heels from the seventeenth century through the present, the exhibition examines the mystique and transformative power of the elevated shoe and its varied connections to fantasy, power, and identity. Continue reading
The Parlor and Library of the Colonel Robert J. Milligan House of Saratoga Springs, New York, have been conserved and refurbished for the first time since the two rooms were installed in the Brooklyn Museum in 1953 as a part of a group of late nineteenth-century American period rooms.
In addition to repainting the rooms and laying bold tartan carpeting on the Library’s previously bare wood floors, the Museum has restored and installed the Parlor’s original chandelier and decorated the rooms with a select group of recently acquired objects and several furnishings original to the rooms but not previously on view in Brooklyn. The two rooms have been on public view throughout their facelift, which was completed on March 28, 2014. Continue reading
The New York Art Resources Consortium (NYARC), consisting of the libraries and archives of The Frick Collection (Frick Art Reference Library), the Brooklyn Museum, and The Museum of Modern Art, has been awarded a grant of $340,000 from The Andrew W. Mellon Foundation to initiate a program of web archiving for specialist art historical resources.
The two-year program will follow a 2012 pilot study, Reframing Collections for the Digital Age, also funded by The Andrew W. Mellon Foundation. That study demonstrated that the types of materials the NYARC libraries had been collecting in printed form were increasingly migrating to online versions available exclusively on the web. Continue reading
Activism and artistic practice intersect in Witness: Art and Civil Rights in the Sixties, a presentation of 103 works by 66 artists that is among the few exhibitions to explore how painting, sculpture, graphics, and photography not only responded to the political and social turmoil of the era but also helped to influence its direction.
Debuting at the Brooklyn Museum, where it will be on view from March 7 through July 6, 2014, the touring exhibition marks the fiftieth anniversary of the passage of the Civil Rights Act of 1964, the events leading to this historic moment, and the aftermath of the legislation. Continue reading
The Brooklyn Museum is the final venue for the critically acclaimed exhibition WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath, which will be on view November 8, 2013 through February 2, 2014. The exhibit explores the experience of war and strikes a universal human chord with an unprecedented collection of photographs from around the world. Continue reading
A major new first-floor Brooklyn Museum gallery opened in March with Fine Lines: American Drawings, which will remain on view through May 28. The new 6,000-square-foot space is the latest step in a phased renovation that will, within the next two years, dramatically alter the entire first and second floors of the Museum’s McKim, Mead and White building.
This new space, designed by Ennead Architects, incorporates both a larger and a smaller gallery and two vestibule areas. It is named the Robert E. Blum Gallery–as was the previous special-exhibition gallery on the first floor.
An exhibition of some thirty-five exceptional American and European quilt masterpieces from the Brooklyn Museum’s renowned decorative arts holdings will examine the impact of feminist scholarship on the ways in which historical quilts have been and are currently viewed, contextualized, and interpreted.
Only one of these rare quilts has been on public display in the past thirty years. “Workt by Hand”: Hidden Labor and Historical Quilts will be on view in the Elizabeth A. Sackler Center for Feminist Art from March 15 through September 15, 2013. Continue reading
Fine Lines: American Drawings from the Brooklyn Museum presents a selection of more than a hundred rarely seen drawings and sketchbooks produced between 1768 and 1945 from the Brooklyn Museum’s exceptional collection. The exhibition will feature the work of more than seventy artists, including John Singleton Copley, Stuart Davis, Thomas Eakins, William Glackens, Marsden Hartley, Winslow Homer, Edward Hopper, Eastman Johnson, Georgia O’Keeffe, John Singer Sargent, and Benjamin West. Continue reading
The Brooklyn Museum, together with the Museum of Fine Arts, Boston, has organized the landmark exhibition John Singer Sargent Watercolors, which unites for the first time the holdings of Sargent watercolors acquired by each of the two institutions in the early twentieth century. The ninety-three watercolors in the exhibition–including thirty-eight from Brooklyn’s collection, most of which have not been on view for decades–provide a once-in-a-generation opportunity to view a broad range of Sargent’s finest production in the medium. Continue reading