Here’s a quick look at some of the latest New York History resources to hit the web:
- The Syracuse University Archives has completed the processing of the George Fisk Comfort Family Collection, dating from 1822 to 1956, which contains a significant amount of material from George Fisk Comfort (1833-1910), the first dean of the (now defunct) College of Fine Arts at Syracuse University, and was involved in the establishment the Metropolitan Museum of Art, as well as what is now the Everson Museum of Art in Syracuse. The collection also includes material associated with Silas Comfort, a Methodist minister and Anna Manning Comfort. Various items, such as letters and family photographs, were digitized and are available in the online finding aid. Continue reading
“Three Parlors,” a new exhibition using three Victorian parlor suites to track the development of a new American identity during the 19th century, will open at Lyndhurst on June 20th and will remain open through the end of 2013.
Lyndhurst is fortunate to retain the furnishings of the three families who occupied the estate over the past 175 years. The three suites of parlor furniture at Lyndhurst were installed in 1838-42, 1865 and 1882 and were created during a century in which the United States struggled to establish its national identity. Continue reading
Rosewood Lion. India. Clinton Howell Antiques
Lions, toucans, dolphins, dogs, cocks, — critters galore tread the echoing halls of the Park Avenue Armory in this year’s annual Spring Show, NYC of Art and Antiques.
Made of glass, paint, leather, rosewood, bronze, silver and precious jewels these fanciful creatures are testimony to the enduring pleasures of the animal kingdom as a theme in art and design. And since the ASPCA is the sponsor and even beneficiary of a portion of some sales at this year’s event, tracking the artistic fauna forges a trail through the riches of an extravagant spring ritual. Continue reading
What do artist Jean-Michel Basquiat, toy merchant Frederick A.O. Schwarz and political powerhouse William Magear “Boss” Tweed have in common?
They’re all buried in Brooklyn’s Historic Green-Wood Cemetery along with abolitionist Henry Ward Beecher, musician Leonard Bernstein, industrialist Peter Cooper, composer Fred Ebb, piano manufacturer Henry Steinway, decorative master Louis Comfort Tiffany – and roughly 560,000 others – many equally famous (some infamous) and hailing from the worlds of sports, the arts, entertainment, politics, the military and industry. Continue reading
An exhibition featuring the work and philosophy of renowned industrial designer Russel Wright will open May 4, 2013 at the New York State Museum. Russel Wright: The Nature of Design explores Wright’s career from the 1920s through the 1970s and features approximately 40 objects along with photographs and design sketches.
On display through December 31 in the Crossroads Gallery, the exhibit was first organized by and presented at the Samuel Dorsky Museum of Art at the State University of New York at New Paltz from August 2012 to March 2013. The exhibit includes objects such as wood serving bowls and spun aluminum trays designed Pre-World War II as well as Wright’s more experimental and innovative Post-World War II designs, including earthenware plates, bowls, pitchers, and vases. Continue reading
On April 2nd 1813, the Village of Sing Sing (now called Ossining) became the first incorporated municipality in Westchester County. To recall and honor that historic day, the Village of Ossining will be holding a series of commemorative activities from April through October of 2013.
The bicentennial celebration, kicks of with “Ossining in 3D,” a historical photo and map show that runs through April 29th and depicts 200 years of Ossining’s history including its numerous historically and architecturally significant buildings, structures and sites. Continue reading
Barbara Novak is one of America’s premier art historians. Breaking into the world of American art history in the 1950s, when few professors taught the topic, Dr. Novak spent the next 40 years creating a foundation for the study of American art history through her seminal books and teaching.
Now the Helen Goodhart Altschul Professor of Art History Emerita at Barnard College and Columbia University, Novak has inspired generations of students to pursue careers in academic and museum life. Six speakers from a range of fields will offer personal stories of the wide sweep of Dr. Novak’s influence as a scholar and mentor. Dr. Novak will offer her remarks at the end of the event. Continue reading
Thomas Cole (1801-1848) , English immigrant, is regarded as a father of the Hudson River School, the first national art expression of the American identity in the post-War of 1812 period. It was a time when we no longer had to look over our shoulder at what England was doing and could begin to think of ourselves as having a manifest destiny. Cole also was very much part of the birth of tourism which occurred in the Hudson Valley and points north and west. Continue reading
We are a story-telling species. We tell stories through various media which have changed over time as our technologies have changed. In ancient times the common modes of expression included the verbal story, art, dance, and music. These forms still are in use today. New forms have been developed and the ways of communication for millennia have evolved at a speed that is both wondrous and frightening to behold. Continue reading
This portrait has captured the imaginations of New-York Historical Society visitors. Who was this dapper man, with his seductively villainous good looks? Why this dashing, bold pose for what seems to be an official portrait?
The man is James Hazen Hyde, though that name may not ring a bell these days. The son of Henry Baldwin Hyde, the founder of the Equitable Life Assurance Society, James was famous for his social and financial success, and the dramatic scandal that caused his downfall. Continue reading
Fine Lines: American Drawings from the Brooklyn Museum presents a selection of more than a hundred rarely seen drawings and sketchbooks produced between 1768 and 1945 from the Brooklyn Museum’s exceptional collection. The exhibition will feature the work of more than seventy artists, including John Singleton Copley, Stuart Davis, Thomas Eakins, William Glackens, Marsden Hartley, Winslow Homer, Edward Hopper, Eastman Johnson, Georgia O’Keeffe, John Singer Sargent, and Benjamin West. Continue reading
The Frick Collection has announced the launch of its new website. Key features of the redesigned and expanded site include a new interactive virtual tour with access to information and zoomable images for more than 1,000 works of art in the permanent collection and enhanced content in the areas of research, programs, and media.
Additionally, the site has been streamlined to allow greater integration between the institution’s museum and library, and highlights the improved layout and easier navigation of sections relating to exhibitions, membership, special events, and the Museum Shop. Continue reading
Details of mid-19th-century life come alive in the letters of a German immigrant, translated by Sigrid Wilshinsky and recently published as My Life in America Before, During and After the Civil War.
Louis Hensel was born in 1817 and lived a life of travel and adventure, as colorfully described in letters to his granddaughter back in Germany. Wilshinsky translated them from Suderlein German into modern English. Continue reading
The Brooklyn Museum, together with the Museum of Fine Arts, Boston, has organized the landmark exhibition John Singer Sargent Watercolors, which unites for the first time the holdings of Sargent watercolors acquired by each of the two institutions in the early twentieth century. The ninety-three watercolors in the exhibition–including thirty-eight from Brooklyn’s collection, most of which have not been on view for decades–provide a once-in-a-generation opportunity to view a broad range of Sargent’s finest production in the medium. Continue reading
Columbus steers over Central Park
The enormous thirteen-foot tall explorer is steering the Santa Maria
right over Central Park. Tatzu Nishi’s “Discovering Columbus” allows visitors to climb 75 feet up the column in Columbus Circle to see the famous statue up close. Nishi has surrounded it with a living room stage set, furnished with modern accoutrements from Bloomingdale’s, that gives a truly odd twist to the experience of seeing the pock-marked monument set atop a coffee table.
Beginning this month the Albany Institute of History & Art will launch a new monthly lecture series entitled Making It American. The series will take a broad look at what art and material culture can teach us about the development of American history, culture, the arts, politics, and our identity as a nation.
In this series, invited scholars will analyze American values and ideals to enhance our experience and understanding of our world. A painting or school of painters, or a spinning wheel or farm kitchen tools will serve as touchstones for the series. Continue reading
A new exhibition — 1934: A New Deal for Artists — has opened at the New York State Museum showcasing paintings created against the backdrop of the Great Depression with the support of the Public Works of Art Project (PWAP), the first federal government program to support the arts nationally.
During the Great Depression, President Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists. Continue reading
Three time-honored stories by Washington Irving, classic tales told again and again, have been released together in the cloth-bound box set A Washington Irving Treasury (Universe Publishing, 2012). The high-spirited stories of Rip Van Winkle and The Legend of Sleepy Hollow present memorable folk characters that have become part of America’s literary lexicon, while Old Christmas preserves the nostalgia, warmth, and joy of English Christmas traditions. Continue reading
Many of the iconic landscape scenes painted by Hudson River School artists, now hanging in major museums all over the world, are the breathtaking views surrounding the Hudson River Valley. Thanks to preservationists and conservationists, several of these vistas remain remarkably similar to their 19th-century appearance and are instantly recognizable. Continue reading
The SUNY College of Environmental Science and Forestry’s (ESF) Adirondack Interpretive Center will celebrate the work of Adirondack artist Rockwell Kent with a daylong event on October 20, 2012.
Caroline Welsh, director emeritus of the Adirondack Museum, will present a program on Kent’s artistic legacy, including many images of his work. Paul Hai, program director for ESF’s Northern Forest Institute, which manages the Interpretive Center, and Marianne Patinelli-Dubay, environmental philosopher with NFI, will provide readings and insights on Kent’s physical and personal adventures.
Kent was born in New York City in 1882. He was a painter, illustrator, architect, author, traveler, and humanist whose reputation was widely known in the early 20th century. In his mid-40s, he moved to an Adirondack farm he named Asgaard near Ausable Forks, where he designed and built a home and artist’s studio. Kent died at Asgaard in 1971.
In addition to the presentation about Kent, the AIC will host two regional artists, Diane Leifheit of Gabriels and William Elkins of Syracuse, who will be painting and drawing along the trails. Participants are invited to see the artists’ work, talk with them about tips and techniques, and bring a journal to practice alongside them.
The day will conclude with an informal art show and light reception.
The program, titled, “They Broke the Mold after Making Him,” will run from 10 am to 4 pm. There is no charge to attend the event but participants are encouraged to register in advance by calling the Adirondack Interpretive Center at 518-582-2000 or by sending an email to firstname.lastname@example.org. To see a schedule of events, visit the AIC online.
Photo: Rockwell Kent’s studio at Asgaard (courtesy Wikipedia user Mwanner).