While the tourism industry has prospered in Sullivan County, New York for more than 150 years now, the concept of fall foliage as a tourism tool is relatively new.
The idea of promoting the changing colors of the leaves on the trees to encourage tourists to visit an area did not exist much at all before the late 1930s, and although both the Berkshires in Massachusetts and the Poconos in Pennsylvania were promoting fall foliage tours as far back as the 1940s, the Catskills did not begin to cash in on the idea until the 1950s. Continue reading
The Thomas Cole National Historic Site will host five Hudson River School Art Trail hikes.
These guided hikes go to the painting sites of the 19th-century artist Thomas Cole and his contemporaries including Frederic Church, Jasper Cropsey, Sanford Gifford, and Asher B. Durand. Participants will be able to see the same views that appear in famous landscape paintings. Continue reading
“What is the Hudson River School?” is the frequently asked question that prompted the Albany Institute of History & Art to present the exhibition The Making of the Hudson River School: More than the Eye Beholds in 2013. The exhibition featured 96 works from the Albany Institute’s collection of Hudson River School paintings, drawings, prints, and historical documents, along with 38 works from several private collections that had not been shown before in a public exhibition.
This exhibition, which highlights such a key component of New York State’s history and the history of American art, has been digitized and is now available as the museum’s first online exhibition, bringing the story of the Hudson River School to greater audiences. Continue reading
Long before digital technology made instant worldwide communication possible, political protests and calls for action reached the public through posters. Posted on walls and bulletin boards, slapped up on store windows and church doors, these works often featured bright colors and modernist art-inspired graphics, and were quickly mass-produced to inform communities, stir up audiences, and call attention to injustice.
This summer, the New-York Historical Society is presenting 72 posters dating from the early 1930s through the 1970s in Art as Activism: Graphic Art from the Merrill C. Berman Collection, on through September 13, 2015. Continue reading
On July 8-9, New York City-based auction house Guernsey’s will be conducting an unreserved auction of an extraordinary collection of patriotic posters relating to World War I, believed to be the largest such collection known to exist.
The collection is that of Brooklyn-born Edward H. McCrahon, who joined the French Army two years before the United States entered the war. Once the U.S. became involved, McCrahon returned home, joined the U.S. Army, rising to the rank of Colonel. During his stint in France he became interested by war poster art. At the end of the war, McCrahon began assembling his collection and by the mid-1930s his collection was widely exhibited. Continue reading
The Lilac Arts Series, a contemporary art exhibition aboard the historic ship Lilac, will run through August 15, 2015 and focus on three themes inspired by the ship’s story – “Steam”, “Work + Labor” and “Restoration/Reinvention“. The visual art exhibition will feature the work of over 25 artists within the ship’s unique spaces, including several site-specific installations. The exhibition and events are free and open to the public.
The U.S. Coast Guard Cutter Lilac was built in 1933 and is America’s only surviving steam-powered lighthouse tender. Lilac is currently being restored as a unique vehicle for maritime education and community activities and is berthed at Hudson River Park’s Pier 25. Continue reading
Brilliant, colorful paintings by the artists who revolutionized the art world will be showcased in Monet to Matisse: The Age of French Impressionism, on view through November 29 Utica’s Munson-Williams-Proctor Arts Institute’s Museum of Art.
Monet to Matisse features more than 60 Impressionist and Post-Impressionist paintings and pastel drawings from the renowned collection of the Dixon Gallery and Gardens in Memphis, Tennessee. Continue reading
The tragically short career of Jean-Michel Basquiat (1960-1988) has created a penumbra of martyred glory around his work. This must give him a chuckle wherever his spirit looks down on the shuffling hordes trekking to view his work reverently installed at the Brooklyn Museum.
Basquiat was born as a spray-can wielding street artist who liked mess, disorder and chaos. How different was he, when beatified by art gallery recognition and patron purchases? In his art world heyday he got his fine new designer clothes just as stained as his thrift shop threads from his early days. Continue reading
The Hyde Collection has announced the appointment of Erin B. Coe as its new director. Coe was the chief curator of The Hyde until she left in 2014 to complete her doctoral degree in the history of art and architecture at Boston University. She also served as the museum’s interim co-director. Continue reading
Artist Walter Launt Palmer (1854–1932), the son of Albany sculptor Erastus Dow Palmer, has enjoyed a revival of interest in the art world over the last several years. It’s now common to see his paintings in art magazines and at major auctions across the country, bringing record prices for his oils and watercolors.
As an artist who preferred living and working in his home community of Albany, rather than New York City, Palmer carried forward the creative genius that emerged in the region generations earlier with the Hudson River School and his father’s own sculpture. Continue reading