Tomorrow, June 6th, the Fenimore Art Museum in Cooperstown will present the opening of Winslow Homer: The Nature and Rhythm of Life, from the Arkell Museum at Canajoharie, featuring over 23 original works including oil paintings and delicate watercolors collected by Bartlett Arkell, the founder and first President of the Beech-Nut Packing Company.
This marks the first time these exceptional Homer paintings will be displayed as a complete collection. The exhibition contains two works now in other collections, including a painting owned by the Metropolitan Museum of Art in New York City. The exhibition was organized by the Arkell Museum at Canajoharie and is on view at the Fenimore Art Museum from through August 24, 2014, and at the Arkell Museum at Canajoharie from September 2, 2014 to January 4, 2015. Continue reading
The new exhibition of landscape masterpieces by Frederic Church and Thomas Cole is now open at the Thomas Cole Historic Site, featuring twenty artworks from 1844-1850, focusing on the early work of Church when he began studying with Cole in Catskill, New York.
The exhibition, on view through November 2, 2014, includes plein air studies by Church when he was an 18-year-old apprentice as well as large, highly finished and stunningly skillful paintings that were completed just a few years later. Compare Church’s work to Cole’s from the same time period as they covered the same territory together. Continue reading
The Association of Art Museum Curators (AAMC) has announced its annual Awards for Excellence in the categories of museum Catalogues, Articles/Essays, and Exhibitions.
Four New York Museums were recognized in the Catalogues category, with first place for museums with an operating budget of $4M going to The Polaroid Years: Instant Photography and Experimentation by Mary-Kay Lombino and Peter Buse, of the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York. Continue reading
The Metropolitan Museum of Art Archives has announced the availability for research of two collections of records of 20th century museum officials.
These are among 15 collections being arranged, described, and cataloged over 27 months with funding from the Leon Levy Foundation. Work on the approximately 300 linear feet of records by two full-time archivists began in January 2013. Finding aids are now available online for: Continue reading
The Iroquois Indian Museum in Howes Cave, NY has announced its new exhibition, Standing in Two Worlds: Iroquois in 2014, which will open on April 1st and remain at the Museum through November 30.
The exhibit features over 30 Haudenosaunee (Iroquois) artists and focuses upon contemporary concerns that warrant their attention and creative comment. Exhibition works (artwork and poetry) include those that explore boundaries and borders, environment, hydro-fracking, economy, gaming, the digital/disposable age, sports mascots, the impact of national/international events and decisions, the role of tradition and community, and the state of the arts. Continue reading
The New York State Museum has acquired 21 new works of art by 18 artists from Native American Nations in New York State.
From baskets and beadwork to modern art, the newest additions celebrate the traditional roots of Native American artistry through modern expression. An exhibition featuring the artwork is scheduled for fall 2014. Continue reading
Beginning February 25th, Marilyn Sassi will present four lectures in a series entitled Early Mohawk and Hudson Valley Life: How Clothes, Arts and Architecture Changed, 1750-1814 on the evolving material culture of the Mohawk and Hudson Valley area.
Each week will focus on a different area of history and the changes seen during that period. Sassi is a teacher and historian specializing in material culture, architecture and area history. Continue reading
If one is to see a frozen landscape as something other than absence or nothingness, one must have a mind of winter, the poet Wallace Stevens said. Or the mind of an American artist.
That, at any rate, is what one will conclude from the American Impressionist paintings that will be exhibited in “Winter Light: Selections from the Collection of Thomas Clark,” which opens at The Hyde Collection on January 25.
There is nothing empty or void in any of these twenty paintings, most of which have been acquired by Clark since the Hyde’s 2009 exhibition, “An Enduring Legacy: American Impressionist Landscape Paintings from the Thomas Clark Collection.” Continue reading
The Chapman Historical Museum has opened a new exhibit of fourteen S.R. Stoddard original albumen photos featuring local winter scenes.
Included are views of snow-covered streets in Glens Falls as well as two stereo views of Lake George. Titled “Frost Work,” a term used by Stoddard, the small exhibit features images of the 1870s — a time when winter transportation consisted of sleds and sleighs. Even the horse drawn trolley ran on runners. Continue reading
The Hudson River School artists worked at a time when great revolutions were sweeping through science. This Sunday January 12, at 2 pm at the Thomas Cole National Historic Site in Catskill, The husband and wife science team Johanna (biologist) and Robert (geologist) Titus will offer an in-depth look into the interactions of Thomas Cole and Frederic Church with the scientists of their time.
Highlights include the Titus’ discovery of the local mountain that Cole used as a model for the famous centerpiece of his series “The Course of Empire.” The Titus’ will sign copies of their new book, The Hudson Valley in the Ice Age, after the talk. Continue reading
Culminating with the success of the summer’s Georgia O’Keeffe exhibition, Modern Nature: Georgia O’Keeffe and Lake George, The Hyde Collection is reporting a twelve-month regional impact of 2.3 million dollars, calculated from September 1, 2012 through September 31, 2013.
In 2000, RKG Associates was retained by The Hyde Collection to assist in developing an estimate of its impact on Warren County’s economy. This model was updated by staff in 2013. Economic indicators include direct impacts, such as direct employment and wages of the staff and purchases of goods and services pertaining to the operation of the Museum’s business, as well as the impact of commensurate levels of employment (direct and indirect) which the purchases from Warren County vendors support. Continue reading
Tectonic forces and global cooling and warming set the stage for the dawn of New York State history. The stage was not a barren one and long before King Kong climbed the Empire State Building that scrapped the sky, giants walked the ground that would become the Empire State. These giants would be called “mastodons” and they became important in religion and nationalism in ways that before their discovery no one could have imagined.
The story of mastodons and New York begins in 1705 in Claverack, Columbia County. A Dutch tenant farmer picked up a five-pound tooth that had rolled down a hill and landed at his feet. Being a sensible sort of person, he naturally traded the tooth to a politician for a glass of rum. The tooth thereupon made its way up the political food chain until it arrived in London. Continue reading
The New York Art Resources Consortium (NYARC), consisting of the libraries and archives of The Frick Collection (Frick Art Reference Library), the Brooklyn Museum, and The Museum of Modern Art, has been awarded a grant of $340,000 from The Andrew W. Mellon Foundation to initiate a program of web archiving for specialist art historical resources.
The two-year program will follow a 2012 pilot study, Reframing Collections for the Digital Age, also funded by The Andrew W. Mellon Foundation. That study demonstrated that the types of materials the NYARC libraries had been collecting in printed form were increasingly migrating to online versions available exclusively on the web. Continue reading
The Albany Institute of History & Art just opened a new exhibition, Big and Bold: Contemporary Art from the Albany Institute’s Collection, sponsored by Omni Development Company, Inc. The show will run until March 2, 2014.
The exhibition includes 19 works by 19 artists, including paintings, collage, mixed media and sculpture and draws from the Albany Institute’s collection of over 350 works of contemporary art. Big and Bold showcases pieces that are large in size, bold in color, and have commanding presence. It is the first exhibition in the Institute’s newly renovated Lansing Gallery. Continue reading
A new exhibit opening at the New York State Museum in Albany on Saturday, “Weather Event,” focuses on Charles E. Burchfield’s depictions of the weather south of Lake Erie, where the artist lived for most of his life. Individual weather events are examined through both an artistic, historic, and scientific lens.
Burchfield’s representations of weather, wind, skies and sounds are unique historical records of the environment near Lake Erie. In 1915, Burchfield made a series of sketches that show the changing weather and position of the sun over the course of several hours, which he called all-day sketches. Decades later, a 1950 journal entry recounts “The Day the Sun Disappeared over Western New York.” Continue reading
Historian and art enthusiast Jim Mackin will present “Artists of Taconic State Park” at a lecture and slide show on Saturday, October 26th at 1pm at the Roeliff Jansen Historical Society, Corner of Route 344 and Miles Road in Copake Falls. Admission is free.
Mackin will share with the audience his quest to find artists who have painted in Taconic State Park since the early 1800s. His presentation will include related local and park history as well as stories about some of the renowned artists whose works found their way into prominent museums. The presentation will feature many images that illustrate how inspiring Taconic State Park has been to artists for nearly two centuries. John Frederick Kensett, Asher B. Durand and David Milne are among the artists expected to be featured. Continue reading
It’s not often that a person is the focus of a sculptor’s attention. In the mid-1920s, a North Country woman found herself in just that position. The sculptor’s name was Pompeo Coppini, a noted artist who won several awards and whose works were featured from coast to coast. Many of his 128 principal creations are prominent in the state of Texas, including The Spirit of Sacrifice, the large monument at the Alamo honoring those who died within the fort’s walls. It has been viewed by millions.
Coppini sculpted many historical figures of great accomplishment, including Robert E. Lee, Woodrow Wilson, Stonewall Jackson, Sam Houston, and George Washington. Add to that list Mrs. Ethel Dale, chosen as a sculpture subject for her great achievement in the field of … well, doing nothing. Continue reading
Many people probably remember that at the end of the 19th century the city of Gloversville, in Fulton County, was recognized as the glove-making capital of the world. However, one of Gloversville’s famous sons, William Henry Burr, has been all but forgotten.
Referred to as “the great literary detective” by one of the 19th century’s foremost orators and political speechmakers, Robert G. Ingersoll, Burr was born in Gloversville on April 15, 1819. His father, James Burr, was one of the founders of the glove industry in the community, once known as Stump City. Continue reading
Activism and artistic practice intersect in Witness: Art and Civil Rights in the Sixties, a presentation of 103 works by 66 artists that is among the few exhibitions to explore how painting, sculpture, graphics, and photography not only responded to the political and social turmoil of the era but also helped to influence its direction.
Debuting at the Brooklyn Museum, where it will be on view from March 7 through July 6, 2014, the touring exhibition marks the fiftieth anniversary of the passage of the Civil Rights Act of 1964, the events leading to this historic moment, and the aftermath of the legislation. Continue reading
In 1869, alarming news about the dangers of drinking absinthe swept north from New York City, through Albany, all the way to Malone, near the Canadian border. A “brilliant writer” from the New York press and a “talented lady” had ruined themselves physically and mentally by drinking absinthe.
Comparing the drink to opium and morphine, the article warned readers that absinthe “obtains an all-powerful control over its votaries, deadens the sensibilities, and is, indeed the guillotine of the soul.” Continue reading