The Hyde Collection in Glens Falls, NY, has announced the gift of an extensive collection of nineteenth-century French etchings, lithographs, engravings, woodcuts, and books.
Donated by Tobin A. Sparling, in memory of his parents Leon H. and Marie Buttlar Sparling, the gift includes works by Pierre Bonnard, Félix Bracquemond, Jules Chéret, Eugene Delacroix, Maurice Denis, Henri Evenepoel, Jean-Louis Forain, Théodore Géricault, Henri-Gabriel Ibels, Alphonse Mucha, Paul Serusier, Théophile-Alexandre Steinlen, Henri de Toulouse-Lautrec, and Félix Vallotton, among others. Continue reading
The Museum of the City of New York has announced its Fall 2014 season, including Jeff Chien-Hsing Liao’sportrait of New York as seen through more than 40 large-scale panoramic photographs of the city’s urban landscape; an exhibition of hand-painted 1950s magazine illustrations by Mac Conner, one of New York’s original “Mad Men;” an immersive video art installation by Péter Forgácsthat appropriates home movies and travelogues made by Jewish New Yorkers during visits to Poland before World War II; and an extended viewing of City As Canvas—the first exhibition of New York graffiti art from the Martin Wong Collection. Continue reading
In a new biography being released in October by SUNY Press, The Last Amateur: The Life of William J. Stillman, author Stephen L. Dyson tells the story of William J. Stillman (1828–1901), a nineteenth-century polymath. Born and raised in Schenectady, NY, Stillman attended Union College and began his career as a Hudson River School painter after an apprenticeship with Frederic Edwin Church.
In the 1850s, he was editor of The Crayon, the most important journal of art criticism in antebellum America. Later, after a stint as an explorer-promoter of the Adirondacks, he became the American consul in Rome during the Civil War. When his diplomatic career brought him to Crete, he developed an interest in archaeology and later produced photographs of the Acropolis, for which he is best known today. Continue reading
The Rensselaer County Historical Society (RCHS) will debut a new, rotating exhibit, Prospect of America: Selections from the Edgar Holloway Art Collection, on Monday, September 8th at 7pm at the 87th Annual Meeting. The exhibit series runs through December 20, 2014. The exhibit is sponsored in part by the McCarthy Charities.
In the early 1970s, Rev. Thomas Phelan was inspired to raise awareness of Troy and the surrounding area’s amazing architectural and industrial heritage. Valuing the power art has to move people to action, Rev. Phelan commissioned English artist Edgar Holloway to spend three summers, from 1973 to 1975, in Troy to document the historic buildings and street scenes. His three years in New York resulted in over 80 watercolors and 15 etchings that have become a historical record themselves of the way Troy, Cohoes, and other outlying areas looked in the mid-1970s. Through Holloway’s art, people began to see the inherent beauty in these often neglected buildings. Advocacy groups formed and several buildings were preserved through the actions of individuals inspired by art. Continue reading
The Albany Institute of History & Art will host Michael Conforti, Director of the Sterling and Francine Clark Art Institute, to share his insights into the creation of the Clark’s newly expanded campus.
The campus, which was designed by architects Tadao Ando, Annabelle Selldorf, and Reed Hilderbrand, opened its doors on July 4, 2014. The renovations and expansions at the Clark were completed to enhance sustainability and energy efficiency, and increase exhibition and event space. Continue reading
The Thomas Cole National Historic Site has announced a summer exhibition and birthday celebration for a very special tree that turns 200 years old this year.
The exhibition entitled Thomas Cole’s Honey with new artworks by the beloved artist Stanley Maltzman will open July 26 with a reception that is free and open to the public from 4:30 to 6 pm. The exhibition will run through October 2, 2014.
A special selection of approximately ten new artworks by Stanley Maltzman will be on view at the Thomas Cole National Historic Site from July 26 – October 2, 2014. All made between 2013 and present, Maltzman’s watercolors, pastels, and drawings pay homage to the towering, 200 year old Honey Locust tree that stands across from Thomas Cole’s front door. Continue reading
Dr. David Tatham, professor emeritus of fine arts at Syracuse University, will address members of the New York State Historical Association at its 111th Annual Meeting. The meeting, held Thursday, July 17, at 4:00 pm in the Fenimore Art Museum Auditorium in Cooperstown, New York, is open to members of the association.
Dr. Tatham’s books on painting in nineteenth-century America include Winslow Homer and the Illustrated Book and also Winslow Homer and the Pictorial Press. An exhibition of Homer’s works, Winslow Homer: The Nature and Rhythm of Life, from the Arkell Museum at Canajoharie, is on display at the Fenimore Art Museum through August 24. Continue reading
Tomorrow, June 6th, the Fenimore Art Museum in Cooperstown will present the opening of Winslow Homer: The Nature and Rhythm of Life, from the Arkell Museum at Canajoharie, featuring over 23 original works including oil paintings and delicate watercolors collected by Bartlett Arkell, the founder and first President of the Beech-Nut Packing Company.
This marks the first time these exceptional Homer paintings will be displayed as a complete collection. The exhibition contains two works now in other collections, including a painting owned by the Metropolitan Museum of Art in New York City. The exhibition was organized by the Arkell Museum at Canajoharie and is on view at the Fenimore Art Museum from through August 24, 2014, and at the Arkell Museum at Canajoharie from September 2, 2014 to January 4, 2015. Continue reading
The new exhibition of landscape masterpieces by Frederic Church and Thomas Cole is now open at the Thomas Cole Historic Site, featuring twenty artworks from 1844-1850, focusing on the early work of Church when he began studying with Cole in Catskill, New York.
The exhibition, on view through November 2, 2014, includes plein air studies by Church when he was an 18-year-old apprentice as well as large, highly finished and stunningly skillful paintings that were completed just a few years later. Compare Church’s work to Cole’s from the same time period as they covered the same territory together. Continue reading
The Association of Art Museum Curators (AAMC) has announced its annual Awards for Excellence in the categories of museum Catalogues, Articles/Essays, and Exhibitions.
Four New York Museums were recognized in the Catalogues category, with first place for museums with an operating budget of $4M going to The Polaroid Years: Instant Photography and Experimentation by Mary-Kay Lombino and Peter Buse, of the Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York. Continue reading
The Metropolitan Museum of Art Archives has announced the availability for research of two collections of records of 20th century museum officials.
These are among 15 collections being arranged, described, and cataloged over 27 months with funding from the Leon Levy Foundation. Work on the approximately 300 linear feet of records by two full-time archivists began in January 2013. Finding aids are now available online for: Continue reading
The Iroquois Indian Museum in Howes Cave, NY has announced its new exhibition, Standing in Two Worlds: Iroquois in 2014, which will open on April 1st and remain at the Museum through November 30.
The exhibit features over 30 Haudenosaunee (Iroquois) artists and focuses upon contemporary concerns that warrant their attention and creative comment. Exhibition works (artwork and poetry) include those that explore boundaries and borders, environment, hydro-fracking, economy, gaming, the digital/disposable age, sports mascots, the impact of national/international events and decisions, the role of tradition and community, and the state of the arts. Continue reading
The New York State Museum has acquired 21 new works of art by 18 artists from Native American Nations in New York State.
From baskets and beadwork to modern art, the newest additions celebrate the traditional roots of Native American artistry through modern expression. An exhibition featuring the artwork is scheduled for fall 2014. Continue reading
Beginning February 25th, Marilyn Sassi will present four lectures in a series entitled Early Mohawk and Hudson Valley Life: How Clothes, Arts and Architecture Changed, 1750-1814 on the evolving material culture of the Mohawk and Hudson Valley area.
Each week will focus on a different area of history and the changes seen during that period. Sassi is a teacher and historian specializing in material culture, architecture and area history. Continue reading
If one is to see a frozen landscape as something other than absence or nothingness, one must have a mind of winter, the poet Wallace Stevens said. Or the mind of an American artist.
That, at any rate, is what one will conclude from the American Impressionist paintings that will be exhibited in “Winter Light: Selections from the Collection of Thomas Clark,” which opens at The Hyde Collection on January 25.
There is nothing empty or void in any of these twenty paintings, most of which have been acquired by Clark since the Hyde’s 2009 exhibition, “An Enduring Legacy: American Impressionist Landscape Paintings from the Thomas Clark Collection.” Continue reading
The Chapman Historical Museum has opened a new exhibit of fourteen S.R. Stoddard original albumen photos featuring local winter scenes.
Included are views of snow-covered streets in Glens Falls as well as two stereo views of Lake George. Titled “Frost Work,” a term used by Stoddard, the small exhibit features images of the 1870s — a time when winter transportation consisted of sleds and sleighs. Even the horse drawn trolley ran on runners. Continue reading
The Hudson River School artists worked at a time when great revolutions were sweeping through science. This Sunday January 12, at 2 pm at the Thomas Cole National Historic Site in Catskill, The husband and wife science team Johanna (biologist) and Robert (geologist) Titus will offer an in-depth look into the interactions of Thomas Cole and Frederic Church with the scientists of their time.
Highlights include the Titus’ discovery of the local mountain that Cole used as a model for the famous centerpiece of his series “The Course of Empire.” The Titus’ will sign copies of their new book, The Hudson Valley in the Ice Age, after the talk. Continue reading
Culminating with the success of the summer’s Georgia O’Keeffe exhibition, Modern Nature: Georgia O’Keeffe and Lake George, The Hyde Collection is reporting a twelve-month regional impact of 2.3 million dollars, calculated from September 1, 2012 through September 31, 2013.
In 2000, RKG Associates was retained by The Hyde Collection to assist in developing an estimate of its impact on Warren County’s economy. This model was updated by staff in 2013. Economic indicators include direct impacts, such as direct employment and wages of the staff and purchases of goods and services pertaining to the operation of the Museum’s business, as well as the impact of commensurate levels of employment (direct and indirect) which the purchases from Warren County vendors support. Continue reading
Tectonic forces and global cooling and warming set the stage for the dawn of New York State history. The stage was not a barren one and long before King Kong climbed the Empire State Building that scrapped the sky, giants walked the ground that would become the Empire State. These giants would be called “mastodons” and they became important in religion and nationalism in ways that before their discovery no one could have imagined.
The story of mastodons and New York begins in 1705 in Claverack, Columbia County. A Dutch tenant farmer picked up a five-pound tooth that had rolled down a hill and landed at his feet. Being a sensible sort of person, he naturally traded the tooth to a politician for a glass of rum. The tooth thereupon made its way up the political food chain until it arrived in London. Continue reading
The New York Art Resources Consortium (NYARC), consisting of the libraries and archives of The Frick Collection (Frick Art Reference Library), the Brooklyn Museum, and The Museum of Modern Art, has been awarded a grant of $340,000 from The Andrew W. Mellon Foundation to initiate a program of web archiving for specialist art historical resources.
The two-year program will follow a 2012 pilot study, Reframing Collections for the Digital Age, also funded by The Andrew W. Mellon Foundation. That study demonstrated that the types of materials the NYARC libraries had been collecting in printed form were increasingly migrating to online versions available exclusively on the web. Continue reading