The artist Marisol Escobar sculpts figures that are big and blunt, or bright and shiny, or whimsical and eerie. She has been called a New Realist, a surrealist and a Pop artist. Born in 1930 of Venezuelan parents, her friends and companions and mentors have included Hans Hofman, Andy Warhol and Willem de Kooning.
The current exhibition at New York’s El Museo del Barrio is on view till January. Traveling from the Memphis Brooks Museum of Art in Tennessee, the exhibit features some terrific portraits, juxtaposed with works on paper that reveal a slanted take on the family. Curator Marina Pacini has selected a brilliant sample of Marisol works to reveal the streak of pain underpinning the dazzling surfaces. Continue reading
Eight rarely seen notebooks created by Jean-Michel Basquiat between 1980 and 1987 that have never before been presented to the public form the core of a new exhibition, Basquiat: The Unknown Notebooks, on view at the Brooklyn Museum from April 3 through August 23, 2015.
The exhibition features 160 unbound notebook pages, filled with the artist’s handwritten texts and sketches, along with thirty related paintings, drawings, and mixed-media works drawn from private collections and the artist’s estate.
The building in my sketch at left, located in Haverstraw NY and the subject of Edward Hopper’s 1925 painting, House by the Railroad, maintains its vigil on Route 9W. Hopper’s haunting depiction of the three-story house came to the attention of the cast and crew of Alfred Hitchcock’s movie classic, Psycho. The painting inspired not only the design of the Bates Mansion in the 1960 production, but the mood of the film as well.
House by the Railroad captures the fading elegance of this victorian-style home, located just south of St. Peter’s Cemetery. His composition shows a solitary structure, cut off from the world by a set of railroad tracks. Today, the building is still visually incarcerated by a heavily trafficked road, power lines, a chain linked fence and the railroad that gave the original painting its name and theme. Continue reading
The Albany Institute of History & Art has announced that it will install a special exhibition of Thomas Cole materials to coincide with Dr. Paul Schweizer’s lecture and book signing at the Albany Institute on Sunday, November 2, 2014, at 2 pm.
Dr. Schweizer is Director Emeritus of the Munson-Williams-Proctor Art Institute’s Museum of Art and will speak about his new book Thomas Cole’s Voyage of Life as part of the Institute’s Making it American lecture series. The Albany Institute owns Cole’s original oil studies for the Voyage of Life series as well as the first concept drawing for his painting, “Youth.” This event is open to the public and free with museum admission. Continue reading
The New York State Museum has opened a new exhibition featuring the work of New York artist Eugene Speicher. Along His Own Lines: A Retrospective of New York Realist Eugene Speicher explores Speicher’s diverse art career ranging from portraits to still life to landscape.
On display in West Gallery through March 22, 2015, the exhibition features more than 70 artworks by Speicher, who was born in Buffalo, NY. Continue reading
Who was Bridget? The idea behind Portrait Stories started when staff at Chapman Museum in Glens Falls, NY were doing research for the summer 2014 exhibit, At the Lake. Their curiosity was piqued by a photo of the Ranger family, in which every individual pictured was identified by name. Interestingly, for one woman, only her first name, Bridget, was provided.
Additional research turned up nothing about Bridget. One can assume from her name that she was Irish, and from her clothing that she was a maid. As a servant for the Ranger family, that summer she would have prepared and served meals, cleaned the cottage and cared for the young children. But then her story ends. Perhaps she married or moved on to another location; we simply do not know. Continue reading
Thomas Cole Historic Site will host a Community Day featuring free access to the site, live music, refreshments and family activities on Sunday, September 28th, from 1 to 4 pm, rain or shine.
Open for free visits will be Thomas Cole’s home and studio plus three art exhibitions: Master, Mentor, Master, featuring the 1845 period paintings of Thomas Cole and his young student Frederic Church; Postcards from the Trail 2014; and Thomas Cole’s Honey, Stanley Maltzman’s drawings of our 200-year-old Honey Locust tree. Continue reading
The Cayuga Museum of History and Art, in Auburn, NY has opened its newest exhibit, A Living Legacy: Arts of the Haudenosaunee, which features original art from more than a dozen artists from the Six Nations of the Iroquois Confederacy.
Among those exhibiting are Tom Huff, Trevor Brant, Eric Gansworth, Richard Glazer-Danay, Alex Hamer, Debra Hoag, G. Peter Jemison, Luis Lee, Penny Minner, Terrill Hooper O’Brien, Erwin Printup, and Marla Skye, and more. Continue reading
This week on “The Historians”, popular historian Thomas Cahill discusses his latest book, Heretics and Heroes: How Renaissance Artists and Reformation Priests Created our World.
In the second half of the show I talk with novelist April Smith about the novel A Star for Mrs. Blake. The novel is based on a federal program in the early 1930s that offered Gold Star Mothers an opportunity to go to Europe to visit the graves of their sons killed in World War One.
Listen to the whole program at “The Historians” online archive at http://www.bobcudmore.com/thehistorians/
The Museum of the City of New York announces Mac Conner: A New York Life – the first exhibition of more than 70 original artworks by illustrator McCauley (“Mac”) Conner, one of New York’s original “Mad Men.” In the 1940s – 60s, Conner’s captivating advertising and editorial illustrations graced the pages of major magazines, including Cosmopolitan, Redbook, and The Saturday Evening Post, helping shape the popular image of postwar America.
The latest in an ongoing series of exhibitions that examines the lives and influence of New Yorkers, Mac Conner: A New York Life explores one man’s prolific career in New York as the world’s media capital and the country’s publishing center in the pivotal years after World War II. The exhibition will remain on view through Sunday, January 19, 2015. Continue reading
Women’s Rights National Historical Park will celebrate National Hispanic Heritage Month (September 15-October 15, 2014) with an artwork exhibition and gallery talk by the renowned artist Andrea Arroyo.
The exhibit will be on view from September 17th through October 15th, 2014, in the Women’s Rights NHP Visitor Center. On Saturday, September 27th, there will be a free artist talk and reception from 1-4 pm. Continue reading
The 2014-2015 series Exploring Schenectady’s Immigrant Past at the Schenectady County Historical Society will celebrate the rich cultural heritage of Schenectady County and will explore the history and significance of immigration in the region.
As part of the series, SCHS is has announced a Call for Submissions for its upcoming community-curated art exhibit, Where Do You Come From. The exhibit, made possible in part by a grant from the Schenectady County Initiative Project, will explore the wide range of cultures that makes up Schenectady County today. Community members, local artists, and students are all invited to submit their artwork, including but not limited to paintings, collages, photography, sculpture, or whichever medium best answers the title question. Continue reading
When printmaker Sylvia Roth moved into her home in South Nyack in 1977, she had no idea it was the birthplace of a major figure in American art, Joseph Cornell. This house on Piermont Avenue seems to have its own designs, selecting artistic occupants for over a century.
Emily Dickinson, Cornell’s enduring muse, wrote that “nature is a haunted house, but art is a house that tries to be haunted.” As Roth describes the creative output of subsequent generations of her family, one begins to suspect that this is a house haunted by art. Continue reading
The Hyde Collection in Glens Falls, NY, has announced the gift of an extensive collection of nineteenth-century French etchings, lithographs, engravings, woodcuts, and books.
Donated by Tobin A. Sparling, in memory of his parents Leon H. and Marie Buttlar Sparling, the gift includes works by Pierre Bonnard, Félix Bracquemond, Jules Chéret, Eugene Delacroix, Maurice Denis, Henri Evenepoel, Jean-Louis Forain, Théodore Géricault, Henri-Gabriel Ibels, Alphonse Mucha, Paul Serusier, Théophile-Alexandre Steinlen, Henri de Toulouse-Lautrec, and Félix Vallotton, among others. Continue reading
The Museum of the City of New York has announced its Fall 2014 season, including Jeff Chien-Hsing Liao’sportrait of New York as seen through more than 40 large-scale panoramic photographs of the city’s urban landscape; an exhibition of hand-painted 1950s magazine illustrations by Mac Conner, one of New York’s original “Mad Men;” an immersive video art installation by Péter Forgácsthat appropriates home movies and travelogues made by Jewish New Yorkers during visits to Poland before World War II; and an extended viewing of City As Canvas—the first exhibition of New York graffiti art from the Martin Wong Collection. Continue reading
In a new biography being released in October by SUNY Press, The Last Amateur: The Life of William J. Stillman, author Stephen L. Dyson tells the story of William J. Stillman (1828–1901), a nineteenth-century polymath. Born and raised in Schenectady, NY, Stillman attended Union College and began his career as a Hudson River School painter after an apprenticeship with Frederic Edwin Church.
In the 1850s, he was editor of The Crayon, the most important journal of art criticism in antebellum America. Later, after a stint as an explorer-promoter of the Adirondacks, he became the American consul in Rome during the Civil War. When his diplomatic career brought him to Crete, he developed an interest in archaeology and later produced photographs of the Acropolis, for which he is best known today. Continue reading
The Rensselaer County Historical Society (RCHS) will debut a new, rotating exhibit, Prospect of America: Selections from the Edgar Holloway Art Collection, on Monday, September 8th at 7pm at the 87th Annual Meeting. The exhibit series runs through December 20, 2014. The exhibit is sponsored in part by the McCarthy Charities.
In the early 1970s, Rev. Thomas Phelan was inspired to raise awareness of Troy and the surrounding area’s amazing architectural and industrial heritage. Valuing the power art has to move people to action, Rev. Phelan commissioned English artist Edgar Holloway to spend three summers, from 1973 to 1975, in Troy to document the historic buildings and street scenes. His three years in New York resulted in over 80 watercolors and 15 etchings that have become a historical record themselves of the way Troy, Cohoes, and other outlying areas looked in the mid-1970s. Through Holloway’s art, people began to see the inherent beauty in these often neglected buildings. Advocacy groups formed and several buildings were preserved through the actions of individuals inspired by art. Continue reading
The Albany Institute of History & Art will host Michael Conforti, Director of the Sterling and Francine Clark Art Institute, to share his insights into the creation of the Clark’s newly expanded campus.
The campus, which was designed by architects Tadao Ando, Annabelle Selldorf, and Reed Hilderbrand, opened its doors on July 4, 2014. The renovations and expansions at the Clark were completed to enhance sustainability and energy efficiency, and increase exhibition and event space. Continue reading
The Thomas Cole National Historic Site has announced a summer exhibition and birthday celebration for a very special tree that turns 200 years old this year.
The exhibition entitled Thomas Cole’s Honey with new artworks by the beloved artist Stanley Maltzman will open July 26 with a reception that is free and open to the public from 4:30 to 6 pm. The exhibition will run through October 2, 2014.
A special selection of approximately ten new artworks by Stanley Maltzman will be on view at the Thomas Cole National Historic Site from July 26 – October 2, 2014. All made between 2013 and present, Maltzman’s watercolors, pastels, and drawings pay homage to the towering, 200 year old Honey Locust tree that stands across from Thomas Cole’s front door. Continue reading
Dr. David Tatham, professor emeritus of fine arts at Syracuse University, will address members of the New York State Historical Association at its 111th Annual Meeting. The meeting, held Thursday, July 17, at 4:00 pm in the Fenimore Art Museum Auditorium in Cooperstown, New York, is open to members of the association.
Dr. Tatham’s books on painting in nineteenth-century America include Winslow Homer and the Illustrated Book and also Winslow Homer and the Pictorial Press. An exhibition of Homer’s works, Winslow Homer: The Nature and Rhythm of Life, from the Arkell Museum at Canajoharie, is on display at the Fenimore Art Museum through August 24. Continue reading