In the late 1700s and early 1800s, there were a growing number of adventurers anxious to explore the sea, find new lands, chart new islands, and if they made their fortune while doing it, all the better. There were also those just trying to get away from home and signing on to a whaling boat seemed the adventure of a lifetime. Continue reading
The New York State Museum has announced the addition of eight new artworks to its contemporary Native American art collection. Building on an initiative launched in 1986 and now numbering more than 150 objects, the contemporary Native American art collection consists of modern artwork that speaks to issues relevant to Native American communities and all communities in New York. Continue reading
Of all the world’s cities, perhaps none is so defined by its Art Deco architecture as New York. Anthony W. Robins’ new book New York Art Deco: A Guide to Gotham’s Jazz Age Architecture (SUNY Press, 2017) leads readers step-by-step past the monuments of the 1920s and 30s that recast New York as the world’s modern metropolis.
Robins’ new guide includes an introductory essay describing the Art Deco phenomenon, followed by eleven walking tour itineraries in Manhattan each accompanied by a map designed by New York cartographer John Tauranac and a survey of Deco sites across the four other boroughs. Also included is a photo gallery of sixteen color plates by Art Deco photographer Randy Juster. Continue reading
In celebration of the restoration currently underway in the South Street Seaport Museum’s flagship, the museum has announced its second post-Hurricane Sandy exhibition, The Original Gus Wagner: The Maritime Roots of Modern Tattoo beginning on January 29, 2017, open Wednesday to Sunday 11 am to 5 pm, at the Museum’s mezzanine gallery level, accessible from the main entrance of the Museum on 12 Fulton Street.
An Opening Reception with Live Tattoo Demonstration and a Silent Auction will be held Saturday, January 28, 2017 from 6 to 8 pm, RSVP required. Click here for reservation info. Continue reading
Kerry James Marshall, at the Met Breuer exhibition until January 29, boldly claims center stage in American art with his show entitled “Mastry.” A Chicago-based painter, Marshall seizes the spotlight at the center of conversations about American art at the center of the country’s art scene in New York. His mastery unfurls over a grand expanse of work, complemented by his own selections from the Metropolitan Museum’s collections, a curated sidebar that testifies to his confident deployment of art history in his own work. History, genre, cityscape, portrait – Marshall draws from the visual riches of the past, transforming Western art traditions into his own language. His cityscapes suggest how his paintings reclaim space. Continue reading
A century ago, an emerging North Country artist made a name for herself in Jefferson County, but it was the many names she wore through seven decades that made her story so difficult to trace. She began life in North Dakota in 1883 as Phoebe Alice Weeks. During her marriage (around 1910) to Carl Warren, she was known as Phoebe W. Warren. During her second marriage, to Lewis Perry Hazlewood of Sackets Harbor in 1916, she was known as Phoebe Hazlewood (often misspelled as Hazelwood), but her middle name appeared variously as Alice, Weeks, and Warren, or the initials “A” or “W.” Decades later, there was a third marriage to Henry Morse, during which she again was described by various names, the most common of which were Phoebe Hazlewood Morse and Phoebe Weeks Morse.
What’s most important of course, is that she did in fact make a name for herself in the art world. From the time she was very young, Phoebe gravitated towards artwork created by cutting out paper shapes, which were then displayed over an offsetting background. For instance, a cutout from black paper was presented over a background of white paper. The method was known generally as silhouette. Continue reading
This week on “The Historians” podcast, Annette Libeskind Berkovits, author of In the Unlikeliest of Places (Laurier, 2016). The memoir tells the story of her father, Nachman Libeskind, who survived the Nazis in Poland and the gulags of the Soviet Union, ending up as a respected artist in the United States.
Listen to the podcast here. Continue reading
What can the life of an artist reveal about the American Revolution and how most American men and women experienced it?
The Ben Franklin’s World podcast explores the life and times of John Singleton Copley with Jane Kamensky, a Professor of History at Harvard University and the author of A Revolution in Color: The World of John Singleton Copley (W.W. Norton & Co, 2016) You can listen to the podcast here: www.benfranklinsworld.com/106
The New York State Museum has opened a new exhibition featuring artwork from the Empire State Plaza Art Collection. The People’s Art: Selections from the Empire State Plaza Art Collection is organized in collaboration with the New York State Office of General Services, which curates the Plaza Art Collection. The exhibition features 20 works, including both paintings and sculpture, by 17 artists such as Mark Rothko, Jackson Pollock, Helen Frankenthaler, Franz Kline, David Smith, and Alexander Calder. The exhibition remains on view through September 3, 2017. Continue reading
The New York State Council on the Arts has announced that Mara Manus has been appointed the agency’s new executive director.
Manus has served as executive director of the Public Theater in New York City as well as a program officer at the Ford Foundation. Previous roles also include Director of Playwrights of New York, Executive Director of The Film Society of Lincoln Center and Founding Director of the Arthur Miller Foundation and Southampton Arts Center.