This week on “The Historians” podcast the guest is journalist David Kinney, co-author of The Devil’s Diary: Alfred Rosenberg and the Stolen Secrets of the Third Reich. (HarperCollins, 2015) The co-author is retired FBI expert on cultural property crime Robert Wittman. You can listen to the podcast here. Continue reading
The Museum of the City of New York will present “From Ship to Shore: Reginald Marsh & The U.S. Custom House Murals,” a glimpse at rarely seen works from the celebrated American painter known for bringing city scenes to life from the beaches of Coney Island to the burlesque stage, and the United States Custom House. Continue reading
Art Deco Mailboxes: An Illustrated Design History (W.W Norton & Co., 2015) by Karen Greene and Lynne Lavelle features a full-color photographic survey of early mailboxes, located in New York City, Chicago, Philadelphia, Indianapolis, Cincinnati, and beyond. Many of these mailboxes have since been removed, forgotten, disused, or painted over, others are still in use, are polished daily, and hold a place of pride in lobbies throughout the country.
As American art deco architecture flourished in the 1920s and 1930s, mailboxes and their chutes became focal points in landmark buildings and public spaces such as the GE Building, Grand Central Terminal, the Woolworth Building, 29 Broadway, the St. Regis Hotel, the Waldorf Astoria, and more. Continue reading
The 2016 Tenth Biennial Global Mural Conference is inviting historical societies, heritage groups and businesses along the Erie Canalway National Heritage Corridor to sponsor local and international artists who will be painting murals in Fairport, on September 18 – 25, 2016.
“Preserving Heritage Through Community Art,” will shine a spotlight on twenty artists who will create new dynamic historical murals (on panels approximately 7 x 16 feet) for sponsoring communities all along the Erie Canalway National Heritage Corridor. Possible themes for the murals in addition to Erie Canal heritage include: Women’s Suffrage, the Underground Railroad, and Native American history. Continue reading
The Museum of the City of New York is presenting a new exhibit, “Picturing Prestige: New York Portraits, 1700-1860,” an ensemble of iconic New Yorkers presented through portraits, which were commissioned as status symbols and painted by the very best artists a young nation had to offer. Continue reading
This week on “The Historians” podcast Bob Cudmore and Dave Greene explore a sensational 1895 murder case and its aftermath in Amsterdam; also, a Walt Disney subsidiary that did cartoon TV ads for Mohawk Carpets in the early 1950s. You can listen here. Continue reading
When American writer Henry James labeled the group of American women sculpting in Rome the “white marmorean flock,” he also made another note. “One of the sisterhood was a negress, whose color, picturesquely contrasting with that of her plastic material [white marble], was the pleading agent of her fame.” Like many of his contemporaries, James attributed the success of Edmonia Lewis to her skin color while also disregarding her mixed-race heritage.
In the early nineteenth century, it was difficult to be an American sculptor. There were no professional art schools, no specialized carvers, few quality materials, and only a few practicing sculptors in America. The pilgrimage to Rome was a necessity for those who aspired to be sculptors. If a woman wished to pursue sculpting, she confronted additional obstacles. Continue reading
The Thomas Cole National Historic Site has announced the inaugural art exhibition in its “New Studio” building at the former home of Thomas Cole (1801-1848), founder of the first distinctly American art movement.
The New Studio, built in 1846, was designed by Cole, and demolished in 1973 before the historic site became a museum. The reconstruction, to be officially unveiled with the opening of the exhibition on May 1, 2016, provides the Site with museum-quality climate-controlled space for displaying art. The upcoming show will be the first to take advantage of that new capacity. Continue reading
Since colonial times, the port city of New York has sent ships, goods and ideas to the Caribbean which in turn dispatched its own flow of staples, people, symbols and imaginative language North.
In the new show at Harlem’s Wintner-Tikhonova Fine Art Gallery open till Jan. 17, Caribbean artists show varieties of imagination rooted in that history of exchange. Francks Deceus from Haiti offers an abstracted photographic image of a dapper suited man in derby hat imprinted on an outlined version of a worker’s jumpsuit, evoking the urban and rural amalgam that haunts the identity of so many New Yorkers hailing from the Caribbean. Continue reading
“I went out after a Christmas tree and some laurel, through seas of mud,” wrote Jervis McEntee on Christmas eve, 1881, “to the place where I always go on the cross road between the Flat-bush and Pine bush roads. It rained a part of the time and turned into a snow storm on our return.”
Another year, McEntee’s usual places for a tree were so wet that he settled for a small hemlock on the side of the hill where he lived. It was a hill that offered a panoramic view of the entire village as well as the Rondout Creek and the Hudson River. His father James, an engineer who had helped build the nearby Delaware and Hudson Canal, had built the first house on the hill and the family still lived there. Continue reading