Tag Archives: Art History

Art Deco Mailboxes: An Illustrated History


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art deco mailboxesArt Deco Mailboxes: An Illustrated Design History (W.W Norton & Co., 2015) by Karen Greene and Lynne Lavelle features a full-color photographic survey of early mailboxes, located in New York City, Chicago, Philadelphia, Indianapolis, Cincinnati, and beyond. Many of these mailboxes have since been removed, forgotten, disused, or painted over, others are still in use, are polished daily, and hold a place of pride in lobbies throughout the country.

As American art deco architecture flourished in the 1920s and 1930s, mailboxes and their chutes became focal points in landmark buildings and public spaces such as the GE Building, Grand Central Terminal, the Woolworth Building, 29 Broadway, the St. Regis Hotel, the Waldorf Astoria, and more. Continue reading

Mural Conference Will Promote Heritage Themes


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Mural ConferenceThe 2016 Tenth Biennial Global Mural Conference is inviting historical societies, heritage groups and businesses along the Erie Canalway National Heritage Corridor to sponsor local and international artists who will be painting murals in Fairport, on September 18 – 25, 2016.

“Preserving Heritage Through Community Art,” will shine a spotlight on twenty artists who will create new dynamic historical murals (on panels approximately 7 x 16 feet) for sponsoring communities all along the Erie Canalway National Heritage Corridor. Possible themes for the murals in addition to Erie Canal heritage include: Women’s Suffrage, the Underground Railroad, and Native American history. Continue reading

Sculptor Edmonia Lewis: From Albany to Rome, Italy


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sculptor edmonia lewis from albany to romeWhen American writer Henry James labeled the group of American women sculpting in Rome the “white marmorean flock,” he also made another note. “One of the sisterhood was a negress, whose color, picturesquely contrasting with that of her plastic material [white marble], was the pleading agent of her fame.” Like many of his contemporaries, James attributed the success of Edmonia Lewis to her skin color while also disregarding her mixed-race heritage.

In the early nineteenth century, it was difficult to be an American sculptor. There were no professional art schools, no specialized carvers, few quality materials, and only a few practicing sculptors in America. The pilgrimage to Rome was a necessity for those who aspired to be sculptors. If a woman wished to pursue sculpting, she confronted additional obstacles. Continue reading

Thomas Cole Site’s Inaugural Exhibit In “New Studio” Features Architecture


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New Studio oldThe Thomas Cole National Historic Site has announced the inaugural art exhibition in its “New Studio” building at the former home of Thomas Cole (1801-1848), founder of the first distinctly American art movement.

The New Studio, built in 1846, was designed by Cole, and demolished in 1973 before the historic site became a museum. The reconstruction, to be officially unveiled with the opening of the exhibition on May 1, 2016, provides the Site with museum-quality climate-controlled space for displaying art. The upcoming show will be the first to take advantage of that new capacity. Continue reading

Caribbean Connections: 6 Printmakers


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Francks Deceus. Jumpsuit, 2002Since colonial times, the port city of New York has sent ships, goods and ideas to the Caribbean which in turn dispatched its own flow of staples, people, symbols and imaginative language North.

In the new show at Harlem’s Wintner-Tikhonova Fine Art Gallery open till Jan. 17, Caribbean artists show varieties of imagination rooted in that history of exchange. Francks Deceus from Haiti offers an abstracted photographic image of a dapper suited man in derby hat imprinted on an outlined version of a worker’s jumpsuit, evoking the urban and rural amalgam that haunts the identity of so many New Yorkers hailing from the Caribbean. Continue reading

How The McEntees Spent Christmas


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McEntee- Christmas in the Catskills,1867“I went out after a Christmas tree and some laurel, through seas of mud,” wrote Jervis McEntee on Christmas eve, 1881, “to the place where I always go on the cross road between the Flat-bush and Pine bush roads. It rained a part of the time and turned into a snow storm on our return.”

Another year, McEntee’s usual places for a tree were so wet that he settled for a small hemlock on the side of the hill where he lived. It was a hill that offered a panoramic view of the entire village as well as the Rondout Creek and the Hudson River. His father James, an engineer who had helped build the nearby Delaware and Hudson Canal, had built the first house on the hill and the family still lived there. Continue reading