The new book Fading Structures in the Finger Lakes: Images and Verse (Fast Pencil, 2015) by Michael W. Duttweiler explores 24 structures in the Central Finger Lake Region. These structures once stood strong, but have since been run down and abandoned.
Each image is paired with a poem conveying the allure and intrigue of the deserted structures. Poems by Conant, Kilmer, Frost, Dickinson, Whitman, Tennyson and other well-known authors are included.
Duttweiler hopes that by conveying the beauty of these fading structures, local organizations will be encouraged to support historic preservation. Continue reading
Art Deco Mailboxes: An Illustrated Design History (W.W Norton & Co., 2015) by Karen Greene and Lynne Lavelle features a full-color photographic survey of early mailboxes, located in New York City, Chicago, Philadelphia, Indianapolis, Cincinnati, and beyond. Many of these mailboxes have since been removed, forgotten, disused, or painted over, others are still in use, are polished daily, and hold a place of pride in lobbies throughout the country.
As American art deco architecture flourished in the 1920s and 1930s, mailboxes and their chutes became focal points in landmark buildings and public spaces such as the GE Building, Grand Central Terminal, the Woolworth Building, 29 Broadway, the St. Regis Hotel, the Waldorf Astoria, and more. Continue reading
The Newburgh Historical Society will welcome members and guests on Sunday, April 3, for an opening day that will include a slide presentation entitled “Monumental Newburgh.”
Starting at 2 pm, a panel led by Society member Tom Knieser will showcase the many sculptures and memorials installed in the city, with a story behind the motivation and creation of each public monument. Continue reading
The Society for the Preservation of Long Island Antiquities (SPLIA) will recognize two organizations and three projects for preservation excellence on Long Island at a ceremony to be held at 2 pm on Saturday, April 2, 2016 at SPLIA Headquarters in Cold Spring Harbor.
Also, filmmaker Jake Gorst will be presented the Huyler C. Held Award for Publication Excellence, followed by a screening of “Modern Ruin: A World’s Fair Pavilion”. Continue reading
Robert B. MacKay’s new book Gardens of Eden: Long Island’s Early Twentieth Century Planned Communities (2015, W.W Norton & Co.) examines Long Island at the turn of the twentieth century, and how it saw an explosion of architectural ambition.
Well-known for the country houses that bloomed through the Progressive Era as seasonal havens for the captains of New York finance and industry, Long Island also afforded people of more modest means the opportunity to strike out from the city.
Gardens of Eden tells the story of Long Island’s “residential parks,” richly gardened suburbs with such distinctive directives as the exclusive housing of teachers, public outreach by the Metropolitan Museum of Art, and a taboo on right-angled intersections. Continue reading
On Saturday, April 2, 2016, the New York Folklore Society is holding a conference for folklorists, architects, historic preservationists, museum professionals, community members, and students.
Speakers will address questions concerning the significant crisis in the understanding of everyday landscapes and the built environment, including: Continue reading
The design phase has begun for Fort Ticonderoga’s Pavilion, an 1826 historic home and later hotel located on Fort Ticonderoga just east of Fort Ticonderoga. John G. Waite Associates, Architects PLLC, a consultant firm in the field of historic preservation architecture, has been hired to prepare schematic design and design development documents.
The Fort Ticonderoga Association is expected to use the documents in the stabilization and restoration of the building as part of a larger master plan for the site. Continue reading
Grand Central Terminal, which turns 103 today, has recently produced a new history video series about the iconic building. The series features Grand Central Terminal historian Dan Brucker.
Among the Grand Central treasures Brucker shines a spotlight on, are the world’s largest example of Tiffany glass; the Main Concourse ceiling; the famous Grand Central Oyster Bar & Restaurant; the whispering gallery; and The Campbell Apartment, Grand Central Terminal’s own speakeasy. Continue reading
Readers may know that the Roman Catholic Church has numerous religious orders of nuns and monks, but may not know that the Protestant Episcopal Church has them as well. Overall, there are 18 Episcopal religious orders and 14 “Christian Communities” comprised of men, women, or both. This is the story of the Community of St Mary (CSM) and the remarkable religious buildings they had constructed at Peekskill, NY from 1872 to 1963. The order was founded by Sister Harriet Starr Cannon, (1823-1896) its Mother Superior, on the Feast of the Purification of Mary on February 2, 1865 in St. Michael’s Church, 86th Street, New York City, about two months before the close of the Civil War.
Accordingly, it is said to be the oldest Episcopal religious community in the US still in existence (now headquartered in Greenwich, Washington County, New York. Sister Harriet was the temporal head of this community of Protestant Episcopal nuns from its founding in 1865, to her death in 1896. Based on a Benedictine model, the CSM adhered to a simple monastic life centered on prayer, reflection, and service. The forms of service practiced by the nuns of the order have varied over the years and places where they chosen to have a presence. At Peekskill for instance, they operated a high school for girls and the manufacture and sale of “Alter Bread” (aka communion wafers) was one of the CSM’s primary means of self-sustainment. Continue reading
The Thomas Cole National Historic Site has announced the inaugural art exhibition in its “New Studio” building at the former home of Thomas Cole (1801-1848), founder of the first distinctly American art movement.
The New Studio, built in 1846, was designed by Cole, and demolished in 1973 before the historic site became a museum. The reconstruction, to be officially unveiled with the opening of the exhibition on May 1, 2016, provides the Site with museum-quality climate-controlled space for displaying art. The upcoming show will be the first to take advantage of that new capacity. Continue reading