Long Island’s story of work and play comes to life when a farmer, dust flying, rushes to market, a boy swings a baseball bat, a peddler sells fish door to door and a family, wearing their Sunday best, poses for a portrait in their new car.
The remarkable images, many of which have never been exhibited, are just some of the gems in the Society for the Preservation of Long Island Antiquities (SPLIA) collections and feature the work of such turn of the 20th century photographers as Clarence A. Purchase, Arthur S. Greene and Harry R. Gelwicks. Continue reading
Fine Lines: American Drawings from the Brooklyn Museum presents a selection of more than a hundred rarely seen drawings and sketchbooks produced between 1768 and 1945 from the Brooklyn Museum’s exceptional collection. The exhibition will feature the work of more than seventy artists, including John Singleton Copley, Stuart Davis, Thomas Eakins, William Glackens, Marsden Hartley, Winslow Homer, Edward Hopper, Eastman Johnson, Georgia O’Keeffe, John Singer Sargent, and Benjamin West. Continue reading
On December 14, the New-York Historical Society will present The Landmarks of New York, an exhibition exploring the history of New York as revealed by its historical structures.
The exhibition’s 90 photographs of landmarks are critical documents that chronicle the city’s journey from a small colonized village to a city at the center of the world from the 17th through the 20th centuries and includes the newly acquired set of 30 photographs by Christine Osinski, Steven Tucker, Reuben Cox, Julio Bofill, Michael Stewart, Michael Stewart, Andrew Garn, Richard Cappelluti, Adam S. Wahler, Eric C. Chung and others. Continue reading
The Brooklyn Museum, together with the Museum of Fine Arts, Boston, has organized the landmark exhibition John Singer Sargent Watercolors, which unites for the first time the holdings of Sargent watercolors acquired by each of the two institutions in the early twentieth century. The ninety-three watercolors in the exhibition–including thirty-eight from Brooklyn’s collection, most of which have not been on view for decades–provide a once-in-a-generation opportunity to view a broad range of Sargent’s finest production in the medium. Continue reading
Experience the Civil War in New York with the new exhibit at the New York State Museum and representatives from related historic sites on Saturday, January 12, 2013 at a free Historyhostel / Teacherhostel event sponsored by the Institute of History, Archaeology, and Education. Continue reading
Columbus steers over Central Park
The enormous thirteen-foot tall explorer is steering the Santa Maria
right over Central Park. Tatzu Nishi’s “Discovering Columbus” allows visitors to climb 75 feet up the column in Columbus Circle to see the famous statue up close. Nishi has surrounded it with a living room stage set, furnished with modern accoutrements from Bloomingdale’s, that gives a truly odd twist to the experience of seeing the pock-marked monument set atop a coffee table.
Abraham Lincoln scholar Harold Holzer will present a lecture during the evening of Nov. 9 as part of an event highlighting a two-day exhibition of Lincoln’s preliminary Emancipation Proclamation at the New York State Museum.
Holzer will speak at 8 p.m. in the Clark Auditorium about “Lincoln and Liberty: Re-assessing the Preliminary Proclamation in the Age of Spielberg.” Author of the new book “Emancipating Lincoln,” Holzer will explore the ever-changing reputation of Lincoln’s Emancipation Proclamation from controversial and revolutionary order, to talismanic trophy, to maligned and misunderstood fraud — and back again to icon. The talk will come at the moment of the release of Steven Spielberg’s movie, “Lincoln,” which explores Lincoln’s concurrent roles as politician, peacemaker, and liberator. Continue reading
Magnificent model trains, train stations and sheds, bridges and tunnels, carousels and Ferris wheels—all populated with toy figurines in colorful nineteenth-century dress, will be on view this holiday season at the New-York Historical Society, in the first museum exhibition of selections from the renowned Jerni Collection. Continue reading
A massive, iconic Confederate flag, torn down by a Colonel Elmer Ellsworth, a soldier born in Saratoga County and widely remembered as the first Union officer killed in the Civil War, is now on display at the New York State Museum.
The 14-by 24-foot Marshall House Flag is being exhibited in South Hall through Feb. 24, 2013 in conjunction with the nearby 7,000-square foot exhibition on the Civil War. An Irrepressible Conflict: The Empire State in the Civil War is open through September 22, 2013 in Exhibition Hall. Continue reading
A new exhibition — 1934: A New Deal for Artists — has opened at the New York State Museum showcasing paintings created against the backdrop of the Great Depression with the support of the Public Works of Art Project (PWAP), the first federal government program to support the arts nationally.
During the Great Depression, President Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists. Continue reading
As part of Queensbury’s 250th anniversary celebration, the Chapman Museum has opened a new exhibit, Queensbury’s Boom: from Country to Suburb. The exhibit explores the post World War Two development of Queensbury from a rural township to a bustling community. Continue reading
Many of the iconic landscape scenes painted by Hudson River School artists, now hanging in major museums all over the world, are the breathtaking views surrounding the Hudson River Valley. Thanks to preservationists and conservationists, several of these vistas remain remarkably similar to their 19th-century appearance and are instantly recognizable. Continue reading
The New York State Museum will celebrate the Adirondacks and Lake Champlain on Saturday, November 3 with “Adirondack Day,” an inaugural daylong event that will complement the Museum’s exhibition on iconic Adirondack photographer Seneca Ray Stoddard. Continue reading
The Cayuga Museum of History and Art has opened their main fall exhibit You Are Here! Putting Auburn on the Map. The exhibit, which explores the variety and history of maps, and how they are made and read, was inspired by maps held in the Museum, mostly in the General John S. Clark collection. Continue reading
Works by New York modernist / abstract expressionist Charles Seliger (1926-2009), created during the groundbreaking first decade of his career, are the focus of the special exhibition, “Seeing the World Within: Charles Seliger in the 1940s,” which will be on view in the Munson-Williams-Proctor Arts Institute Museum of Art (MWPAI) October 21 through January 20, 2013. Continue reading
The most widespread, destructive, and consequential conflict in history will be the subject of WWII & NYC, a major new exhibition now on view at the New-York Historical Society through May 27, 2013. Restoring to memory New York’s crucial and multifaceted role in winning the war, the exhibition commemorates the 900,000 New Yorkers who served in the military and also explores the ways in which those who remained on the home front contributed to the national war effort. Continue reading
The Greater Hudson Heritage Network (GHNN) held its annual conference on September 28 at the Henry A. Wallace Visitor Center, Hyde Park. The theme of the conference was “Mining the Museum: Using Your Existing Resources in New Ways” with Executive Director Priscilla Brendler presiding. The meeting was so-well attended I didn’t even have a chance to speak with the all the people I would like to have talked to. The format has been expanded beyond being primarily an awards ceremony to be more like the Museumwise conference with a plenary speaker followed by concurrent sessions but for one day instead of two. Continue reading
Armory Armoire. Carol Hepper
Architectural white elephants are a specialty of large urban areas, and armories form a particular subset of these: rife with possible new uses, dauntingly expensive to reclaim. In recent years New York City’s Park Avenue Armory Conservancy has refurbished its 1881 building and turned it into an exciting new space.
Its theatre programs have featured amazing performances with audiences moving on rails for Die Soldaten, or viewing the vast Peter Greenaway multimedia interpretation of Leonardo’s Last Supper. Dance companies, concerts and artistic programs are flourishing and a partnership with the Williamsburg, Brooklyn Art and Design High School gives high school students access to a historic preservation program. Continue reading
Materializing “Six Years”: Lucy R. Lippard and the Emergence of Conceptual Art, the first exhibition to explore the impact of the feminist writer, curator, and activist Lucy R. Lippard on the Conceptual art movement, is on view at the Brooklyn Museum through February 3, 2013.
Using Lippard’s influential 1973 book Six Years, which cataloged and described the emergence of Conceptual art in the late sixties and early seventies, as a critical and chronological framework, the exhibition illustrates the dynamics of Lippard’s key role in redefining how exhibitions were created, viewed, and critiqued during that era of transition. Continue reading
The exhibit “An Irrepressible Conflict: The Empire State in the Civil War” has opened at the New York State Museum, commemorating the 150th anniversary of the Civil War.
The pivotal role New York State played in the war is the focus of the 7,000-square-foot exhibition. As the wealthiest and most populous state, the Empire State led all others in supplying men, money, and materiel to the causes of unity and freedom. New York’s experience provides significant insight into the reasons why the war was fought and the meaning that the Civil War holds today. An Irrepressible Conflict will be open through September 22, 2013 in Exhibition Hall. Continue reading