Abraham Lincoln scholar Harold Holzer will present a lecture during the evening of Nov. 9 as part of an event highlighting a two-day exhibition of Lincoln’s preliminary Emancipation Proclamation at the New York State Museum.
Holzer will speak at 8 p.m. in the Clark Auditorium about “Lincoln and Liberty: Re-assessing the Preliminary Proclamation in the Age of Spielberg.” Author of the new book “Emancipating Lincoln,” Holzer will explore the ever-changing reputation of Lincoln’s Emancipation Proclamation from controversial and revolutionary order, to talismanic trophy, to maligned and misunderstood fraud — and back again to icon. The talk will come at the moment of the release of Steven Spielberg’s movie, “Lincoln,” which explores Lincoln’s concurrent roles as politician, peacemaker, and liberator. Continue reading
Magnificent model trains, train stations and sheds, bridges and tunnels, carousels and Ferris wheels—all populated with toy figurines in colorful nineteenth-century dress, will be on view this holiday season at the New-York Historical Society, in the first museum exhibition of selections from the renowned Jerni Collection. Continue reading
A massive, iconic Confederate flag, torn down by a Colonel Elmer Ellsworth, a soldier born in Saratoga County and widely remembered as the first Union officer killed in the Civil War, is now on display at the New York State Museum.
The 14-by 24-foot Marshall House Flag is being exhibited in South Hall through Feb. 24, 2013 in conjunction with the nearby 7,000-square foot exhibition on the Civil War. An Irrepressible Conflict: The Empire State in the Civil War is open through September 22, 2013 in Exhibition Hall. Continue reading
A new exhibition — 1934: A New Deal for Artists — has opened at the New York State Museum showcasing paintings created against the backdrop of the Great Depression with the support of the Public Works of Art Project (PWAP), the first federal government program to support the arts nationally.
During the Great Depression, President Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists. Continue reading
As part of Queensbury’s 250th anniversary celebration, the Chapman Museum has opened a new exhibit, Queensbury’s Boom: from Country to Suburb. The exhibit explores the post World War Two development of Queensbury from a rural township to a bustling community. Continue reading
Many of the iconic landscape scenes painted by Hudson River School artists, now hanging in major museums all over the world, are the breathtaking views surrounding the Hudson River Valley. Thanks to preservationists and conservationists, several of these vistas remain remarkably similar to their 19th-century appearance and are instantly recognizable. Continue reading
The New York State Museum will celebrate the Adirondacks and Lake Champlain on Saturday, November 3 with “Adirondack Day,” an inaugural daylong event that will complement the Museum’s exhibition on iconic Adirondack photographer Seneca Ray Stoddard. Continue reading
The Cayuga Museum of History and Art has opened their main fall exhibit You Are Here! Putting Auburn on the Map. The exhibit, which explores the variety and history of maps, and how they are made and read, was inspired by maps held in the Museum, mostly in the General John S. Clark collection. Continue reading
Works by New York modernist / abstract expressionist Charles Seliger (1926-2009), created during the groundbreaking first decade of his career, are the focus of the special exhibition, “Seeing the World Within: Charles Seliger in the 1940s,” which will be on view in the Munson-Williams-Proctor Arts Institute Museum of Art (MWPAI) October 21 through January 20, 2013. Continue reading
The most widespread, destructive, and consequential conflict in history will be the subject of WWII & NYC, a major new exhibition now on view at the New-York Historical Society through May 27, 2013. Restoring to memory New York’s crucial and multifaceted role in winning the war, the exhibition commemorates the 900,000 New Yorkers who served in the military and also explores the ways in which those who remained on the home front contributed to the national war effort. Continue reading
The Greater Hudson Heritage Network (GHNN) held its annual conference on September 28 at the Henry A. Wallace Visitor Center, Hyde Park. The theme of the conference was “Mining the Museum: Using Your Existing Resources in New Ways” with Executive Director Priscilla Brendler presiding. The meeting was so-well attended I didn’t even have a chance to speak with the all the people I would like to have talked to. The format has been expanded beyond being primarily an awards ceremony to be more like the Museumwise conference with a plenary speaker followed by concurrent sessions but for one day instead of two. Continue reading
Architectural white elephants are a specialty of large urban areas, and armories form a particular subset of these: rife with possible new uses, dauntingly expensive to reclaim. In recent years New York City’s Park Avenue Armory Conservancy has refurbished its 1881 building and turned it into an exciting new space.
Its theatre programs have featured amazing performances with audiences moving on rails for Die Soldaten, or viewing the vast Peter Greenaway multimedia interpretation of Leonardo’s Last Supper. Dance companies, concerts and artistic programs are flourishing and a partnership with the Williamsburg, Brooklyn Art and Design High School gives high school students access to a historic preservation program. Continue reading
Materializing “Six Years”: Lucy R. Lippard and the Emergence of Conceptual Art, the first exhibition to explore the impact of the feminist writer, curator, and activist Lucy R. Lippard on the Conceptual art movement, is on view at the Brooklyn Museum through February 3, 2013.
Using Lippard’s influential 1973 book Six Years, which cataloged and described the emergence of Conceptual art in the late sixties and early seventies, as a critical and chronological framework, the exhibition illustrates the dynamics of Lippard’s key role in redefining how exhibitions were created, viewed, and critiqued during that era of transition. Continue reading
The pivotal role New York State played in the war is the focus of the 7,000-square-foot exhibition. As the wealthiest and most populous state, the Empire State led all others in supplying men, money, and materiel to the causes of unity and freedom. New York’s experience provides significant insight into the reasons why the war was fought and the meaning that the Civil War holds today. An Irrepressible Conflict will be open through September 22, 2013 in Exhibition Hall. Continue reading
An extensive selection of works by the one of 20th century’s most compelling artist will be spotlighted in the exhibition “The Prints of Andy Warhol: From A to B and Back Again” on view June 9 through September 8, 2013 in the Museum of Art, Munson-Williams-Proctor Arts Institute. Continue reading
This fall The Frick Collection will present Vincent van Gogh’s Portrait of a Peasant (Patience Escalier). The painting has not left its home institution, the Norton Simon Museum in Pasadena, California, in nearly forty years, making this a rare viewing opportunity for East Coast audiences.
In conjunction with this presentation, the painting has undergone a comprehensive technical analysis at the J. Paul Getty Museum in Los Angeles. The modern masterpiece will be shown in the Frick’s Oval Room from October 30, 2012, through January 20, 2013. It will be accompanied by lectures, a seminar, and gallery talks. In the nearby Multimedia Room, a brief video presentation will discuss the results of new research and the painting’s examination, while an introductory video will be shown in the Music Room. Continue reading
During the Great Depression, President Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists.
The Public Works of Art Project (PWAP) enlisted artists to capture “the American Scene” in works of art that would embellish public buildings across the country. They painted regional, recognizable subjects – ranging from portraits, to cityscapes and images of city life, to landscapes and depictions of rural life – that reminded the public of quintessential American values such as hard work, community and optimism. Continue reading
Shooting the horse of a Confederate officer convinced the rebel force which vastly outnumbered him to surrender to 1st Lt. John T. Rutherford from Waddington, St. Lawrence County, NY. Two weeks earlier, Rutherford, in command of the 9th New York Cavalry, led a successful charge that captured 90 Confederate soldiers at Yellow Tavern, VA on May 12, 1864.
Rutherford is just one of the Congressional Medal of Honor Winners from Northern New York highlighted in the traveling exhibit Hometown Heroes on display through September 15th at the St. Lawrence County Historical Association at the Silas Wright House, 3 East Main St., Canton. Continue reading
The pharaohs commissioned their pyramids, the wealthy and powerful today emblazon their names on buildings, philanthropies and great estates. But in earlier times in America, a convenient way to stamp your ambitions and achievements in the permanent record was to call on the silversmith.
The silver collection at the New-York Historical Society has taste, ornament, style, luxury, sparkle – and permanence. But it also has some quirky and memorable tales associated with its dazzling objects. The exhibition Stories in Sterling showcases some outstanding pieces, with richly detailed annotations in the accompanying catalog by curators Margaret K. Hofer and Debra Schmidt Bach. Continue reading