The Schoharie Crossing State Historic Site Visitor Center in Fort Hunter, Montgomery County is open the 2016 season. Hours at the Visitor Center are 10 am – 5 pm Wednesday through Saturday and Sundays 1 pm -5 pm from May until October 31st.
Visit the site to witness the engineering marvel of the Erie Canal and check out the “Little Short of Madness” exhibit as well as artifacts from the colonial Fort Hunter and the Lower Castle Mohawk Village. Schoharie Crossing is the best place to witness Erie Canal history and enjoy a day walking the towpath trails, kayaking the creek or cycling the Canalway trail. Continue reading
The Great Shipwrecks of NY’s ‘Great’ Lakes Traveling Exhibit developed by New York Sea Grant will be installed at The State University of New York at Albany Gallery, 353 Broadway, Albany, from May 4 to May 27, 2016. Admission to the exhibit from 10 am to 4 pm Monday through Friday is free. Continue reading
The Port/Cities Project will present the World Premiere of Port Cities NYC, written, directed and choreographed by Talya Chalef. This theatrical journey begins at Pier 11 in the Financial District, where audiences ferry across the harbor accompanied by an original soundscape. After docking in Red Hook’s working port, the performance continues on board The Waterfront Museum Barge. This limited engagement runs May 5 – 19. Continue reading
The Museum of the City of New York will present “From Ship to Shore: Reginald Marsh & The U.S. Custom House Murals,” a glimpse at rarely seen works from the celebrated American painter known for bringing city scenes to life from the beaches of Coney Island to the burlesque stage, and the United States Custom House. Continue reading
The Klyne Esopus Museum Will Present “The Wiltwyck School for Boys: Reclaiming Human Lives,” a lecture by Eve P. Smith, on April 16, at 4 pm at the Esopus Town Hall, in Ulster County, NY.
Smith will discuss the history and legacy of the Wiltwyck School for Boys in Esopus. The School was co-founded and championed by First Lady Eleanor Roosevelt in 1942. Continue reading
They drove ambulances, bandaged the wounded, fed the hungry, ran hospitals and orphanages and raised money. The men and women who volunteered in Europe during the early years of the Great War – when the United States maintained neutrality – forged a template for modern humanitarian efforts.
Their work helped to pioneer ways to negotiate aid around the interests of warring countries, and created the infrastructure for food relief and other efforts. These activities are featured in The Volunteers: Americans Join World War I, 1914-1919, a new teacher’s curriculum launched in conjunction with an exhibition at the National World War I Museum in Kansas City, opening in April. Continue reading
The Museum of the City of New York is presenting a new exhibit, “Picturing Prestige: New York Portraits, 1700-1860,” an ensemble of iconic New Yorkers presented through portraits, which were commissioned as status symbols and painted by the very best artists a young nation had to offer. Continue reading
The Thomas Cole National Historic Site has announced the inaugural art exhibition in its “New Studio” building at the former home of Thomas Cole (1801-1848), founder of the first distinctly American art movement.
The New Studio, built in 1846, was designed by Cole, and demolished in 1973 before the historic site became a museum. The reconstruction, to be officially unveiled with the opening of the exhibition on May 1, 2016, provides the Site with museum-quality climate-controlled space for displaying art. The upcoming show will be the first to take advantage of that new capacity. Continue reading
This week “The Historians” podcast features Dave Greene and Bob Cudmore discussing an exhibit of historic artifacts at the Albany Institute of History and Art and a carpet laying school held for technicians around the country in 1947 at Mohawk Carpets in Amsterdam. You can listen to the podcast online here. Continue reading
Since colonial times, the port city of New York has sent ships, goods and ideas to the Caribbean which in turn dispatched its own flow of staples, people, symbols and imaginative language North.
In the new show at Harlem’s Wintner-Tikhonova Fine Art Gallery open till Jan. 17, Caribbean artists show varieties of imagination rooted in that history of exchange. Francks Deceus from Haiti offers an abstracted photographic image of a dapper suited man in derby hat imprinted on an outlined version of a worker’s jumpsuit, evoking the urban and rural amalgam that haunts the identity of so many New Yorkers hailing from the Caribbean. Continue reading