Kerry James Marshall, at the Met Breuer exhibition until January 29, boldly claims center stage in American art with his show entitled “Mastry.” A Chicago-based painter, Marshall seizes the spotlight at the center of conversations about American art at the center of the country’s art scene in New York. His mastery unfurls over a grand expanse of work, complemented by his own selections from the Metropolitan Museum’s collections, a curated sidebar that testifies to his confident deployment of art history in his own work. History, genre, cityscape, portrait – Marshall draws from the visual riches of the past, transforming Western art traditions into his own language. His cityscapes suggest how his paintings reclaim space. Continue reading
The New York State Library commemorates the 75th anniversary of the attack on Pearl Harbor with an exhibit on the 7th floor, the centerpiece of which is a small but interesting collection of papers left by one Private First Class/later Sergeant Archibald Francis McCaw, who preferred to be known as Fran.
From the memo section of Private McCaw’s small five-year diary, it is learned that after basic training he left Brooklyn Army Base for Honolulu, Hawaii aboard the troop transport Republic, arriving on 9/13/1939. He was assigned to Company C of the 35th US Infantry, Schofield Barracks. “It was sure great to begin my time and get it over in a hurry.” Little did he know. Continue reading
The ancient Egyptians believed that to make rebirth possible for a deceased woman, she briefly had to turn into a man. In A Woman’s Afterlife: Gender Transformation in Ancient Egypt, the Brooklyn Museum presents new research to tell the story of gender transformation in the ancient world.
Opening on December 15, the exhibition showcases 25 works from the Museum’s celebrated Egyptian collection to explore the differences between male and female access to the afterlife. The exhibition is part of A Year of Yes: Reimagining Feminism at the Brooklyn Museum, a yearlong project celebrating a decade of feminist thinking at the Brooklyn Museum. Continue reading
The New York State Archives have announced a limited engagement exhibition at the New York State Museum featuring New York State’s founding documents. The Path to Statehood features New York’s first constitution (1777), journal of the Poughkeepsie Convention (1788), New York’s engrossed copy of the U.S. Constitution (1788), and New York’s current constitution (1894). The exhibition is open through November 27th. Continue reading
The New York State Museum has opened a new exhibition featuring artwork from the Empire State Plaza Art Collection. The People’s Art: Selections from the Empire State Plaza Art Collection is organized in collaboration with the New York State Office of General Services, which curates the Plaza Art Collection. The exhibition features 20 works, including both paintings and sculpture, by 17 artists such as Mark Rothko, Jackson Pollock, Helen Frankenthaler, Franz Kline, David Smith, and Alexander Calder. The exhibition remains on view through September 3, 2017. Continue reading
The Frick Collection has announced a gift from Paul Sullivan and Trustee Melinda Martin Sullivan of porcelain produced by the Du Paquier Porcelain Manufactory in Vienna.
The Sullivans permitted the Frick to choose fourteen examples from their collection, dating from 1720 to 1740, considered to be one of finest private collections in the world from this important early Western manufactory. Continue reading
Fort Ticonderoga is now displaying a new exhibition, featuring rare Alexander Hamilton objects associated with this popular American revolutionary and later Secretary of the Treasury.
Fort Ticonderoga’s museum collections contain a number of pieces owned by Hamilton from his career as a young soldier in the Revolution through his brief tenure as the highest ranking officer in the US Army. The Hamilton exhibit will be on display through October 30, 2016. Continue reading
A new exhibit, Powder Horns: An Early American Art Form, features seven powder horns from the Historic Huguenot Street Permanent Collection dating to the late 18th and early 19th centuries. Both owner and professionally-made examples of scrimshaw are featured, as well as horns with provenance to descendants of Huguenot Street patentees. Continue reading
The New York State Museum has opened “Hudson Valley Ruins,” a photography and architecture exhibition.
On display through December 31, 2017, the exhibition features over 80 photographs by Robert Yasinsac and Thomas Rinaldi documenting forgotten historic sites and cultural treasures in the Hudson River Valley.
The exhibition is based on Yasinsac and Rinaldi’s 2006 book, Hudson Valley Ruins: Forgotten Landmarks of an American Landscape. In addition to great river estates, the book and exhibition profiles sites meaningful to everyday life in the Hudson Valley: churches, hotels, commercial and civic buildings, mills, and train stations. The exhibition explores many of these abandoned places and also revisits several sites that have changed in the past ten years since the book’s publication. Continue reading
Now on view at the museum ship Lilac at Hudson River Park’s Pier 25 in New York City is “Adam Payne: Full Steam Ahead,” an exhibit of maritime art in mixed media. The exhibit continues through the end of September.
The works are inspired by Adam Payne’s love of history combined with an appreciation for everyday materials. The exhibit includes a series of life jackets begun in 2014 and sewn from old rain slickers, creating a symmetry between materials and form. These grew out of Payne’s longtime interest in nautical explorations and how places are changed by such maritime interventions. Each life jacket incorporates the name of a different “failed” explorer in a nod to this history. Continue reading