In commemoration of the end of the Civil War, the death of Lincoln, and the Thirteenth Amendment abolishing slavery, the National Abolition Hall of Fame and Museum (NAHOF) has suspended its 2015 induction ceremonies to address the matter of President Lincoln as “The Great Emancipator.” Several programs will provide opportunity for the public to study Lincoln as an abolitionist.
The Thirteenth Amendment (“Neither slavery nor involuntary servitude,… shall exist with within the United States..”) was proposed by the U.S. Senate on April 8, 1864. The movie Lincoln features the historical drama of securing the votes needed in the House of Representative to pass the resolution. The Thirteenth Amendment was passed by Congress on January 31, 1865 and ratified by the states on December 6, 1865. Continue reading
Spirits of the Passage: Stories of the Transatlantic Slave Trade opens in August on board the museum ship Lilac at Hudson River Park’s Pier 25.
The exhibit covers aspects of the maritime trade in African slaves combined with profiles of slaves, former slaves, abolitionists and others whose lives were touched by the global slave trafficking industry. Continue reading
Thirteen bell rings signaled the commencement of morning and afternoon sessions of Peterboro Emancipation Day 2015. Thirteen recognized the Sesquicentennial of the Thirteenth Amendment to the U.S. Constitution which was introduced in Congress January 31, 1865 and ratified December 6, 1865, abolishing slavery in the United States. Continue reading
“Thursday was a gala day for the colored people of [Norwich] and surrounding towns,” the Chenango Semi-Weekly Telegram reported on September 27, 1879. “The occasion being the reunion of the colored soldiers of the late war, under the auspices of the Rescue Hook and Ladder Company of this village.”
The African American fire company had been organized earlier that year and elected Civil War veteran Hannibal C. Molson its Foreman. The day’s program called for a dinner, a parade, and speeches in recognition of their honoree’s service followed in the evening by a meal at the Spaulding House, musical selections, and a ball at Concert Hall. Continue reading
Just across Union Square from The Nation’s headquarters on Irving Place there stands a hole-in-the-wall falafel joint that some of the magazine’s employees— including, rumor has it, the author of this blog post — are known to frequent. Habitually. Like, every day. Sometimes twice. Like salmon swimming home.
Until recently, this behavior had long puzzled scholars — defying, it seems, all we think we know about the instinct to self-preservation. But actually it makes eminent good sense: the falafel joint’s address — 26 East 17th Street — once belonged to the first headquarters of the Union League Club, and it was there, one fateful night in the early summer of 1863, just days before the Battle of Gettysburg, at a clap of divine lightning, at the end of an eternal drum-roll, for good or for ill, depending on whom you ask, the magazine now known the world over as America’s oldest weekly was summoned from the ether and was born. Continue reading
Magic rites in the jungle seal the fate of a love triangle in the long-forgotten opera of H. Lawrence Freeman restaged on Friday and Saturday at Columbia University’s Miller Theatre. Voodoo was composed in 1914 and had its last performance in 1928. The music and libretto come from a composer who was a friend of Scott Joplin. author of more than 20 operas, and founder of the Harlem Renaissance’s Negro Grand Opera Company. The revival features Gregory Hopkins of Harlem Opera Theatre conducting in a production that drew on collaboration with the Harlem Chamber Players and the Morningside Opera. Continue reading
In Pamela Newkirk’s Spectacle: The Astonishing Life of Ota Benga (Amistad / Harper Collins, 2015) the award-winning journalist reveals a little-known and shameful episode in American history, when an African man was used as a zoo exhibit — a shocking story of racial prejudice, science, and tragedy in the early years of the twentieth century.
Ota Benga, a young Congolese man, was featured as an exhibit at the St. Louis World’s Fair. Two years later, in 1906, the Bronx Zoo displayed him in its Monkey House, caging the slight 103-pound, four-foot eleven-inch man with an orangutan. The attraction became an international sensation, drawing thousands of New Yorkers and commanding headlines from across the nation and Europe. Continue reading
The New York State Museum will open a special exhibition honoring two World War I Army soldiers from New York State who will posthumously receive the Medal of Honor on June 2, 2015. Private Henry Johnson and Sergeant William Shemin will receive the Medal of Honor, the nation’s highest military honor, in a White House ceremony led by President Barack Obama. Continue reading
The tragically short career of Jean-Michel Basquiat (1960-1988) has created a penumbra of martyred glory around his work. This must give him a chuckle wherever his spirit looks down on the shuffling hordes trekking to view his work reverently installed at the Brooklyn Museum.
Basquiat was born as a spray-can wielding street artist who liked mess, disorder and chaos. How different was he, when beatified by art gallery recognition and patron purchases? In his art world heyday he got his fine new designer clothes just as stained as his thrift shop threads from his early days. Continue reading
Almost 200,000 black men served in the Army during the Civil War, but only 34,000 were from the North. An underrepresented segment in Civil War studies, the stories of some of these Northern soldiers are told in Edythe Ann Quinn’s Freedom Journey: Black Civil War Soldiers and the Hills Community, Westchester County, New York (SUNY Press, 2015).
Freedom Journey presents in-depth, personal histories of thirty-six free black men from New York State who fought in the war. The book is both an African-American community history and a Civil War history of three regiments of the United States Colored Troops (USCT). Continue reading