Kerry James Marshall, at the Met Breuer exhibition until January 29, boldly claims center stage in American art with his show entitled “Mastry.” A Chicago-based painter, Marshall seizes the spotlight at the center of conversations about American art at the center of the country’s art scene in New York. His mastery unfurls over a grand expanse of work, complemented by his own selections from the Metropolitan Museum’s collections, a curated sidebar that testifies to his confident deployment of art history in his own work. History, genre, cityscape, portrait – Marshall draws from the visual riches of the past, transforming Western art traditions into his own language. His cityscapes suggest how his paintings reclaim space. Continue reading
Unlike most of riots reviewed in this ongoing series, which pitted civilians against civilians and interventions by police or militia forces to restore order, a June 16, 1857 riot was a battle between the forces of the recently dissolved New York Municipal Police and the newly formed Metropolitan Police. Continue reading
This conflict occurred on May 10, 1849 at the Astor Opera House in Manhattan, New York City. When it was over an estimated lay 25 people lay dead and more than 120 injured when militiamen fired into an unruly crowd that had gathered in front of this theatre. Incredibly, the riot was triggered by the appearance at this venue of a famous British Shakespearean actor, William Charles Macready. It seems that he was as involved in a bitter rivalry with an American actor, Edwin Forrest, and each man was revered by a contingent of diehard fans. Continue reading
Generally speaking, riots tend to happen on hot summer days but the Flour Riot erupted on a cold winter night in February of 1837. The attack on warehouses was sparked by a fear that food was being hoarded by wealthy merchants in lower Manhattan and people in the lower classes might face starvation. In reality, the rumors which inflamed the crowd were greatly exaggerated, lasted about a day and the vandalism which resulted was fairly minor, especially when compared to such later disturbances such as the Astor Place Riot or the colossal Draft Riots. Nonetheless, the Flour Riot was a significant affair because it underscored a growing divide in the city between New York’s prosperous merchant class and a quickly growing lower class of newly arrived Irish immigrants. The riot was also memorable because new method of communication, the “penny press,” had helped to inflame tensions. These cheap newspapers, widely available to the poor, had spread dangerous rumors and provoked a mob to attack a warehouse where flour was stored. Continue reading
The origins of this civil disturbance began in early February of 1788 and broke out in mid April of that year. Actually the City’s doctors did not riot as the name implies. However, it had its origins in the illegal procurement of corpses of free blacks and slaves and poor whites by doctors and medical students at an unaccredited surgical training school in lower Manhattan led by Richard Bailey, a Connecticut-born doctor who had studied in London.
Apparently it was expensive and almost impossible for the school to provide corpses for its teaching purposes and the professors and students resorted to stealing them from nearby Trinity Church yard and other local cemeteries including the one for people of color then known the “Negro Burying Ground” Continue reading
This conflict also known as “The New York Conspiracy Riot” was an amazingly intricate and brutal affair that in addition to its local implications had an international twist as well.
In the context of the longstanding European conflicts, English colonists in New York City felt anxious about the French presence in Canada to the north and Spanish colonies in the Gulf Coast and the Mississippi River Valley to the South and West. They also felt threatened by a recent influx of Irish immigrants, whose Catholicism might incline them to spy for France and Spain. Continue reading
One of the earliest documented riots in New York State that had a racial component or undertone was the so-called Negro Riot of 1712. It began in the area of a section of the New York City that later became be known as “Five Points” due to the convergence of three streets, Anthony, Cross, and Orange.
At that time the northern limits of British New York were present day Canal St. The population was about ten thousand, of which roughly one-fifth were African slaves. Continue reading
Like many states in the nation, New York has a long history of racially and ethnically related civil disturbances, riots, rebellions and uprisings. These unsettling events have had lasting impacts on these communities long after disturbance had passed and relative peace was restored. The following is a descriptive but incomplete list of 18th and 19th century conflicts (principally of those in New York City) in which lives were lost, property was damaged or destroyed and law and order had to be established with the often violent, coercive use of force by police and/or state military units. Most importantly these events occurred in the context of a long-standing history of racial, ethnic and social class conflicts coupled with a triggering incident that set off a more sustained period of communal violence. Continue reading
The National Abolition Hall of Fame and Museum (NAHOF) induction ceremonies for the 2016 inductees will be held Saturday, October 22, 2016 at NAHOF, 5255 Pleasant Valley Road, in Peterboro, NY. The afternoon Abolition Symposia will present programs on each of the inductees:
· Rev. John Gregg Fee at 12:30 pm
· Beriah Green at 1:30 pm
· Angelina Grimké at 2:30 pm
· James W.C. Pennington at 3:30 pm Continue reading
Historic Huguenot Street (HHS) has recently curated a new exhibit to explore the topic of slavery in New Paltz. This exhibit centers around wills and other documents dating from the late 17th century through the early 19th century from the HHS Archives, as well as a late 18th century slave collar from the HHS Permanent Collection. A highlight of the display is the account book of John Hasbrouck that records his work as a freeman, as well as the wages and goods he received as payment between 1830 and 1839. Continue reading