When American writer Henry James labeled the group of American women sculpting in Rome the “white marmorean flock,” he also made another note. “One of the sisterhood was a negress, whose color, picturesquely contrasting with that of her plastic material [white marble], was the pleading agent of her fame.” Like many of his contemporaries, James attributed the success of Edmonia Lewis to her skin color while also disregarding her mixed-race heritage.
In the early nineteenth century, it was difficult to be an American sculptor. There were no professional art schools, no specialized carvers, few quality materials, and only a few practicing sculptors in America. The pilgrimage to Rome was a necessity for those who aspired to be sculptors. If a woman wished to pursue sculpting, she confronted additional obstacles. Continue reading
Ella Madison was born in 1854 in Saratoga Springs, New York. Her parents were John and Caroline Robinson. Her sister, Caroline Victoria (usually called Victoria) was married to Solomon Northup‘s son, Alonzo. (Alonzo and his family later moved to Weedsport in Cayuga County). It was reported that Ella, while a teenager, had relocated to New York City, and marched in a parade in 1869 that commemorated the passage of the 14th Amendment, which guaranteed citizenship rights to former slaves. Her mother died that year, while visiting her daughter, Caroline, in Washington County, New York. Continue reading
In 2005, during Governor George Pataki’s administration, the New York State Legislature created the Amistad Commission to review the state’s curriculum about the slave trade.
“All people should know of and remember the human carnage and dehumanizing atrocities committed during the period of the African slave trade and slavery in America and consider the vestiges of slavery in this country,” the Amistad Commission website says. “It is vital to educate our citizens on these events, the legacy of slavery, the sad history of racism in this country, and on the principles of human rights and dignity in a civilized society.”
Unfortunately, the Amistad Commission’s effort to update the state’s slavery curriculum has been a failure. Continue reading
Malcolm X- Rally for Birmingham, 1963. by Larry Fink. Images Courtesy of Ilon Art Gallery
“If new thought can enter the mind, even for a moment, then change has a chance,” writes JT Liss. His photographs search for those figures and visions that allow us to see new ways and think new thoughts.
Ilon Gallery’s show Harlem: Life in Pictures on view in a classic 1890s brownstone, demonstrates how historic images of figures that have become iconic can acquire new resonance when displayed along fresh takes on a neighborhood that has been a cradle of creativity for well over 100 years. Continue reading
In commemoration of the end of the Civil War, the death of Lincoln, and the Thirteenth Amendment abolishing slavery, the National Abolition Hall of Fame and Museum (NAHOF) has suspended its 2015 induction ceremonies to address the matter of President Lincoln as “The Great Emancipator.” Several programs will provide opportunity for the public to study Lincoln as an abolitionist.
The Thirteenth Amendment (“Neither slavery nor involuntary servitude,… shall exist with within the United States..”) was proposed by the U.S. Senate on April 8, 1864. The movie Lincoln features the historical drama of securing the votes needed in the House of Representative to pass the resolution. The Thirteenth Amendment was passed by Congress on January 31, 1865 and ratified by the states on December 6, 1865. Continue reading
Spirits of the Passage: Stories of the Transatlantic Slave Trade opens in August on board the museum ship Lilac at Hudson River Park’s Pier 25.
The exhibit covers aspects of the maritime trade in African slaves combined with profiles of slaves, former slaves, abolitionists and others whose lives were touched by the global slave trafficking industry. Continue reading
Thirteen bell rings signaled the commencement of morning and afternoon sessions of Peterboro Emancipation Day 2015. Thirteen recognized the Sesquicentennial of the Thirteenth Amendment to the U.S. Constitution which was introduced in Congress January 31, 1865 and ratified December 6, 1865, abolishing slavery in the United States. Continue reading
“Thursday was a gala day for the colored people of [Norwich] and surrounding towns,” the Chenango Semi-Weekly Telegram reported on September 27, 1879. “The occasion being the reunion of the colored soldiers of the late war, under the auspices of the Rescue Hook and Ladder Company of this village.”
The African American fire company had been organized earlier that year and elected Civil War veteran Hannibal C. Molson its Foreman. The day’s program called for a dinner, a parade, and speeches in recognition of their honoree’s service followed in the evening by a meal at the Spaulding House, musical selections, and a ball at Concert Hall. Continue reading
Just across Union Square from The Nation’s headquarters on Irving Place there stands a hole-in-the-wall falafel joint that some of the magazine’s employees— including, rumor has it, the author of this blog post — are known to frequent. Habitually. Like, every day. Sometimes twice. Like salmon swimming home.
Until recently, this behavior had long puzzled scholars — defying, it seems, all we think we know about the instinct to self-preservation. But actually it makes eminent good sense: the falafel joint’s address — 26 East 17th Street — once belonged to the first headquarters of the Union League Club, and it was there, one fateful night in the early summer of 1863, just days before the Battle of Gettysburg, at a clap of divine lightning, at the end of an eternal drum-roll, for good or for ill, depending on whom you ask, the magazine now known the world over as America’s oldest weekly was summoned from the ether and was born. Continue reading
Magic rites in the jungle seal the fate of a love triangle in the long-forgotten opera of H. Lawrence Freeman restaged on Friday and Saturday at Columbia University’s Miller Theatre. Voodoo was composed in 1914 and had its last performance in 1928. The music and libretto come from a composer who was a friend of Scott Joplin. author of more than 20 operas, and founder of the Harlem Renaissance’s Negro Grand Opera Company. The revival features Gregory Hopkins of Harlem Opera Theatre conducting in a production that drew on collaboration with the Harlem Chamber Players and the Morningside Opera. Continue reading