Almost everyone within sniffing distance of public history these days, in any capacity, is on the lookout for the silver bullet that will somehow “rescue” their particular site, or organization, or even the entire field, from the edge of a financial ruin.
For many boards and staff, technology has become the most sexy aphrodisiac around. Even though I haven’t yet seen it effectively used, partly because it becomes dated so quickly, museum and other sites continue to reach for phone tours, or apps, or touch screens, to add that extra element of engagement that will magically connect to those ever-elusive younger audiences that sites yearn to attract. Continue reading
I’m usually the first to groan, occasionally quite loudly, when museum leaders tap into popular culture to gratuitously make their own points, especially when using the most tenuous of connections to justify otherwise unrelated programming in the name of increasing visibility. And what possibly could the fictional, pseudo-medieval realm of Westeros, currently being fought over in its fourth season on HBO, have to teach museum directors?
After all, some of the series’ hallmarks—rampant nudity, murder, profanity, sex, and even incest (and all that in just the first episode)—tend to have very little to do with presenting the past to our modern guests, other than, of course, that it reflects the operative imperative of human nature that informs our work: people are messy, which is what makes telling their stories, and telling them well, such a terribly compelling endeavor. Continue reading