Author Archives: S.Rabbit Goody

Rabbit Goody: A Rare American Ingrain Carpet


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Ingrain or Scotch carpeting was a main stay of early 19th century carpeting for households both common and wealthy. Woven as a two layer double cloth with geometric or curvilinear designs, ingrain carpeting became popular through the last half of the 18th century and blossomed in the 19th century.

One of only four known American produced ingrain carpets is in the collection of The Society for the Preservation of Long Island Antiquities (SPLIA). It also has the most supporting information about its manufacture at Jones Mill, located in Cold Spring Harbor, NY. Advertisements from Jones Mill appear in the newspapers during the 1830′s and document the production of figured ingrain carpeting among other fabrics.

Ingrain carpeting woven by American fancy weavers in the first half of the 19th century is distinct from the imported Scotch and Kidderminster carpets. The American versions use locally produced softer grades of wool and have a slightly different structure, more akin to the structure of woven coverlets of the same period.

It has been extremely difficult to document the American carpets because with the use of soft wools, the carpets were less durable and ended up being worn out, cut up and used for smaller rugs, and simply disappeared.

We’ve been working at Thistle Hill Weavers to reproduce the Jones Mill example both in its original color, and in a blue and white version which will be installed in SPLIA’s restored Sherwood Jayne House.

Master Weaver Rabbit Goody write about historic textiles. Her weaving studio, Thistle Hill Weavers, in Cherry Valley, NY, is a small mill modeled after the trade shops of the 19th century.

Call For Papers: Textile History Forum


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The Textile History Forum, to be held June 8th-10th, 2012 at Hyde Hall in Springfield, NY, seeks papers and presentations on all aspects of textile history from the Pre-Columbian period through the twenty-first century, including textile technology, costume, quilts, weaving, dyeing, spinning, technological innovations, and textile availability. Current and unpublished research is especially encouraged.

Those interested in presenting a paper at the Forum should submit a one-page proposal by March 31st, 2012. Proposals chosen for presentation will be announced by May 1, 2012. Final papers are due by May 31st. Authors will retain copyright and are free to publish their work in other venues. Final papers should be no more than 16 pages long, including citations, bibliography, and illustrations. Continue reading

Hyde Hall: A New Director and Textile Treasures


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For those of you who are not familiar with Hyde Hall, I had the greatest treat a few weeks ago: the new Executive Director, Dr. Jonathan Maney, and I perused the textile and trim collections that have survived at this Regency mansion.

Hyde Hall, a National Landmark and a New York State Historic Site, located in Springfield, NY, was built by George Clarke between 1817 and 1834.

Its importance to material culture historians is based on the extraordinary survival of furniture, textiles, textile ornaments, and receipts for the period of its building. Everything is fully documented.

Rarely do we have the opportunity to put so many pieces together to understand both the style and color way for window treatments in a high style Regency mansion circa 1830.

More important to those of us who work in rural areas, Hyde Hall is not located in an urban environment. Rather, it is far afield from the population centers that we normally associate with high style culture. Hyde Hall is perched high on a bluff overlooking the northern tip of Otsego Lake, about 60 miles west of Albany, New York.

We know that the draper/upholsterer came from Albany as did much of the furniture, and we know the exact volume of fabrics, trim, and ornaments that were ordered. We have surviving fragments of the original red damask, tassels, trim, and ornaments for the grand dining room and the drawing room. These great rooms are elaborate, handsome, and very well preserved.

Hyde Hall offers us the opportunity to study, educate, and reproduce the window treatments with more documentation than nearly any other historic site could ever hope to find.

Rabbit Goody is a textile historian and owner/weaver at Thistle Hill Weavers. She is also the director of the Textile History Forum.