As New Yorkers still struggle without power in the wake of Hurricane Sandy, it plunges us right into the heart of a discussion about the historic waterfront. Under Mayor Michael Bloomberg’s Vision for the 21st Century, proclaimed in 2002, the crumbling infrastructure along the Manhattan and Brooklyn waterfront that once served the port of New York should be harnessed for a variety of development schemes. Continue reading
Armory Armoire. Carol Hepper
Architectural white elephants are a specialty of large urban areas, and armories form a particular subset of these: rife with possible new uses, dauntingly expensive to reclaim. In recent years New York City’s Park Avenue Armory Conservancy has refurbished its 1881 building and turned it into an exciting new space.
Its theatre programs have featured amazing performances with audiences moving on rails for Die Soldaten, or viewing the vast Peter Greenaway multimedia interpretation of Leonardo’s Last Supper. Dance companies, concerts and artistic programs are flourishing and a partnership with the Williamsburg, Brooklyn Art and Design High School gives high school students access to a historic preservation program. Continue reading
DuMond House, Hurley, 1690
The town of Hurley — or what’s left of it after the Ashokan Reservoir sent much of the sprawling township to a watery grave — celebrated its 350th anniversary on September 15th. Jazz, roasted corn, artichokes marinated in white wine with chunk style garlic, and merry shouts of the kids popping balloons and reenactors popping muskets filled the air with smells and sounds of festivity. Continue reading
1853 Singer Sewing Machine
Material culture stormed the British airwaves several seasons back when the BBC broadcast “A History of the World in 100 Objects.” Accompanied by a popular website which actually allows listeners to see images of the objects selected from the world class collections of the British Museum, the series fed an untapped appetite for history in small bites. Neil MacGregor, director of the British Museum observed “Telling history through things is what museums are for.” Continue reading
Artist John Sloan is better known but his wife Dolly was a tireless campaigner for causes in the Village. Sloan’s diaries are full of vignettes describing her buzzing off to demonstrations for the Socialist Party, the International Workers of the World (IWW), and Suffrage. He seems to be following her, and soaking up the atmosphere, more than out there professing his beliefs.
However, Sloan supported votes for women and rights for workers, and drew illustrations for such left wing publications as The Call. Continue reading
The pharaohs commissioned their pyramids, the wealthy and powerful today emblazon their names on buildings, philanthropies and great estates. But in earlier times in America, a convenient way to stamp your ambitions and achievements in the permanent record was to call on the silversmith.
The silver collection at the New-York Historical Society has taste, ornament, style, luxury, sparkle – and permanence. But it also has some quirky and memorable tales associated with its dazzling objects. The exhibition Stories in Sterling showcases some outstanding pieces, with richly detailed annotations in the accompanying catalog by curators Margaret K. Hofer and Debra Schmidt Bach. Continue reading
The annual NY State History conference, held this year at Niagara University, launched with a song from a POW imprisoned in Dartmoor, marking the conference theme on the War of 1812.
The British captured teen-aged Thomas B. Mott in 1813 and he struck back in song, satirizing his captors, decrying the harsh conditions and reign of lice, and stoutly defending presidents over kings. Continue reading