Rosewood Lion. India. Clinton Howell Antiques
Lions, toucans, dolphins, dogs, cocks, — critters galore tread the echoing halls of the Park Avenue Armory in this year’s annual Spring Show, NYC of Art and Antiques.
Made of glass, paint, leather, rosewood, bronze, silver and precious jewels these fanciful creatures are testimony to the enduring pleasures of the animal kingdom as a theme in art and design. And since the ASPCA is the sponsor and even beneficiary of a portion of some sales at this year’s event, tracking the artistic fauna forges a trail through the riches of an extravagant spring ritual. Continue reading
Victoria Woodhull 1828-1927
Love was too important to be left in the hands of the state, thought Victoria Woodhull. And she said so, at Steinway Hall just off Union Square in New York City in 1871, speaking to a packed audience on the principle of “social freedom,” the code word for the right to choose your sexual partners.
“Yes, I am a free Lover, I have an inalienable, constitutional and natural right to love whom I may, to love as long a period as I can, to change that love every day if I please.” The audience went wild. Continue reading
Gordon Parks bought his first camera in a pawn shop and got his first real photography job at the New Deal’s Farm Security Administration (FSA).”American Gothic,” his bold arrangement of a White House cleaning lady with a mop in front of a flag, got him in trouble on his first assignment.
As a multifaceted creative artist, Parks stacked up firsts again and again in a long career that has been seeing numerous tributes over the past year. 2012 was the 100th anniversary of his birth, and exhibits are still underway. Continue reading
On New Year’s Eve the cigar smoke was thick on the sidewalk in front of the famed jazz club, the Lenox Lounge. Men in tuxes and women in clingy gowns stepped out of white stretch limos, three deep on Malcolm X Avenue, a.k.a Lenox Avenue in Harlem, as blue notes popped from the chromed doorway.
A huge bejeweled crowd could be glimpsed dancing and drinking through the wide octogon window. Continue reading
Scape Studio. Plan for Oyster Reefs in NY Harbor
As people blow dry the mold from basement walls and vacuum Sandy from corners and carpets, city activists gathered in a forum sponsored by the Municipal Art Society and Columbia University’s Center for Urban Real Estate, called “Sink or Swim: Waterfront Restoration in a Post-Sandy Era.”
Columbus steers over Central Park
The enormous thirteen-foot tall explorer is steering the Santa Maria
right over Central Park. Tatzu Nishi’s “Discovering Columbus” allows visitors to climb 75 feet up the column in Columbus Circle to see the famous statue up close. Nishi has surrounded it with a living room stage set, furnished with modern accoutrements from Bloomingdale’s, that gives a truly odd twist to the experience of seeing the pock-marked monument set atop a coffee table.
Controversy over Gertrude Stein continues to fester and boil, even after the great public acclaim for the Metropolitan Museum’s The Steins Collect show. Michael Kimmelman’s review in the New York Review of Books (“Missionaries,” New York Review of Books, April 26, 2012. also his July 12 letter in response to criticism) revived old charges that Gertrude was a Nazi sympathizer. Kimmelman gave an overview of the exhibition, which focused on the early years of the Leo and Gertrude Stein in the ebullient art scene in Paris. Continue reading
As downtown Manhattan assesses damage, more specifics are being reported, especially in low-lying Zone A. The Museum of the City of New York (MCNY), which is running the South Street Seaport Museum ,says that the storm surge waters soaked drawers of metal type in the Bowne and Co., Stationers. Continue reading
Hurricane Sandy’s damage to historic areas was concentrated along the waterfronts, islands and harbor in the New York area. Information is quite sparse at present, since power is still lacking in many places, and officials have not made damage assessment tours. Continue reading
As New Yorkers still struggle without power in the wake of Hurricane Sandy, it plunges us right into the heart of a discussion about the historic waterfront. Under Mayor Michael Bloomberg’s Vision for the 21st Century, proclaimed in 2002, the crumbling infrastructure along the Manhattan and Brooklyn waterfront that once served the port of New York should be harnessed for a variety of development schemes. Continue reading